Book Review: Cheap Thrills / An Informal History of the Pulp Magazines

Book Review: 'Cheap Thrills / An Informal History of the Pulp Magazines' by Ron Goulart

4 / 5 Stars 

What was to become known as the great Nostalgia Craze of American popular culture was underway and gathering steam when, in 1970, Tony Goodstone published The Pulps: 50 Years of American Pop Culture, a well-produced hardbound book that combined color prints of pulp magazines covers, black-and-white illustrations from the magazine interiors, and reprints of selected pulp stories.

The indefatigable Ron Goulart (b. 1933), himself a fan of the pulps, followed up in 1972 with Cheap Thrills, his own hardbound exploration of the magazines.

Like Goodstone's book, Goulart provided an overview of the different categories of pulps, highlighting some of the more prominent authors, editors, and characters. However, unlike Goodstone, who brought a 'this stuff is so campy, but hey, it's nostalgic' attitude towards the subject, Goulart was more affectionate in his treatment of the pulps.

In 1973 Ace Books released a paperback version of Cheap Thrills, retitled An Informal History of the Pulp Magazines (192 pp.). The paperback version contains a section of magazine covers reproduced in graytone. Cheap Thrills covered the genre from its origins early in the 20th century, to the decline and eventual cancellation of the pulps in the early 1950s.

In 2007 the Hermes Press released a 8.4 x 10.8 inch trade paperback version of Cheap Thrills, with additional text and illustrations.

Copies of all three editions of Cheap Thrills can be had for affordable prices, but the 2007 Hermes Press edition is the best of them in terms of illustrations and content.

I found Cheap Thrills to be very readable, filled with little bits of info and anecdotes that help illuminate not just the pulps, but American pop culture as a whole. Goulart starts the book off with an overview of the growth of the magazine market in the US during the late 19th and early 20th centuries, then segueing into chapters devoted to the different pulp genres: heroes, The Shadow, Doc Savage, crimefighters, secret agents, cowboys, Tarzan and barbarians, and science fiction. In the Hermes Press edition these chapters are crammed with reproductions of the magazine covers and interior illustrations.

My one complaint about this section of the book is that whoever took the photographs inadvertently wound up cropping many of the covers...........?!

The closing section of the Hermes Press edition reproduces in their entirety the letters mailed to Goulart in response to his inquiries to pulp editors and writers for their reminiscences of the era. Along with insights into how the pulps operated, it's illuminating to see what it really meant to type a letter in 1969, years before word processor programs and PCs and personal printers became something we now take for granted.

The interviews with pulp authors make clear that during the depths of the Depression writing for a penny (or sometimes a half-penny) a word was a route to financial security (or even wealth, for some practitioners) for men (and more rarely, women) who were seeking to escape the pervasive hard times then gripping the nation.

Summing up, if you are a fan of the pulp era and its heroes, interested in American history and pop culture, or interested in the art of magazine illustration, Cheap Thrills is worth picking up.

Totem El Comix: Especial Concurso

Totem El Comix: Especial Concurso

(Totem comics: Special Contest)

art by Federico Gonzalez

1987

This striking illustration by the artist Jose Luis Escalante  was used to demarcate a 'sampler' insert of comics from the Spanish magazine Totem El Comix that appeared in a 1987 issue of the Zona 84 Especialo Concurso (which loosely translates into 'special contest' or 'special competition' in English). 

Like Zona 84, Totem El Comix was published by Toutain and was aimed at the same readership that Heavy Metal magazine addressed in the U.S.A., albeit with greater emphasis on 'erotic' material.

The above illustration was part of the short comic, titled 'A Key Prisoner' (Un Llave Prisoniera) that was drawn by Escalante and written by Federico Gonzalez, and published in the Especialo Concurso. I've posted it below. It's unfortunate that an English translation never was made............

Book Review: Killbird

Book Review: 'Killbird' by Zach Hughes

3 / 5 Stars

'Killbird' (170 pp) was published by Signet in June, 1980. The cover illustration is by Ken Kelly.

'Zack Hughes' was the pen name of the U.S. author Hugh Derrel Zachary (1928 - 2016). In addition to science fiction, Hughes / Zachary also wrote softcore porn (A Dick for All Seasons, 1970) and horror (The Revenant, 1988) novels.

'Killbird' belongs to the sub-genre of sci-fi novels in which the representative of a post-apocalyptic world gradually comes to an understanding of the circumstances by which the Ancients (or the Forerunners, or the Gods, or the Exalted Ones, etc., etc.) have left behind various artifacts in the landscape. These artifacts offer both danger and opportunity to those brave enough (or foolhardy enough) to violate the taboos and warnings of the Seers and Wise Women.

In this case, a tribesman named Eban contests for the favors of the comely Yuree, the headman's daughter. In so doing, his actions make him an outcast. In his subsequent wanderings of the wilderness he encounters regions of 'evil' (i.e., radiation), 'dragons' (i.e., ancient war machines) and the abodes of the Giants (i.e., the high-tech constructs of the since-departed Ancestors). 

During the course of these explorations Eban comes to greater awareness of the ambiguous nature of the Gods (particularly their aerial weapons, the Killbirds of the book's title) and what this portends for the fate of himself and his people. The book's closing chapters provide an explanation of the nature of Eban's world, as well as some tie-ins to the wider universe defined in Hughes's previous novel The Legend of Miaree (1974).

Although 'Killbird' doesn't bring anything particularly imaginative to the post-apocalyptic genre, within its relatively short length it is smoothly written, well-paced, and avoids contrived revelations in its denouement. In this regard, it's a solid three-star title.

2000 AD Graphic Novels

2000 AD Graphic Novels

It's sometimes possible to find these older graphic novels, featuring various 2000 AD titles, on the shelves of used bookstores.......usually for no more than five or six dollars each. 

Over the past month, I purchased the three pictured above by carefully peering at the shelving in the graphic novel section of the stores; these 2000 AD books are easily overlooked due to their thin page count (usually 64 pages). 

Published by Titan Books in the 1980s, these graphic novels are sized at 11 x 8 3/4 inches, which more closely approximates the dimensions of the original 2000 AD comics than the sizing used for American-made graphic novels. And by reproducing the black-and-white artwork on a higher grade of paper, it's readily apparent how skilled the 2000 AD artists were in their draftsmanship, particularly in terms of linework and shading.

art by David Roach for 'Anderson: Psi Division', originally printed in 2000 AD Prog 614, February 19 1989

So, if you are fan of British comics, comic art in general, and 80s pop culture, then it's worth your while to keep an eye out for these old-school 2000 AD graphic novels.

Book Review: Starkadder

Book Review: 'Starkadder' by Bernard King

4 / 5 Stars

‘Starkadder’ (244 pp.) was published by the New English Library in April, 1986. The cover artist is uncredited.

Bernard King (b. 1946) is a UK writer who published a number of well-received horror / fantasy novels during the 80s. None of these novels were published in the US, so finding them can be a bit complicated. 

A Google search for information about his writing was not overly informative, but King apparently also published nonfiction works on Scandinavian history, as well as ‘The Way of the Runes’, a 2002 guide to using rune magic for improving life and health.

[note: I suggest NOT reading the Kirkus Reviews entry for 'Starkadder', as it contains spoilers.]

This is the first volume in the so-called ‘Starkadder’ trilogy, the other volumes being ‘Vargr-Moon’ (1986) and ‘Death-Blinder’ (1988).

The novel builds on King’s knowledge and familiarity with Scandinavian myths and legends; it is based on Starkad, a hero from Norse mythology and the subject of a number of Skaldic poems. King also works in aspects of the 13th century Ynglinga Saga, which deals with the Norse gods and their involvement in human affairs. 

‘Starkadder’ is set in medieval Sweden, under the mythological Ynglinga dynasty. The dynasty’s current monarch, King Oli, is a psychopath, albeit one whose declining health does not prevent him from ruthlessly torturing to death any member of his court suspected of conspiring to overthrow the throne. 

Starkadder, one of Oli’s soldiers, is a disruptive force in the fate of both gods and men. Cursed by Thor to not only live three hundred years, but to commit an act of deepest treachery in each century, Starkadder’s elderly appearance belies the fact that he is invincible in combat, and the most feared killer in all of the North. As the novel opens, a world-weary Starkadder longs for death, which will only be awarded to him when he commits his final act of treachery. 

King Oli’s greatest fear is that Starkadder’s treachery will involve removing Oli from the throne. To this end, Oli maneuvers to have Starkadder dispatched by a mercenary named Angantyr, who wields a magical dwarven blade called Tyrfing.

 

Little does Oli know that the confrontation between Starkadder and Angantyr will set into motion events that will determine the ultimate fate of the Norse peoples, in an era in which the missionaries from the South are jeopardizing the existence of the Old Gods by spreading the doctrine of the White Christ. Will the machinations of mortal men, as well as the machinations of Odin, the Norns, and the malevolent Dvalin, King of the Dwarves, bring about the act of treachery that will set Starkadder free from his curse ? 

I found ‘Starkadder’ to be a solid four-star fantasy novel, one with a strong underpinning in historical reality. Author King’s descriptive passages are very successful in providing the reader with a sense of the landscapes and societies of medieval Scandinavia, and the influence held by the Norse pantheon upon the populace. The interaction of the supernatural with the natural is worked into the narrative in an understated, but effective manner and the novel’s denouement stays true to the plot rather than employing contrivance.

The verdict ? If you like your medieval fantasy novels to be suffused with a note of gritty reality, then ‘Starkadder’ will satisfy. While paperback and hardbound copies of the book can be rather pricey, they are worth acquiring, as - presumably - are the other two volumes in the series.

I Wish It Could Be Christmas Everyday by Wizzard

I Wish It Could Be Christmas Everyday

Wizzard, 1973

In 1973, 'Wizzard', a group formed by former 'Move' member Roy Wood, released their new album, Wizzard Brew, as well as a single titled 'I Wish It Could Be Christmas Everyday'. While the band split up in 1975, the song remains a perennial Christmas favorite in the UK. I had never before heard it until this Christmas 2020, but now that I have, it will be a playlist fave.

Enjoy the goodness from 1973 !

When the snowman brings the snow

Well he just might like to know

He's put a great big smile on somebody's face

If you jump into your bed

Quickly cover up your head

Don't you lock the doors

You know that sweet Santa Claus in on the way

Well I wish it could be Christmas every day

When the kids start singing and the band begins to play

Oh, I wish it could be Christmas every day

Let the bells ring out for Christmas

When we're skating in the park

If the storm cloud makes it dark

Then your rosy cheek's going to light my merry way

Now the frosticles appear

And they've frozen up my beard

So we'll lie by the fire

Till the sleet simply knocks 'em all away

Well I wish it could be Christmas every day

When the kids start singing and the band begins to play

Oh, I wish it could be Christmas every day

Let the bells ring out for Christmas

When the snowman brings the snow

Well he just might like to know

He's put a great big smile on somebody's face

So if Santa brings that sleigh

All along the Milky Way

I'll sign my name on the roof top in the snow

Then he may decide to stay

Well I wish it could be Christmas every day

When the kids start singing and the band begins to play

Oh, I wish it could be Christmas every day

Let the bells ring out for Christmas

Well I wish it could be Christmas every day

When the kids start singing and the band begins to play

Oh, I wish it could be Christmas every day

Let the bells ring out for Christmas

Why don't you give your love for Christmas?

When the snowman brings the snow

When the snowman brings the snow

Pink Floyd Football Club

Pink Floyd Football Club
January 1972

An interesting article (in Italian) about the Pink Floyd Football Club (PFFC), also known as the 'First Eleven', made up of the band, colleagues, and wives (who formed the cheerleading section). During the early 1970s football was a major passion of the band, and they routinely played matches against other amateur clubs, including a team of 'Marxists' from northern London whom the PFFC defeated, 4 - 0. 

According to Nick Mason's book Inside Out: A Personal History of Pink Floyd, the below photo was taken in January 1972 on the occasion of a match against a band called the 'Family'.

Back row, left to right: Nick Mason, Roger Waters, Peter Watts (roadie and father of actress Naomi Watts), 'Liverpool Bobby' (roadie) Andrew Max (lighting technician), David Gilmour, Storm Thorgerson (album cover artist, co-founder of the Hipgnosis studio), Rick Wright. Front row, left to right: Warwick McCredie (tour manager), Puddie Watts (mother of actress Naomi Watts), Jenny McCredie, Ginger Gilmour, Gai Powell (wife of Hipgnosis co-founder Aubrey Powell), Chris Adamson (road manager), Judy Waters, Tony Howard (agent)

The Monsters: April 1934 and June 1965

The Monsters
April, 1934 and June, 1965

James Bama was a gifted artist who, from 1964 to 1971, produced covers for 62 of the Doc Savage paperbacks from Bantam Books.

It's interesting to see Walter Baumhofer's cover art for the original April, 1934 issue of Doc Savage magazine, featuring the novel 'The Monsters', and how Bama reworked it for the Bantam paperback edition published in June 1965.

Book Review: The Trudeau Papers

Book Review: 'The Trudeau Papers' by Ian Adams

5 / 5 Stars

'The Trudeau Papers' (108 pp.) was published in hardcover by McClellan and Stewart, Ltd., Toronto, in 1971. As far as I can tell, no paperback edition ever was released.

Canada's Liberal Elite always has viewed the United States with suspicion and skepticism, but it was during the 1960s that this suspicion blossomed into outright detestation, aided in part by the Vietnam War. The attitude of the Liberal Elite is best summed up in the lyrics to the Guess Who song American Woman, from 1970:

I don't need your war machines

I don't need your ghetto scenes

Colored lights can hypnotize

Sparkle someone else's eyes

Now woman, get away from me

American woman, mama let me be

'The Trudeau Papers' is a prime example of the Canadian Left's paranoia toward the U.S. Its author, Ian Adams (b. 1937) has written a number of Cold War-era thriller novels, some of which posit collusion and conspiracy between the Canadian government and the CIA.

'Trudeau' is framed as the first-person narrative of a Canadian man named Alan Jarvis. The novel eschews formal chapters in favor of being divided into segments, ranging from a half page to several pages in length, that serve as commentaries and diary entries. These constitute the eponymous 'papers' that Jarvis intends to bequeath to the Canadian public. 

'Trudeau' is set in late 1975 or early 1976. In its opening segments, Soviet and American ICBMs armed with H-bombs have accidentally detonated over Canada (the circumstances under which this happens are more than a little contrived, and the novel's major weak point). Edmonton, and a sizeable tract of Sasketchewan, are turned into cinders, and over a million people die from the explosions or the resultant fallout.

Under the pretext of helping their stricken neighbors to the North, the U.S. Canadian Military Assistance Program (CANMAP) sends large numbers of troops into Canada, seizing control of major metropolitan areas. Canada's resource-based industries are obliged to operate under American supervision, with the revenue diverted south of the border instead of to the desperate citizens of Canada. 

As atrocities mount, and what is left of Canadian sovereignty evaporates, it is up to bands of resistance fighters to conduct guerilla warfare to liberate Canada from its oppression at the hands of the Yankee Capitalists. As Alan Jarvis soon discovers, the fighting will be costly and without mercy, and the outnumbered and ill-equipped freedom fighters will find themselves the weaker party in many engagements.

But as Jarvis is to learn, in the struggle for liberation, personal sacrifices on the part of the members of the Resistance cannot always be avoided...........

'The Trudeau Papers' is a very readable novel, and a successful manifestation of 'Yankee-phobia' (upon its publication, the book apparently caused a sensation in Canadian circles). 

Author Adams uses a clipped, declarative prose style that works well in evoking the horrors of nuclear devastation, and the brutality (which deliberately evokes the American 'pacification' operations conducted during the Vietnam War) visited upon hapless Canucks by the U.S. military. The book is relentlessly bleak in its outlook, and a 'happy' ending is by no means assured.

The verdict ? 'The Trudeau Papers' is a polemic, of course, but an engrossing one. While those few copies still available can have steep asking prices, if you see this book for sale for a reasonable price, it's worth picking up. 

Richard Corben R.I.P.

Richard Corben R.I.P.

October 1, 1940 – December 2, 2020

Richard Corben passed away on December 2 at age 80 following heart surgery. 

I've been fortunate enough over the years to acquire compilations and graphic novels of his underground and aboveground works (pictured below). Sadly, many of these volumes now are long out of print and existing copies have exorbitant asking prices. But it's nice to have them to complement my copies of Fantagor, Heavy Metal, and Creepy Presents: Richard Corben.

If you are a Baby Boomer, then Corben's work was part of the sci-fi pop culture that came to define that era. For me, Corben's artistic talent came into focus with the advent of Heavy Metal magazine and his 'New Tales of the Arabian Nights' comic serialized in the magazine during 1978 - 1979. 

Thereafter, I followed his works all the way through his more recent comics for Dark Horse such as Aliens: Alchemy, Ragemoor, Rat God, and Shadows on the Grave. 

His work always was distinctive and memorable, particularly his coloring schemes, which were achieved with painstaking care and prefigured the effects that would become commonplace with the arrival of Photoshop and digital art composition.

Hopefully, within the next year or so we will see his non-Warren comics and graphic art reissued in trade paperbacks and hardcover volumes designed to be read by a new generation of sci-fi fans.