Monday, March 18, 2019

Meltdown: A Race Against Disaster at Three Mile Island

Meltdown
A Race Against Nuclear Disaster at Three Mile Island
by Wilborn Hampton
Candlewick Press, 2001


It's been 40 years since the accident - some may call it a near-disaster -  at the Three Mile Island nuclear power plant near Middletown, Pennsylvania, which began in the early hours of March 28, 1979.

My reminiscences of the accident were posted back in March of 2009, where I also posted reviews of fiction, such as Michael Swanwick's In the Drift, dealing with nuke plant disasters.

For the 40th anniversary, I decided to read an account of the accident by Wilborn Hampton (b. 1940), who was a UPI reporter in 1979. Although Hampton was a foreign affairs reporter, and did not normally cover domestic events or science and technology, he was dispatched to Three Mile Island on March 30 to assist another UPI reporter with what was turning out to be a major story.


Metropolitan Edison's Three Mile Island nuclear power plant at the time of the accident. Literally located on an island in the middle of the Susquehanna River, the plant's reactor containment buildings are the two cylindrical structures in the middle of the photo. The cooling towers are the large white structures located on the left- and right- hand sides of the photo.

'Meltdown' is not a technical history of the accident, but a personal reminiscence of reporting on the event 'as it happened'. The book is an illustrated narrative, providing black and white photographs and diagrams in accompaniment to the author's spare, declarative text. 


A couple of worthwhile observations emerge from the pages of 'Meltdown'. One is that the plant operators could not 'see' what was taking place in reactor No. 2 in the sense of walking into the building and peering through a reinforced glass panel at the reactor core. In reality the core was a featureless stainless steel container lodged inside the containment building. 

The only thing the TMI plant personnel 'knew' about the condition of the reactor was what they saw on the gauges and multicolored light panels inside their control room. In fact, when an instrument in the containment building showed that the temperature within the core had reached 4,000 degrees Fahrenheit (as Michael Swanwick noted, hotter than the surface of Venus) the Metropolitan Edison staff refused to believe it - they thought the reading was due to a malfunction of the instrument. It's an indication of the confusion that governed the the handling of the accident.



Another observation is that there was continual uncertainty about how bad things would get. Some experts warned that it would be only hours before the hydrogen bubble (estimated to be 1,000 cubic feet in size) within the core would trigger an explosion that would render much of Pennsylvania uninhabitable for centuries. 

Others insisted there were days within which to try and eliminate the bubble by running water into the core and venting built-up gas into the atmosphere. Pennsylvania Governor Dick Thornburgh was forced to consider both points of view before declining to order an evacuation of the 200,000 people living in the vicinity of TMI.


Another observation deals with how the press covered major stories back in '79. Hampton writes about lugging his portable typewriter around with him; back in those days there were no laptops. There was also no internet, so people were reliant on the press and government statements to learn what was going on. 

And of course, while coverage of disasters such as hurricanes and tornadoes and terror bombings can include photographs and video of the carnage and its aftermath, there was no real 'visual' sense of what was taking place at TMI. The best the media could do was present rather bland footage of the exterior of the plant, and press conferences held by various state and federal officials (including President Jimmy Carter). 



Hampton's final chapter covers the Chernobyl disaster of 1986 and discusses the issues associated with nuclear power, all of which remain relevant today: Exelon, the current operators of TMI, plans to shut down reactor No. 1 this year, but there are calls from some Pennsylvania officials to continue operating the reactor as a preferred source of clean energy in an era of global warming

Summing up, 'Meltdown' stands the test of time as a readable overview of the accident, an overview designed to be informative to a nontechnical audience. I can't say that Baby Boomers will find the book nostalgic in the regular sense of the word, but it will bring you back to a specific time and place, particularly if you lived in the Northeast back in the Spring of '79.


Friday, March 15, 2019

Quando, Quando, Quando by Engelbert Humperdinck

Engelbert Humperdinck
'Quando, Quando, Quando (Tell Me When)'
The Hollywood Palace, 1969


No artist looks comfortable lip-synching, but Engelbert Humperdinck (the stage name of the Anglo-Indian singer Arnold Dorsey, b. 1936) does pretty well in this segment of the ABC variety show The Hollywood Palace from October, 25, 1969. 

It helps that 'Quando Quando Quando' is a great song (it's an Italian pop song first recorded in 1962, and one of the best-selling singles of all time).

[Believe it or not, another artist appearing on that same show was British skiffle star Lonnie Donnegan, who sang 'Keep on the Sunny Side' ?! ]


The choreographed gyrations and booty-shakings of the accompanying dancing girls make it clear that the on-stage antics that are standard for many pop singers today are nothing new, after all..........

Thursday, March 14, 2019

Zenobia

Zenobia
written by Bhob Steward, art by Shawn McManus, colors by John Coffey
from Zona 84 1985 Annual


'Zenobia' first appeared in the June, 1983 issue of Heavy Metal. It was reprinted in Zona 84, the Spanish counterpart to Heavy Metal.

John Coffey's brilliant candy-based color scheme works perfectly with Bhob's script, and its sinister final twist.





Monday, March 11, 2019

Book Review: The Empire of Fear

Book Review: 'The Empire of Fear' by Brian Stableford

4 / 5 Stars

Before there was Kim Newman and Anno Dracula, Guillermo Del Toro and Chuck Hogan and The Strain, and Justin Cronin and The Passage, there was The Empire of Fear.

First published in hardback in 1988, this Ballantine Books paperback edition (470 pp) was released in October 1993. The cover artist is uncredited.

'Empire' is set in the 17th century, in a world where Attila the Hun was transformed into a vampire, and then, in turn, converted selected kings and princes into vampirism. The result is that the ruling heads of Europe and Asia are not only centuries old, but surrounded by courtiers and flatterers who hope to trade their servility for the rarely bestowed gift of long life (if not immortality itself).

The vampires of Stableford's novel are not the world-destroying, blood-ravenous creatures of the Del Toro and Cronin novels, but rather, fashionably bored aristocrats who need only take small sips of blood from their human victims.

However, these vampire kings and princes are ever-ready to use sadistic violence to maintain their grip on the human cattle they rule. Aided by bands of vampire knights (whose resistance to pain, and ability to quickly heal from even grievous wounds, makes them formidable troops in combat) the vampires won't hesitate to imprison, torture, and execute any humans who seek to upend the social order.

As the novel opens the young English scientist Noell Cordery has dedicated himself to the overthrow of King Richard the Lion-Heart and his court. Secreted in a monastery in Wales, Cordery researches what little data is available on the condition of vampirism in the hope that he may learn the closely held secret of how new vampires are made, a secret that he hopes to use to the disadvantage of the vampires.

But Cordery will not be left undisturbed to consult his books and parchments. A new era of independent thought and action is gradually coming to the human population of Europe, and with it, a growing threat to the stability of vampire rule. 

A hazardous journey into the unexplored interior of Africa will bring Noell Cordery to the truth underlying the myths and legends of vampirism.........but will he survive long enough to be able to use that knowledge to free Europe from the rule of the vampires ? 

I remember reading 'Empire' when it first came out and concluding it was a solid four-star novel. Upon re-reading it, I reach the same conclusion.

Not so much a horror novel as an alternate history novel, 'Empire' relies on actual historical events to underpin the narrative. The logic governing vampirism that Stableford introduces in the latter pages of the book is novel, but believable, as is Stableford's decision to render the vampires of his book more a class of mutants than the supernatural creatures of traditional vampire lore.

Where 'Empire' loses a chance for a five-star rating is in its static quality. Passages of action are few and far between in its pages; Stableford regularly uses lengthy passages of dialogue and internal monologues to discourse on metaphysical and philosophical questions, through which the main theme of the novel is overlaid: namely, the rise of Humanism and scientific inquiry as the alternatives to the superstition and feudalism that have aided and abetted the rule of the vampires, and crippled man's ability to rise against his oppressors.

If you are in the mood for a long and contemplative novel that offers a 'scientific' take on the legend of vampirism then you're likely to enjoy The Empire of Fear. However, those looking more for the blood-and-staking excitement of a novel like John Steakly's VampireS probably will not find 'Empire' all that rewarding.    

Friday, March 8, 2019

Heavy Metal preview 1977

Heavy Metal Preview
from National Lampoon
March 1977

Here's a blast from the Pop Culture past: in its March, 1977 issue National Lampoon offered a nine-page preview / advertisement for the very first issue of Heavy Metal magazine, appearing on stands that same month.

The preview includes copies of September 1976 correspondence between Leonard Mogel, President of the National Lampoon; Matty Simmons, the Lampoon's Chairman; and Editor Sean Kelly, revealing their decision to produce an American version of Metal Hurlant

Because, as Kelly states in his letter, 'the people who like the NatLamp would love Heavy Metal '.

Here's where it all started, back in 1977. Toss aside those Marvel comics and Warren magazines and fire up a joint: something New is coming...............!












Tuesday, March 5, 2019

Buckaroo Banzai part two

Buckaroo Banzai
Official Comics Adaptation
Bill Matlo (writer) and Mark Texeira and Armando Gil (art)
Part Two
Marvel Super Special No. 33, 1984