The Appointment by Angus McKie

The Appointment 
by Angus McKie
from Comic Tales, Tyneside Free Press (UK), 1988

'Comic Tales' is a UK trade paperback (52 pp; 1988) that compiles a number of Angus McKie's comics. I recognize some of the entries as comics that McKie published in Heavy Metal in the early 80s, but others I have never seen before (the book's contents / indica pages provide no information on the origin of the material). 

The contents are: 'Wurtham View', 'Tales of the Zen Masters', 'Tales of the Sufi Masters', 'The King and I', 'The Appointment','Superhero', 'Spirit of 67', 'Legend of the Magic Tone- Box', and 'Power to the People'.

Below is 'The Appointment', which mingles a well-known legend / fable with some great artwork and coloring from McKie.

Mythopoeikon

Mythopoeikon 
by Patrick Woodroffe

Patrick Woodroffe passed away last May, at the age of 73. During the 70s and 80s, Woodroffe was a familiar figure to sf fans, as his distinctive artwork was used on the covers of many Pan Books paperbacks in the UK, as well as for a number of publishers in the US.

Back in the late 70s, there were few trade paperback or hardbound books devoted to SF or fantasy art on the store shelves, a situation quite different from things nowadays, where the SF section of Barnes and Noble has a healthy selection of these kinds of books.

So ‘Mythopoeikon’, with its arresting blue-green cover, certainly stood out on the shelves when I saw it at my local Waldenbooks in 1978.

'Mythopoeikon' (155 pp., Paper Tiger, 1976) showcased Woodroffe's commercial art for book covers and album covers, and also his studio artworks and mixed-media pieces. 

Woodroffe, who was self-taught, was not as adept at drawing human figures as, say, Boris Vallejo, nor as adept at drawing spacecraft or other hi-tech subjects as Chris Foss or Angus McKie. But in terms of coming up with imaginative and eye-catching designs and compositions, he was quite skilled and innovative; witness his distinctive image of floating smiles for the cover of the George R. R. Martin book ‘A Song for Lya’.

Woodroffe used a variety of media to produce the works presented in Mythopoeikon, including oil, gouache, crayon, and something he called ‘marbling’. I’m sure that considerable time and effort went into creating such intricate designs, particularly in the era before Photoshop made it much more feasible for artists to incorporate these features as digital effects.

'Mythopoeikon', along with a number of other books of his artwork issued over the past few years, can be obtained for reasonable prices from your usual online vendors.

Don't be surprised if you find yourself moved to purchase an sf or fantasy or horror novel because its Woodroffe cover is eye-catching and intriguing - it's a measure of how skilled he was as an illustrator of this genre.

Book Review: Patterns of Chaos

Book Review: 'Patterns of Chaos' by Colin Kapp

Award Books paperback, 1973

4 / 5 Stars

‘Patterns of Chaos’ first appeared as a serial in Worlds of If magazine in 1972. It was assembled into a novel and published in the U.S. in 1973 by Award Books. Its title used an unusual font, Davison Arabesque, that also was deployed for other paperbacks of the same era.

The edition of 'Patterns' that I read was the Ace Books paperback (277 pp.) published in May,1978, and with a cover illustration by Paul Alexander. 

[A quasi-sequel, The Chaos Weapon, was released in 1977 by Del Rey Books.]

Derek Ivor Colin Kapp (1928 - 2007) was a UK author who published both short stories and novels in the sci-fi genre from the late 50s on through the 1980s. His stories featuring the recurring characters of the 'Unorthodox Engineers' are among the best examples of hard sci-fi writing.

As 'Patterns of Chaos' opens, a young man named Bron awakens from a coma to discover that Onaris, the planet on which he is residing, is under attack by the rapacious fleet of the Destroyers. As phaser bolts rain down on the city, loosed by Destroyer cruisers circling in orbit, a confused and bewildered Bron discovers that he has 'voices' in his head- voices that originate from miniaturized transmitters surgically implanted in his brain.

The voices emanate from a distant team of three monitors of the Special Assignments Group of the Federation, three monitors who see everything Bron sees, and hear everything he hears. The monitors are able to carry out sub-vocal conversations with Bron; from these exchanges, Bron gradually discovers that he is the most highly trained secret agent in the Federation’s Stellar Commando unit. His mission: pose as Ander Haltern, a philosopher and theoretician of marked genius, and the leader of a religious cult on Onaris.

For reasons that are unknown, the Destroyers seek Ander Haltern. Posing as Haltern, Bron succeeds in being taken prisoner, and is held aboard the Destroyer flagship. There he learns the purpose of his Federation mission: discover the location of the Destroyer’s home base, so the Federation fleet can mount a devastating attack, and remove the menace of the Destroyers once and for all.

However, while aboard the Destroyer flagship, Bron joins its crew in witnessing a catastrophic event: a ‘hellburner’ nuclear missile strikes Onaris, and incinerates the entire surface of the planet....... and its population of 200 million. 

Initially, Bron accuses the Destroyers of the atrocity. But when Cana, leader of the Destroyers, invites Bron to analyze the missile’s trajectory, Bron comes to a startling conclusion. The hellburner didn’t originate from any Destroyer ship…..but was launched from the distant Andromeda galaxy, 700 million years ago - !

Using his genius at understanding nonlinear dynamics – his ability to discern, and predict,  ‘the patterns of chaos’ – Bron shoulders the burden of confronting an attack from a distant, alien enemy – one armed with weapons far beyond the technology of the Federation…..

For a hard sci-fi novel written at the height of the New Wave, ‘Patterns’ is surprisingly well-written and well-plotted, reflecting author Kapp’s preference for writing traditional framings of the genre (although in this case, with a proper leavening of styles derived from the New Wave). In practical terms this means that the narrative, while at heart a straightforward space opera, includes segments in which the hero undergoes psychic / paranormal phenomena which are related in a more ornate prose style.

As well, the author routinely employs adjectives and adverbs drawn both from the chemistry literature, and the more obscure sections of a thesaurus. Be prepared to encounter ‘anserine’ (goose-like), ‘eutectic’ (melting point of a substance), ‘thixotropic’ (fluids that thin when stirred), and ‘sonorous’ (producing sound), among others.

Having a protagonist with schizophrenia (albeit a unique type of schizophrenia) is the height of New Wave storytelling fashion, but I quickly grew tired of this plot device. These conversations, indicated in italic font, come so frequently throughout 'Patterns', and are so lengthy, that they quickly become an annoyance and a distraction to the narrative. 

Overall, however, ‘Patterns of Chaos’ is a consistently interesting and imaginative space opera, with an offbeat ending that ties things together without being contrived. 

When compared with the bloated, over-written space operas that dominate the store shelves nowadays (and the novels of Alistair Reynolds come readily to mind here) it’s a deserving read, and a book well worth searching out.

Heavy Metal magazine January 1985

'Heavy Metal' magazine January 1985

January, 1985, and on MTV, you can watch the latest video from Hall and Oates: Method of Modern Love'. Like so many of their videos, it's super-cheesy, but at the same time, a great rock song.

In the latest issue of Heavy Metal magazine, which features a front cover by Liberatore, there is not much worth noting in the 'Dossier' section, save for the book review page, titled 'Cystal Balls', which critiques two great 80s sf novels. 

Mike McQuay's Jitterbug (my review here) is hailed as  "...a scream - very hip, and deadly on-target about office politics and geopolitical behavior."

Sadly, the reviewer has much less praise for Harry Harrison's West of Eden, calling it a "hatchet-job", and "......Dino the Dinosaur Battles Tarzan the Apeman for the Fate of the Earth, a 481-page hardbacked sleeping pill...."

As far as the comics go, this issue of HM has new installments of "The Walls Of Samaris" by François Schuiten, "Tex Arcana" by John Findley, "The Hunting Party" by Pierre Christin and Enki Bilal, plus new material such as "Trance-End" by Lindahn and Lindahn, "Marlowskitz: Detective: Rock" by Riccardo Buroni and Ugo Bertotti, and the opening segment of a new El Borbah story, "El Borbah: Bone Voyage", by Charles Burns. All in all, a decent issue.

Here is that opening installment of 'El Borbah: Bone Voyage':

Den II: Muvovum

Den II: Muvovum
by Richard Corben

 

'Den II: Muvovum' was one of the longest-running serials in Heavy Metal magazine, running in 13 parts from September, 1981 all the way to March, 1983. 

While these installments all were very short in length, each of them delivered the D-cup imagery, T & A action, and sly humor that made the HM readership fond fans of Corben's work.

This trade paperback from Catalan Communications was printed in 1984, and compiles the entire 13-part series. It's a quality trade paperback, with 'slick' paper and very good color separations that show off Corben's unique color printing process - all the more impressive when you consider this was the early 80s, well before PC-based coloring was a mainstay of the industry.

It's not necessary to have read the first installment of 'Den' ('Den: Neverwhere') in order to understand the comparatively simple plot of 'Den II'. Without disclosing any spoilers, Den joins his friends in Zegium for a trip to the neighboring territory of Muvovum, there to search for the powerful Stones of Nar, the magic of which can transport Den (and his increasingly truculent girlfriend Kath) back to Earth.

No sooner have Den and Kath been transported to Earth, when trouble arrives in Zegium, in the form of the Queen, who seeks the Stones for her own use.

Events get even more dire when Den's friend Tarn goes astray in the Dramite country of Muvovum. Be prepared for some uniquely gruesome monster action......

It's up to Den to return to Neverwhere and set things aright....but he's not going to have it easy.

 

The softcore porn sequences that may have seemed racy back in the early 80s will probably be observed by contemporary readers with eye-rolling amusement; however, no matter how young and hip you are, Corben's artwork should impress.

'Den II' is an entertaining comic, whether you're reading it for nostalgia value; as an accompaniment to getting stoned; or both. I was fortunate to get this reasonably good-condition copy of 'Den II' for $5. Unfortunately, copies of this trade paperback compilation in good condition go for exorbitant prices.........indeed, this is true for many of the compilations of Corben's work Catalan issued in the 80s. 

Maybe Dark Horse / New Comic Company, or UK publisher Titan Books, will reprint some of this work in new, affordable compilations.....?!

Book Review: The Year's Best Fantasy Stories: 2

Book Review: 'The Year's Best Fantasy Stories: 2' edited by Lin Carter 

4 / 5 Stars

‘The Year’s Best Fantasy Stories: 2’ (192 pp) was published by DAW Books (No. 205) in August, 1986, and features cover art by George Barr.

I got my copy way back in August, 1976, when I saw it on the shelves among the other sf paperbacks at Gordon’s Cigar Store. At the time, I found it to be one of the better DAW anthologies. Upon rereading it nearly 40 years later, how does ‘Year’s Best Fantasy 2’ hold up ?

One thing that has become quite clear over the intervening years is that in 1976, as far as publishers were concerned, the category of fantasy was very much a sub-genre of sf. Most mass market paperbacks that dealt with fantasy were either the Lord of the Rings trilogy, or ancillary titles associated with that work. Aside from the LOTR, there might be some barbarian adventure titles on the shelving, but that was pretty much it. The idea that one day, much of the shelf space at major book retailers would be devoted to fantasy, would have seemed …..well……. fantastical.

The stories in ‘Year’s Best Fantasy 2’ all were first published in 1975, and at that time, print outlets for such stories were few. Most of the stories appeared in digest magazines like The Magazine of Fantasy and Science Fiction, small press magazines like Anduril, or anthologies from specialized publishers like Arkham House.

Most of the stories in this anthology are as much horror stories as they are fantasy, a reflection of the fact that in 1975, the genre was still centered on the tropes inherited from the pulp era.

In his Introduction, editor Lin Carter commiserates over the failure of 'The Silmarillion', the fabled Tolkein epic perpetually In Preparation, to be released in 1975 (the book finally came out in 1977, and turned out to be remarkably dull). 

Carter is encouraged by the bestseller status of Richard Adam’s 1975 fantasy novel 'Shardik' (which also was a colossal bore).

The stories:

The Demoness, by Tanith Lee: self-consciously overwritten, but entertaining, tale of a female vampire.

The Night of the Unicorn, by Thomas Burnett Swann: an allegory set in Mexico’s Acapulco region.

Cry Wolf, by Pat McIntosh: Thula the warrior maiden meets a shadowy pair of adventurers. A fast- moving, and effective, sword-and-sorcery tale.

Under the Thumbs of the Gods, by Fritz Leiber: unremarkable Fafhrd and Mouser story; our heroes mourn lost loves.

The Guardian of the Vault, by Paul Spencer: a warrior is assigned a very special guard duty. One of the better entries in the anthology.

The Lamp from Atlantis, by L. Sprague de Camp: mild horror story about a fabled talisman. Surprisingly well-written, for a piece of de Camp short fiction.

Xiurhn, by Gary Myers: Lovecraft / Clark Ashton Smith homage involving an outcast mage who seeks vengeance on his tribe. Ponderous prose.

The City in the Jewel, by Lin Carter: as the editor of the ‘Year’s Best Fantasy’ series, Carter had no real scruples about promoting his own work. Sometimes his work was awful. But this ‘Thongor’ story, although employing a self-consciously ‘pulp’ –style prose, is reasonably entertaining.

In ‘Ygiroth, by Walter C. DeBill, Jr: Another Lovecraft-inspired tale about dark doings in ancient lands. Competent, if not all that memorable.

The Scroll of Morloc, by Clark Ashton Smith: this story was actually written by Lin Carter, one of a number of putative Smith tales Carter fabricated from plot scraps and titles from Smith’s posthumous belongings. The value of churning out a Smith pastiche is questionable; readers should prepare to encounter a remarkably constipated vocabulary, including words such as ‘jungle-girt’, ‘zenithal’ (pertaining to the zenith of astronomical bodies), ‘antehuman’, ‘thaumaturgies’, ‘shamanry’, ‘desuetude’ (to fall into disuse), and ‘protoanthropophagi’, among others.

Payment in Kind, by C. A. Cador: the corrupt citizens of a desert city receive their comeuppance. Another of the better entries in the anthology.

Milord Sir Smiht, the English Wizard: a ‘Dr. Eszterhazy’ story about an eccentric mage operating in Davidson’s proto-Steampunk version of late 18th century Central Europe. It relies on humor; unremarkable.

Summing up, ‘The Year’s Best Fantasy Stories: 2’ is one of the more rewarding volumes in the series. Well worth picking up.

Occupied Spaces

'Occupied Spaces'
by Brad Johannsen
Harmony Books, 1977

If, during the late 70s, you opened a copy of the Publishers Central Bureau mail order catalog of remaindered and overstocked books.....

.....you were certain to see listed one Occupied Spaces, a book of psychedelic artwork by Brad Johannsen.

Occupied Spaces (48 pp) was published by Harmony Books, a sub-imprint of Crown Books, who were the kingpin of remainder publishing and marketing in the 70s. They remain a force in retail bookselling even today, providing the 'bargain books' titles you see on the tables at the front of every Barnes and Noble.

Spaces contains some striking, intricate artwork, interspersed with excerpts of text and poems from sources as diverse as Arthur Rimbaud, science writer Louis Thomas, 'The Practice of Zen', and Johannsen himself.

Needless to say, Spaces belonged to that unique category of '70s stoner' art that Heavy Metal was soon to represent in such mannered glory......

Whether you are motivated by nostalgia, or the desire for appropriate visual accompaniment to getting stoned, Spaces is worth investigating. Copies in good condition can be had from your usual online retailers for reasonable prices.

Johannsen provided cover artwork for a number of books and record albums during the 70s. These include album covers for two LPs from the Canadian group Lighthouse: 'Thoughts of Movin' On', and 'One Fine Morning'. An interesting, if rather esoteric, article about the fonts used for the album cover of 'One Fine Morning' is available here.

Johannsen contributed art to 'High Tide', an illustrated compendium of stories and poems from Herman Hesse and Lao Tzu (.......very 70s.......) published in 1972. Unfortunately, used copies of High Tide are very pricey (starting at $95).

I periodically do a Google search using his name, but sadly, information about Brad Johannsen remains scant. Interestingly, one of the reviewers of High Tide at amazon.com relates an anecdote about meeting Johannsen:

I happened to meet Brad Johannsen in a conference room floating about the New York Public Library, where he opened a drawing book, borrowed some colored pencils from the art department, and instantly created a cover for a small booklet ... for cash (Brad was broke). Brad didn't own a single copy of his own books, and he had an interview coming up... so we agreed to meet again and I gave him my copy of his second book, Occupied Spaces.

Unfortunately, online searches for additional information about Brad Johannsen turn up little else. He was present when someone met Steve Wonder......and that's about all I could find.