SO....what's a PorPor Book ?
'PorPor' is a derogatory term my brother used, to refer to the SF and Fantasy paperbacks and comic books I eagerly read from the late 60s to the late 80s.
This blog is devoted to those paperbacks and comics you can find on the shelves of second-hand bookstores...from the New Wave era and 'Dangerous Visions', to the advent of the cyberpunks and 'Neuromancer'.
Men of the Legion Part One Alfredo Grassi (story) and Alberto Salinas (art) from Merchants of Death, Eclipse Comics Issue No. 3, October 1988 Reader Tom Dulski asked for these two stories from Merchants of Death to be posted here to the PorPor Books Blog. Eclipse editor and publisher Catherine Yronwode provided no information in either issue 3 nor issue 4 of Merchants of Death as to the origin of 'Men of the Legion'. I had to do some Google digging to discover that the strips originally appeared in 1975, as a comic published in Spain (?), called Hombres de la Legion.
Argentinian artist Salinas (1932 - 2005) provided exemplary art for comics publishers in Europe and the UK during the 60s, 70s, and 80s. You can get a sense of just how talented Salinas was by his depiction of the quasi-psychotic Sergeant Lebrun (then again, what French Foreign NCO isn't psychotic ?) in this particular panel. Art of this caliber is quite rare in contemporary comics, that's for sure.
Salinas's penmanship for these stories is compromised the low-res reproduction in the original Merchants of Death magazines, and I've had to increase the contrast on the scans to try and improve things. Part One is below; Part Two will be the following post.
4 / 5 Stars 'Phoenix Prime' (188 pp) was published by Lancer Books in 1966; the striking cover art was done by Frank Frazetta. I remember seeing this book on the store shelves when I was a kid; its brilliant cover painting made it stand out from any other title on the shelves. 'Phoenix Prime' also was a perennial entry in the sci-fi section of the used bookstores I patronized in my younger days. It often was accompanied by the two sequels in the so-called 'Qanar' trilogy: 'The Sorceress of Qar' (1966), and 'Star Wolf' (1971).
For all my familiarity with the book, I never actually picked up a copy until recently. So..........how does 'Phoenix Prime' stack up as a 60s sci-fi adventure ? 'Phoenix' opens in New York City in the mid-60s, where a young man named Max Quest discovers he has superhuman abilities, including levitation, thought-reading, and pyrokinesis. His girlfriend Fran is at first alarmed by the display of these abilities, but Max assures her he is in complete control of his powers, even as he admits to having no idea from whence they come. Max's astonishment over his changed persona is abruptly interrupted by waves of physical and psychic assault from mysterious entities known only as the Others. Outwardly human in appearance, the Others possess the same superpowers, but use them to manipulate and coerce people for their own advantage. When Max rebels against this misuse of power, he is marked for elimination by the Others. Although Max Quest is able to resist the attacks by his enemies, the Others are quite willing to take advantage of his affection for Fran by exiling her to Qanar, a planet located in a dimension parallel to that of Earth. To save Fran, Max is forced also to journey to Qanar. There he discovers, to his dismay, that his superpowers are inert..........and the plentiful dangers lurking in the trackless desert will have to be faced with nothing more than the makeshift tools he can fashion from the stones and branches lying in the sand.......... I perhaps may be over-generous in awarding 'Phoenix Prime' four of five stars. It has within it much of a pulp novel; the opening chapters address the superman theme in a way that calls to mind the superheroes of the Marvel comics then emerging as a pop culture phenomenon in the mid-60s. With the journey of Max Quest to Qanar, however, the novel suddenly transforms into a Planetary Romance. It's this transition that gives the novel an engaging quality, for White takes care to avoid the traditional conventions of that sub-genre of sci-fi. White elects to give his expository passages a contemplative, almost existential quality that reflects the influence of the New Wave movement then rising in sf circles. However, to keep the narrative from becoming too static or self-absorbed (a failing common to many New Wave novels) he provides segments of violence and mayhem that are effective in their intensity (but also quite politically incorrect by modern attitudes - !). Summing up, 'Phoenix Prime' is one of the better examples of mid-60s sci-fi. It takes advantage of the freedoms granted by the advent of the New Wave movement, while not sacrificing a sense of fun and adventure. If you should see a copy on the shelf, I recommend picking it up.
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