Book Review: Icequake

Book Review: 'Icequake' by Crawford Kilian

3 / 5 Stars

‘Icequake’ (243 pp) was published in February, 1980 by Bantam Books; the cover artist is uncredited, but may be John Berkey, or perhaps Lou Feck.

‘Icequake’ is another of those sf novels of the 70s (see my review of ‘The Sixth Winter’ here) that dealt with the phenomenon of Global Cooling and the New Ice Age. Indeed, in the pages of ‘Icequake’, you’ll find a passage in which the Greenhouse Effect / Global Warming is disparaged by the scientists of the New Shackleton Station !

The novel takes place in the ‘future’, i.e., early 1985. It’s not a nice 1985, either; the Earth has somehow lost its magnetic field, and the ozone layer, along with a chunk of the upper atmosphere, has been stripped by unprecedented solar activity; crops are dying from excessive UV radiation, and transmissions in the electromagnetic spectrum are drowned out by static.

At New Shackleton Station, a large research outpost located on the Ross Ice Shelf of Antarctica, the multinational crew of scientists and staff are preparing to shut down the station and evacuate before the arrival of the Antarctic Winter. However, an alarming message comes in from the U.S. base at McMurdo Station: Mount Erebus is erupting, and violently so. The eruption is quickly followed by a massive earthquake, or ‘icequake’, that splits the Ross Shelf into massive ice plates separated by networks of vast crevasses.

The crew at New Shackleton discover that their evacuation plans are cancelled; the icequake and the volcano have made air travel to Antarctica from New Zealand impossible. The New Shackleton crew are faced with the unenviable task of spending the entire winter – when the continent is at its most dangerous – huddled in the underground tunnels and revetments of their installation.

But new complications arise: the icequake has made real an unprecedented geophysical phenomenon. The entire Ross Ice Shelf has become detached from the mainland and is moving, at a speed of several kilometers per day, into the Ross Sea and the Southern Ocean. As the ice of the Ross Sea collides with that of the oncoming Shelf, more earthquakes are triggered. The Station crew must confront the likelihood that the ice underlying their installation may fracture and drop them into the ocean.

Antarctic Winter starts to take hold, and the sun begins to vanish for what will be four months of perpetual darkness. Blizzards that last for days descend on the Station, and temperatures drop to – 40 C. It’s up to the crew to devise an escape plan……..but time is running out………

Incorporating features of Antarctic adventure, disaster tale, and eco-catastrophe novel, ‘Icequake’ could have been an ambitious, but ultimately unsuccessful combination of sub-genres; however, author Crawford Kilian does a good job with handling both his narrative and a large cast of characters, and the book wound up being an entertaining read.

There is too much exposition at times on the climatology, geology, and geophysics of the Antarctic, and some of the mini-disasters that strike the hapless Station and its personnel seem more like padding than episodes intrinsic to the main narrative. However, the novel maintains a sense of realism in terms of its locale and the actions of the survivors. 

If you are a fan of disaster / New Ice Age sf, then you’ll want a copy of ‘Icequake’.

Reunion from Epic Illustrated, February 1984

Reunion
by Archie Goodwin (story) and Phil Hale (art)
from Epic Illustrated issue 22, February 1984

This graytone strip suffers quite a bit from the poor reproduction of the original art - which may have had something to do with the fact that Epic Illustrated was using a cheaper, lower-grade paper stock (akin to that used by the Warren magazines, for example) for much of its non-advertising -related content. 

As well, it's been 30 years since this issue was printed and some fading of the artwork is to be expected. In any event, however, it remains a interesting little sf tale and one worth reading.

The Bus

'The Bus' by Paul Kirchner

Book Review: Cyberstealth

Book Review: 'Cyberstealth' by S. N. Lewitt

1 / 5 Stars

‘Cyberstealth’ (232 pp.) was published by Ace Books in August, 1989; the cover artwork is by Luis Royo. 

A sequel, ‘Dancing Vac’, also was published by Ace in February 1990.

It’s the future, and war is raging between the worlds of the Collegium and the worlds of the Cardia coalition. Both entities have ringed their major planetary system with sophisticated early warning satellites and patrol ships, making direct assault too costly to attempt. Therefore, much of the war involves small, but vicious, conflicts: the destruction of unescorted merchant ships, terror raids on unsuspecting cities, hit-and-run sorties on enemy bases, and other acts of attrition.

Cargo – real name Raphael – is a hot-shot fighter pilot. His co-pilot Ghoster is a member of the alien race of the Akhaid. Together, Cargo and Ghoster have been so successful that, as the novel opens, they have been among the lucky few selected to train, and fly, the ultimate space fighter plane, the ‘cyberstealth’ aircraft of the book’s title: the Batwing.

Crucial to the operation of the Batwing is its cybernetic interface with the pilot; once jacked into ‘the Maze’, or cyberspace, the plane is capable of responding instantly to conscious or even subconscious commands from its pilot.

As Cargo and Ghoster start their Batwing training on the windy and desolate planet of Vanity, some unsettling events come to cast a shadow over the squadron: one of their number may be a spy for Cardia. And an unknown stealth craft has been observed in orbit above the planet.

As Cargo and Ghoster set out on their first mission as a Batwing team, unknown to either of them, the stakes have grown higher in the conflict between the Collegium and Cardia…..and at the center lies a conspiracy that involves Cargo’s own mentor……..

‘Cyberstealth’ is one of the most boring sf novel’s I’ve ever read. I got to page 136 before giving up in exasperation. 

The story’s premise is seemingly entertaining, if not unduly original, and given its 1989 publication date, author Shariann Lewitt certainly had ample time to absorb the cyberpunk ethos and apply it to her novel.

But ‘Cyberstealth’ suffers badly from over-writing. Too many empty sentences, too many strained metaphors, too many interior monologues that go on way too long and suck all the life out of the story. 

For a novel designed around a military theme, the necessary action sequences are few and far between. For example, much of the book’s first half is preoccupied with documenting the emotional and spiritual backgrounds of the characters, their personality clashes, their inner doubts and fears, etc., etc.

So much of the narrative is wasted on this tangential material that, when I reached page 136, I discovered that Cargo had flown his Batwing exactly…..twice….! 

‘Cyberstealth’ reads as if the author had decided to not just emulate the dense prose style of a novel like ‘Neuromancer’, but made the fatal decision to try and top it. The result simply doesn’t work. 

The verdict ? There are plenty of first-gen cyberpunk novels that are more worthy reads than Cyberstealth.

Pigeons from Hell adapted by Scott Hampton

Pigeons from Hell
from the short story by Robert E. Howard
adapted by Scot Hampton
Eclipse Books, November, 1988

Robert Ervin Howard wrote 'Pigeons from Hell' in 1934, and the story was published posthumously in Weird Tales in 1938. 

The story deals with John Branner, a New Englander, who is travelling the South with a companion. The two men decide to stay the night in an abandoned plantation home.

Needless to say, staying the night in an abandoned plantation home has its drawbacks, and soon, John Branner finds himself dealing with murder, voodoo, and the awareness that Dark Forces lurk just outside the limits of human comprehension.

'Pigeons' was adapted into a 51-page graphic novel by Scot Hampton and published by the Indie Comics publisher Eclipse, in November 1988. 

Hampton devoted considerable time and effort to crafting this graphic novel, and it shows. His draftsmanship is impressive, and while to some extent the color scheme is under-exposed, it nonetheless works well to give the novel its overall atmosphere of decaying creepiness.

 

'Pigeons from Hell' has long been out of print, of course, but with a bit of searching, copies in good condition can be found for $10 - $20. These are well worth picking up. 

In 2008, Dark Horse published a four-issue 'Pigeons' miniseries, written by Joe R. Lansdale, with art by Nathan Fox.

In my opinion, the Dark Horse series is mediocre, primarily due to Fox's cartoony approach to the artwork - a cartoony style more suited to one of those incessant X-Men titles that depicts the mutants as younger kids garbed in clothing and gear straight from the aisles of Wet Seal, Forever 21, and Pac Sun........

Hampton's version remains the definitive graphic novel of 'Pigeons from Hell'.

Book Review: The Green Brain

Book Review: 'The Green Brain' by Frank Herbert

1 / 5 Stars

‘The Green Brain’ first was published as a novelette titled ‘Greenslaves’ in Amazing Stories in 1965; this Ace paperback (160 pp) prints an expanded version of the novelette, and was issued in 1966. The cover artist is unknown.

The novel is set in the ‘near future’. The overpopulation of the planet has meant that ever-larger tracts of land – including much of the Amazon tropical forest – are being plowed under and subject to cultivation. In order to maximize yields, the International Ecological Organization (IEO) has deployed new formulations of insecticides, which are used to carpet-bomb the terrain. Once areas are cleared, high-tech ‘vibration barriers’ are deployed to prevent reinfestation.

Needless to say, these sorts of mass applications are playing havoc with the ecology, and in some areas of Brazil, and the state of Mata Grosso, in particular, resistance to insecticides and herbicides is showing up, and fields once free of insects are being reinfested. Eco-activists, termed ‘Carsonites’, are decrying the despoiling of the ecology by mechanized, intensive agriculture, and warn that the Earth is in danger.

As the novel opens, a team of scientists from the IEO has been deployed to Bahia, Brazil to investigate the reinfestation phenomenon, and the rumors of strange varieties of insects emerging in the interior. 

At a swank nightclub, Rhin Kelly and Travis Huntington Chen-Lhu of the IEO team make the acquaintance of Joao Martinho, a native Brazilian and chief of the Irmendades, the state / corporate entity responsible for eradicating insect life from the cultivated zones of the Mata Grosso. No sooner have the parties embarked on conversation, that one of the rumored mutant insects appears in the street outside the nightclub, terrorizing the citizens and requiring dramatic action from Martinho.

Their curiosity – and suspicion - aroused, the IEO duo travel into the depths of the Mata Grosso, to where the reinfestation reportedly is under way. When he gets word that the IEO team has encountered trouble of some sort, Martinho quickly flies out to investigate.

Martinho, Kelly, and Chen-Lu soon discover some disturbing aspects to the reinfestation, and the lethal insects that are associated with it. For it appears that some sort of hive-mind – a ‘Green Brain’ - is governing the actions of the insects. Does it seek revenge on the humans who are intent on the eradication of the insects ? Or does the Green Brian has a larger goal in mind…..one the human race cannot ignore ?

‘The Green Brain’ is one of the worst sf novel’s I’ve ever attempted to read; I got as far as page 100 before giving up.

The subject matter seems inherently dramatic – you can’t go wrong with mutant bugs spitting concentrated formic acid - and the Eco-Awarenes themes of the novel were (and are) very topical. So how and where does ‘The Green Brian’ go so wrong ?

Well, for one thing, Herbert seems to have made a conscious effort to make this a ‘literary’ novel, and he was simply not a skilled enough writer to accomplish this ambition. ‘Green’ is filled with tedious conversations and stilted interior monologues, all presuming to provide the reader with profound insights into the personalities and attitudes of the main characters. Instead, these conversations and monologues team up with labored expository passages to weigh down the narrative. Too much text is wasted on empty prose.

‘The Green Brain’ is a dud, one of an unfortunately large number of duds that Herbert cranked out over his career. Unless you are intent on reading everything Herbert authored, you can pass on this one.

New York: Year Zero issue 4

New York: Year Zero
by Ricardo Barreiro (script) and Juan Zanotto (art)
Eclipse Comics
Issue 4, October 1988

Issue One is here.

Issue Two is here.

Issue Three is here.

In the fourth and final issue of the series, Brian Chester, along with Delfina Carson, leads a commando team through New York City's sewers. Their mission: breach the stronghold of the Rofeller corporation. But the sewers of this postmodern NYC contain entities more dangerous than just the typical rat..... or alligator....

Here it is, the final episode of 'New York: Year Zero':