'Slow Death' comics No. 11

This version of 'Slow Death' No. 11 was printed in 1992 and features a cover illustration by Greg Irons, who also contributed (posthumously) several strips. Also included are 'Panic in Year Zilch' by Graham Manley;'Overture to Armageddon' by Warren Greenwood; and 'Super Cosmic Comic Creator Comix' by Wally Wood. One of the better stories in this issue is 'Cold Snap' by Alan Moore and Bryan Talbot (of 'Luther Arkwright' fame). Talbot's black and white artwork is, as always, very good.

 

For a nice gallery of selected 'Slow Death' stories from issues 1 - 9, including many I don't post for reasons of Adult Content, try the 'Golden Age Comic Book Stories' blog.

Book Review: 'Earth Lies Sleeping' by Laurence James (Simon Rack No. 1)

3 / 5 Stars

The ‘Simon Rack’ series comprised five short novels released in 1974 – 1975 by the indefatigable British writer Laurence James (1942 – 2000). In the UK the Simon Rack paperbacks were published by Sphere Books, while in the US they were issued by Zebra  Books. ‘Earth Lies Sleeping’ was published in 1974 and this Zebra edition features a cover by Vincent DiFate.

Simon Rack was something of a mix between James Bond and Perry Rhodan. As an operative in the Inter-Galactic Security Service, Rack is routinely dispatched to handle the toughest assignments. Joining Simon for his adventures is his right-hand man, Eugene Bogart.

In this first of the Simon Rack series, we learn that 500 years into the future, Earth is not the hallowed Mother Planet, but rather, a destitute world still recovering from the effects of the Neutronic Wars centuries previously. Society is sputtering along at a medieval level, with feudal lords ruling lands occupied by hapless serfs. Earth remains valuable to the Federation for its ability to supply the precious element ‘Pheronium’, used to power starships. When GalSec gets word that a conspiracy may be afoot on Earth to control the supply of the precious element, Simon and Bogart are sent to investigate.

‘Earth Lies Sleeping’ gets started with an intense flashback sequence, as we witness the graphic execution of a peasant family who are caught poaching on Baron Mescarl’s hunting grounds. Events then move to the present-day, and the arrival on Earth of Simon and Bogart as undercover operatives. In short order our heroes come to the attention of the Baron and his ruthless lieutenant, Henri de Poictiers, and the first of many scrapes that will test their ingenuity, resolve, and ability to withstand pain….

As a straightforward SF adventure, ‘Earth Lies Sleeping’ delivers. Author James knows he has to keep the narrative moving at a rapid clip, while providing just enough exposition keep his characters from becoming too-thin caricatures. The action is violent and brutal, the villains are genuinely villainous, there is torture aplenty, and a rousing finale involving access to a particularly gruesome type of weapon. But there is never too little time for Simon not to go shtupping a comely wench – although the  70s flavor surrounding these activities may not be to the liking of contemporary audiences.....

An interesting interview with Laurence James is available here. 

'The Bus' by Paul Kirchner

Book Review: 'Flashing Swords 4: Barbarians and Black Magicians' edited by Lin Carter

 4 / 5 Stars

The ‘Flashing Swords’ series, published by Dell, was an interesting experiment in providing a forum for novelette-length fantasy, and sword-and-sorcery, tales for the increasing audience this literature was garnering in the mid- to –late 70s. Edited by Lin Carter, most of the submissions came from established genre writers, and all were written specifically for the 'Flashing Swords' imprint.

‘Flashing Swords 4: Barbarians and Black Magicians’ was released in November 1977 and features a stylish cover (of Elric of Melnibone’) by Don Maitz. I purchased the book at that time, and found it reasonably entertaining.

How do the stories stack up more than 30 years after first being read ?

The anthology leads off with an entry by Jack Vance in his ‘Cugel the Clever’ series. Our hero must, as always, rely on his wits to get him out of a scrape involving a rival magician and a short-tempered Prince. At the time I first read ‘The Bag of Dreams’ I was exasperated by Vance’s use of eccentric adjectives and his habit of giving his characters studiously ironic dialogue; but over time I’ve mellowed, and this story, with its emphasis on humor, is more rewarding the second time around.

‘The Tupilak’, by Poul Anderson, is an entry in his series about Scandinavian-flavored mermen. The brother-and-sister pair of Tauno and Eyjan get caught up in a violent feud between Norse and Eskimo. Anderson’s prose is overly labored in its effort to imbue his narrative with a ‘folklore’ flavor. But the bleak, depressing setting of squalid camps in the Arctic Circle, and a formidable monster as an adversary, make ‘The Tupilak’ an effective horror story.

‘Storm in a Bottle’, by John Jakes, is an entry in the 'Brak the Barbarian' saga. This time our hero is held captive in a drought-stricken kingdom ruled by one Lord Magnus and his creepy ally, Ool the magician. Somewhat against character, Brak has to use his brains, rather than his brawn, in order to solve the do-or-die task set to him by Magnus.

Katherine Kurtz provides ‘Swords Against the Marluk’, an entry in her 'Deryni' series. King Brion, his brother Prince Nigel, and Squire Alaric are confronted by the said Marluk, the King of the Elves. Although uneasy about the use of magic, Brion realizes that it is the only means by which he can hope to defeat his enemy and retain control of Wales. Kurtz’s stories have more deliberate pacing than the usual examples of the heroic fantasy genre, but this tale holds together well.

Michael Moorcock provides a story from the Elric saga, in this case ‘The Lands Beyond the World’, which eventually appeared in the book ‘The Sailor on the Seas of Fate’, the second entry in the Elric series. ‘Lands’ is one of the better Elric tales, offering adventures with pirates, decadent mystics, vengeful heroes, and a strange landscape sited in another dimension.

All in all, ‘Flashing Swords 4’ is one of the better fantasy anthologies of the mid-70s, and worth searching out.

'Heavy Metal' magazine August 1980

'Salommbo' by Philippe Druillet (continued)

'Heavy Metal' magazine: August 1980

 

The August 1980 issue of 'Heavy Metal' featured a cover by Jim Cherry, ‘Fun Turns Into Love’, and a back cover by Michael Gueranger, ‘Not so Heavy Metal’.

Moebius featured part two of his 'Shore Leave' strip, and Bilal provided another chapter in his ‘Progress’ story. The next-to-last episode of ‘The Alchemist Supreme’ appeared, and (unfortunately) new chapters of Howarth’s mediocre ‘Changes’ strip and Stiles and Lupoff’s forgettable ‘Professor Thintwhistle’.

The best entry is far and away a new feature by Philippe Druillet, titled ‘Salommbo’. The name is derived from a famous 1862 novel by Gustave Flaubert, about a young priestess of ancient Carthage.

The strip ‘A Message from the Shadows’  from the July 2010 issue of Heavy Metal is a prologue of sorts (this strip appeared on the July 1, 2010 post at the PorPor Books Blog).

‘Salommbo’ is a great example of Druillet’s innovative use of full-page, ‘cosmic’ art designs in the context of a graphic novel. The plot is a bit thin, but features Druillet’s anti-hero ‘Loane Sloane’, who, in the best Gallic tradition, smokes cigarettes and gazes moodily into space thinking existential thoughts.

I've divided the scans of this first chapter of 'Salommbo' into two parts. Part one is presented below; part two will be posted in a few days.

Book Review: 'The Turning' by Justin Scott

3 / 5 Stars

In the dying upstate New York town of Hudson City, word comes that the old asylum on the mountain overlooking the town has been sold. Observers note the presence of blue lights in the windows of the dilapidated building. Soon after, groups of young people clad in blue shirts and blue jean overalls start to take up residence in the asylum, now owned by a vaguely Christian religious sect called the Revelationists. As more and more members of the sect arrive in Hudson City, the local merchants are overjoyed to find a rapidly expanding base of customers. 

Prosperity takes hold in Hudson City, but the town doctor, Alan Springer, finds himself questioning the motives of the Revelationists . When a sect member is badly injured and taken to the town clinic, Springer is forced to look on as the sect members enact a startling ‘faith healing’ of the crippled man in the doctor’s own operating room.

Ensuing encounters with the Revelationists have Springer convinced that the benevolent actions by the sect’s leadership are simply a smokescreen. The sect’s leader, a mysterious, charismatic individual named Michael, has his own plan for the fate of Hudson City….and his plan starts with making converts of the town’s young people.

Alan Springer realizes that something must be done to fight back against the sect’s sinister designs. But the Revelationists have no desire to turn the other cheek. Anyone who seeks to blunt the sect’s plans must be prepared to risk his life…and the odds of Alan Springer’s survival are getting less with each passing day….

‘The Turning’ (March 1978; Dell; cover artist uncredited) is a member of the cohort of other 70s novels dealing with the occult, such as ‘Audrey Rose’, ‘The Little Girl Who Lives Down the Lane’, ‘Rosemary’s Baby’, and  ‘Harvest Home’. As such, I doubt if many readers under 40 will find it very engrossing.

Author Justin Scott is a capable writer, but the narrative moves at a deliberate pace, seeking to build alarm and suspense in a gradual fashion. Much attention is focused on the emotional conflict between Springer and his teenaged daughter Samanatha, and the ambivalent response by the townspeople to the economic largesse that comes with hosting a wealthy sect. The occult and/or supernatural elements of the tale are very understated, and the novel is really more of a restrained thriller than a horror story. The violent action and gore that a younger generation (raised on zombie films, the ‘Saw’ movies, and Splatterpunk fiction) expects of a horror novel are absent from ‘The Turning’.

The book does reward the reader who manages to stick with it through to the last few of its 268 pages, but the journey is taken in the slow lane.

'The Death of Orlaon' by Enki Bilal
from the July 1978 issue of 'Heavy Metal'

 

Marvel Comics: 'The Essential Luke Cage / Power Man'

Nowadays original copies of the first few issues of 'Luke Cage' (later renamed 'Power Man') comics go for steep prices, so the most economical way to take in the series is through the black and white 'Marvel Essentials' paperback, which collects the first 27 issues, from June 1972 through October 1975.


While I remember seeing the Luke Cage issues on the stands in the early 70s, I was never motivated to purchase any, mainly because the villains were so cheesy. Instead of the 'cosmic' adversaries faced by the Fantastic Four, Thor, or the Avengers, Luke Cage - like Daredevil at this time in his publishing history - was pretty much left to fight third-tier nobodies like 'Mr Death', 'The Steeplejack',  and 'Chemistro', among others:

 Although on rare occasions, a genuine marquee bad guy would make an appearance:

My favorite of these oddball villains was one 'Black Mariah', an obese woman who did not take any jive from her fellow criminals, much less Luke Cage:

While no sellout, occasionally Luke had to put the smackdown on those 'radical' soul brothers who were pushing him to join the fight against 'The Man' :

 George Tuska's artwork on the series was quite good.Tuska always made Luke's battles look like they were genuinely physical, bruising affairs:

For a series that featured one of the first major black comic book heroes, portraying Luke in situations with some degree of social relevance did take place, but more rarely than one might think.

In a two-parter, Luke takes on a drug dealer named Cottonmouth, who is peddling slow death to the impoverished black folk of inner-city New York:

In another episode, Luke and his friend D.W. go West to seek Luke's estranged girlfriend; en route, they come across a prototype 'planned community' where they aren't exactly welcome:

Compared to the violent street culture that features so prominently in contemporary rap culture, these comics will seem restrained, if not tame to modern readers (Luke likes to shout 'Christmas !' when attacked, but this was after all a Code book). 

But if you are age 40 and over, they may evoke some nostalgia for the early 70s and the Blaxploitation era, the funky portrayal of a decaying Times Square, polyester clothes, and afros .

Book Review: Sunsmoke

Book Review: 'Sunsmoke' by James Killus

2 / 5 Stars

‘Sunsmoke’ (Ace, 1985, 182 pp.) features cover art by Don Brautigam.

It’s 1986 and Raymond Macgregor, a brilliant, but socially inept, programmer is exploring the use of the EPAnet  software package to model the development of smog formations over Southern California. This is Old School command-line stuff, done on cathode-ray-tube workstations with phone modems to a central server that does all the real computing. But back in the mid-80s it was considered the Cutting Edge.

Ray has been messing around with arcane knowledge and when he combines occult incantations and code, the result is the spawning of a creature – the Smog Monster – that feeds on pollution. And since it’s June, and the weather is heating up, the monster is going to find all the pollution it needs to grow, thrive, and make Los Angeles its private stomping ground.

Walter Peters, an atmosphere chemist and Macgregor’s longtime rival, watches his meteorological models with puzzlement and then increasing alarm. What is taking place in the air over the southern part of the state does not obey any natural laws.  As the monster becomes manifest and the body count rises, it’s up to Peters, a group of Southern California beautiful people, an alluring witch named Joella,  and a team of hardcore programmers, to discover the secret behind the smog monster and defeat it before the entire West Coast goes under a choking cloud of toxins and fire……

Author Killus was an actual smog modeler working on a EPA contract at the time he wrote his manuscript, so the science content of the novel is more or less accurate. 

However, I found ‘Sunsmoke’ to be an uneasy amalgamation of SF, horror story, and satire. Killus tends to use a lot of witty prose in describing the goings-on of his very ‘California’ cast of characters (think hot tubs, Sensual Massage, getting stoned, the I Ching, karate class, etc., etc.) but such prose tends to undermine his efforts to portray the smog monster as a genuinely harrowing phenomenon. When Killus labels the third part of his book ‘Godzilla Vs the Smog Monster’,  the layering of ‘Ghost Busters’ – style humor onto the plot becomes too self-evident.

If  ‘Sunsmoke’ had been written as a straightforward SF / horror tale it might have gained considerable traction, but as it stands, it comes across as a hesitantly defined mishmash of genres. I can only recommend it to those determined to read every manifestation of cyberpunk seeing print in the 80s.