Meltdown Man progs 178 - 181

Meltdown Man
by Alan Hebden (story) 
and Massimo Belardinelli (art)
from 2000 AD, Progs 178 - 181
September 1980 - October 1980

'Meltdown Man' debuted in issue 178 (September 20, 1980) of 2000 AD. Created by the writer of Harry 20 on the High Rock, writer Alan Hebden, and illustrated by Massimo Belardinelli, the series ran for 50 issues, ending in August, 1981 (issue 227).

The series' premise borrowed somewhat from The Planet of the Apes: Nick Stone, a soldier in Britain's elite SAS unit, is on duty in a 'small kingdom' in the Persian Gulf. Stone has the misfortune to be caught in a nuclear blast and somehow teleported to another dimension, landing on a planet populated by Manimals called 'Yujees'. 

The Yujees are ruled by their human overlord, an amoral aristocrat named Leeshar. Stone's willingness to accept the Manimals as 'people' sets him against Leeshar and guarantees a steady stream of frenetic adventures throughout the run of 'Meltdown Man'.

Like other 2000 AD comics during the early 80s, Hebden's writing for 'Meltdown Man' centered on action and satiric humor, and avoided the constipated, self-indulgent scripting that dominated American comics of the same era. 

Massimo Belardinelli, who did an outstanding job providing the artwork for 2000 AD's 'Dan Dare' strips of the late 70s, was perfectly suited for illustrating 'Meltdown'.

The entire 1980 - 1981 run of the series has recently been reprinted in a trade paperback (below) from 2000 AD. It's available at your usual online retailers.

Posted below are the first four episodes of 'Meltdown Man'. 

Book Review: The Druid Stone

Book Review: 'The Druid Stone' by Simon Majors

2 / 5 Stars

'Simon Majors' was one of the pseudonyms used by the prolific American author Gardner Fox (1911 - 1986). The Druid Stone first was published in the U.S. in 1967; this New English Library paperback (111 pp) was released in February 1970.

The NEL could saddle its paperbacks with underwhelming cover art; that said, this has to be one of the worst cover illustrations I've ever seen on a book. But this also is one of those novels where, sadly, the poor cover art complements the poor text within.............

The Druid Stone is set in New Hampshire in the mid-60s. The protagonist, a man of the world named Brian Creoghan, is in a state of semi-retirement, losing himself in wandering the rural Autumn landscape during the days........ and sitting down beside the fireplace with a snifter of the best brandy in the evenings. 

He draws the attention of two 'Goths': Ugony and Moira MacArt, a brother and sister living in a mansion nearby.

It seems that the MacArts are intently pursuing occult knowledge, knowledge that they hope will allow them to access Dis, the parallel dimension often referred to in old legends and myths as the world of fairy. They believe that Croeghan has the innate ability to access Dis, provided the right conditions are used to enable his Astral Transport.

Bemused by the idea, Creoghan consents to participate in a strange experiment: by touching the Druid Stone, an artifact in the possession of the MacArts, he will attempt to project his 'astral body' into Dis.

The experiment succeeds..........and upon lapsing into a coma in 'our' world, Creoghan finds himself reincarnated in Dis, in the body of a barbarian warrior named Kalgornn. Croeghan / Kalgornn then embarks on a series of adventures, all of which have implications for the survival of our world and its inhabitants.

Even making allowances for its brevity, The Druid Stone is a mediocre effort from Fox, who was content to rely on stilted, pulp-style prose when writing this novel. 

Its underlying premise shows promise, and likely could have been worked into something impressive by a more dedicated author. For example, Fox shows hints of Lovecraftian events underlying what seems to be a conventional sword-and-sorcery tale, but these and other glimpses of imagination never are developed, and the narrative lumbers to a predictable ending. 

I can only recommend The Druid Stone to those Gardner Fox devotees who must have every one of his novels in their collection. 

You're the Love by Seals and Crofts

You're the Love
Seals and Crofts
May 1978

In May of 1978 I was a High School senior, and pretty much indifferent to what I was going to do once I graduated in the following month. I had vague ideas of maybe going to college.....or maybe, just doing nothing much at all.

Such an attitude would be anathema today, but back in the 70s, well........ things weren't so heavily scripted as they are nowadays.

Anyways......... as the month rolled on, I became aware of a new single playing on FM radio, creeping in amidst the constant rotation of Warren Zevon's Werewolves of London. The new single was by Seals and Crofts...........and it was a disco song.

!!!!!!!!!!!!!??????????????

I was of course well aware of Seals and Crofts, who were - by the standards of 70s album-oriented rock - a bit too 'mellow' to be hip with the under 21 set.

But for these 'mellow' musicians to do a disco song was mind-blowing.........needless to say, in the aftermath of the success of Saturday Night Fever the previous Winter, everyone was doing disco, but the idea of Seals and Crofts doing disco was as utterly alien a concept as......... Debbie Boone doing a heavy metal tune.

But when you listen to You're the Love forty years later, it's a great song. It holds up as well as - or better than - many of the competing flash-in-the-pan disco songs of the late 70s.

Released in April of '78, You're the Love (a single off the album Takin' It Easy) eventually reached No. 18 on the Billboard Hot 100 and No. 2 in the Adult Contemporary charts. 

The video is here.


Well love, you came to my rescue. I knew the moment I met you.
Lonely and I was cryin'. Hurtin', I felt like dyin'.

Oooo. You're the love, you're the love in my heart and soul.
You're the dream, you're the dream, you're the dream in my life.
You're the way, you're the way, you're the way that my feelings flow.
Oh, my love loves you, girl. You, ah ah. You, girl, girl. You.

Showed me that I was someone. Gave me the strength to go on.
Now that I'm flyin' and free. Thank you for what you gave me. 

The Born Losers

The Born Losers
1967

He had just returned from the War….one of those Green Beret rangers.

A trained killer, people would say later.

Before the War, he had hunted down and broken wild horses in these mountains.

Some said the reason he was so good at these things, and the reason he lived alone in this forest, was that he had some Indian blood in him.

Others said that he simply didn’t like people.

All I knew, was his name………..

BILLY JACK.

(Billy Jack's Theme,  written and produced by Mike Curb, co-produced by Al Simms.  Performed by Davie Allan And The Arrows, as 'The Sidewalk Sounds' )

Book Review: Mona Lisa Overdrive

Book Review: 'Mona Lisa Overdrive' by William Gibson

4 / 5 Stars

Mona Lisa Overdrive first was published in hardback in November 1988; this Bantam Spectra mass market paperback version (308 pp) was released in December 1989. The cover artwork is by Will Cormier. 

By 1988, the year Mona Lisa Overdrive was published, cyberpunk was firmly established as a pop culture phenomenon, and its role in reviving sf was undeniable. 'First generation' cyberpunk novels from Bruce Sterling, Rudy Rucker, John Shirley, Greg Bear, Lewis Shiner, William Thomas Quick, and other authors were commanding a lot of attention. 

Having played the leading role in creating cyberpunk, Gibson found himself obliged to conclude the themes and plots generated in the genre's two touchstone novels, Neuromancer and Count Zero, even as the new talents were stepping into the spotlight with their own innovative takes on the genre. This could not have been the easiest of tasks for Gibson.................

Mona Lisa Overdrive is the concluding volume in the so-called Sprawl trilogy; the preceding volumes of course are Neuromancer (1984) and Count Zero (1986).

Mona Lisa Overdrive is set eight years after the events of Count Zero. While Count Zero had three major plotlines, with Mona Lisa Overdrive, Gibson expands to four.

One involves Angie Mitchell, who was introduced in Count Zero as a genetically engineered wunderkind who can access cyberspace without need for a computer ‘jack’ inserted into her skull. All grown up, Angie now is a global superstar due to her participation in a network-based reality show centering on the activities of the rich and famous.

Another plotline concerns Bobby Newmark, the ‘Count’ in Count Zero, and some wasteland scavengers.

Another deals with Kumiko Yanaka, the teenaged daughter of a Yakuza boss; as the novel opens, she is traveling to the UK to shelter from a burgeoning war between her father and other global criminal enterprises.

The fourth plotline involves Mona, a runaway who is eking out an unrewarding existence in Florida as a streetwalker. Mona’s boyfriend / pimp Eddy is yet another low-level hustler with big ambitions, but no real chance at achieving them. Until, that is, Eddy befriends a man named Prior, who is wealthy, carries a gun, and has a special interest in Mona........

Without disclosing major spoilers, I’ll say that the backstory to Mona Lisa Overdrive deals with the two AIs introduced in the previous volumes in the trilogy: Neuromancer and Wintermute. These AIs are making their presence known to the hacker underground via 'voodoo' avatars. The communications from the two AIs portend the advent of massive changes to the architecture of cyberspace.

But the actions of the AIs aren't the only efforts underway to alter the future of mankind. For the intelligence behind the creation of cyberspace has its own aims...........aims that will involve the murder of Angie Mitchell.......... 

Most of the impetus for reading Mona Lisa Overdrive comes from trying to figure out how Gibson will bring his four different plotlines together into any kind of convincing resolution. To his credit, although his handling of the four plotlines becomes a bit awkward at times (making this novel arguably the weakest entry in the Sprawl Trilogy), he does indeed do this.

Summing up, despite its rather diffuse nature, Mona Lisa Overdrive is a serviceable conclusion to the Sprawl trilogy. I can’t recommend it as a standalone read, as knowledge of the events in Neuromancer and Count Zero are necessary prerequisites; but if you are familiar with the first two volumes, then getting a copy of Mona Lisa Overdrive is recommended.

Awaiting the Collapse by Paul Kirchner

Awaiting the Collapse
by Paul Kirchner
Tanibis Editions 2017

If you read High Times, Heavy Metal, or Epic Illustrated at all during the mid 70s to early 80s, then surely you are familiar with the artwork of Paul Kirchner. 

Until recently, a compilation of Kirchner's work from that era simply didn't exist, forcing fans of his art to scrounge among moldering, over-priced old magazines, and maybe low-res scans posted to the internet, to get the goods.

Now comes 'Awaiting the Collapse' from European publisher Tanibis Editions. While it's not the most complete collection of Kirchner's work, it comes close.

This is a quality hardbound book, measuring 12.5 x 9.8 inches, with good reproductions of the artwork.

All of Kirchner's 'Dope Rider' strips from obscure indie magazines, and High Times, from the 1970s and 2980s are present here. I had never before had access to these strips (you can pay subscription fees to access scans of back issues of High Times, including issues featuring 'Dope Rider', but those scans are not very good). Thus, seeing those Dope Rider tales here, uncensored, and (in some cases) redone in full color, is rewarding.

Also present are just about all of Kirchner's now-legendary comics from Heavy Metal and Epic Illustrated : classics like 'Tarot', 'Hive', and 'Critical Mass of Cool'. 

Along with material from High Times and Heavy Metal, 'Awaiting the Collapse' features all of the covers Kirchner did in the 1970s for the Al Goldstein sleaze tabloid, Screw. 

Additionally, the book collects some softcore porn strips Kirchner did for National Screw (a short-lived spinoff title from the ever-scheming Goldstein), and other porno mags.

As far as 'bonus' material is concerned, 'Awaiting' features a never-published comic titled 'Arena'.

For reasons that are unclear, 'The Mirror of Dreams', from the December 1981 issue of Heavy Metal, and one of Kirchner's best comics, doesn't appear in 'Awaiting'.

One of the more interesting sections of the book is its Postscript, where Kirchner recounts his adventures as an up-and-coming graphic artist during the early 70s, working with comics legends like Wally Wood and Neal Adams. Kirchner assisted the former with a number of strips for different publishers, including Creepy. 

In the Postscript Kirchner also provides an in-depth description of his technical approach to drawing and composing comics and illustrations.

Summing up, 'Awaiting the Collapse' is a valuable book for fans of Kirchner's art; devotees of graphic and comic art in general; and those who treasure 70s and 80s 'stoner' culture and its memorable magazines. 

My advice is to order a signed copy directly from Kirchner at eBay, where he operates the 'stayingamused' storefront, for $40 plus $5 shipping. 

The Thing Infection at Outpost 31 board game

The Thing - Infection at Outpost 31
Board Game

I've blogged previously about the paperback novelization of the classic 1982 John Carpenter movie The Thing, as well as a series of sequels released by Dark Horse comics in the early 90s.

Last Fall, USAopoly released a board game based on the movie............?! 

In general the game is getting good reviews, although apparently it's best when you have more than the minimum of 4 players participating. 

Mondo / Project Raygun, a sort of boutique version of Think Geek, has sold out of its deluxe version of the game. The regular version can be had from your usual online retailers like amazon and Think Geek for under $60.00.

I don't anticipate picking up a copy of The Thing: Infection at Outpost 31, but if you have, feel free to leave a Comment about what you think of it............?!

The Rance Allen Group

The Rance Allen Group
Say My Friend
LP cover art by Abe Gurvin
Capitol Records 1977

Rance Allen, born in Monroe, Michigan in 1948, formed a gospel group with his three brothers Tom, Steve, and Esau. The group garnered attention when they participated in a talent contest held in Detroit, and wound up being signed to a record deal with the Stax label. The Rance Allen Group released its first album in 1972 and soon emerged as one of the most long-lived and renowned groups in the Gospel genre (their most recent album, Celebrate, was released in 2014).

The stunning cover art for the group's 1977 album Say My Friend is by Abe Gurvin (1937 - 2012), who identified as a 'psychedelic' artist and produced artwork for album covers, books, advertising, and other commercial outlets.

Huntsman from Bizarre Adventures No. 28

Huntsman
written by Archie Goodwin
art by Michael Golden and Steve Mitchell
Bizarre Adventures (Curtis/Marvel) No. 28, October 1981

Issue 28 of Marvel's Bizarre Adventures had the usual grab-bag of tryout strips and one-shots, including an 'Elektra' strip from Frank Miller; a Kung-Fu / Ninja tale from Neal Adams called 'Shadow Hunter'; 'Conscience of the King', featuring Triton from the Inhumans; and another installment of the mediocre Funny Animal series 'Bucky Bizarre'.

Probably the best entry in the issue was 'Huntsman', a sci-fi strip written by Archie Goodwin, with art by Michael Golden and Steve Mitchell. Its plot borrows heavily from the movie Logan's Run, but it's a worthwhile read. I've posted it in its entirety below. 

Hole in the Wall Books

Hole in the Wall Books
Falls Church, Virginia

Earlier this month, on a sunny, breezy Friday, I decided it was the perfect day to make one of my twice-yearly or so visits to 'Hole in the Wall Books', which is about a two hour drive for me. The store is located on Broad Street (aka Route 7) in Falls Church, Virginia. 

As the name implies, Hole in the Wall Books is located in a small house converted into a bookstore. Practically every square foot of the interior is taken up with books or comics, and negotiating the rooms involves very careful placement of your feet, as the aisles are crammed with books, including those stacked on the floor and those jutting from overhead shelves.

The shop has a pretty big selection of new and used comic books and graphic novels, as well as shelving for crime and mystery paperbacks (they don't have much in the way of a horror section).

The science fiction aisles are the store's strong point; lots and lots of paperbacks in the sf and fantasy genres, and a good-sized section of hardbound sf as well. There also is shelving devoted to sf and fantasy art books.

The sci-fi section has a pretty good representation of older titles from the 70s and 80s. Most paperbacks cost anywhere from $2.50 to $3.50, and these are in the 'acceptable' to 'very good' range. Higher-priced vintage paperbacks are kept in a section behind the cash register; ask the store owner, and she will let you peruse this area.

I picked up eight titles (photo below) which give you a good idea of the books you can find on the regular sf shelves (the Brian Lumley title Spawn of the Winds was a 'vintage' book).

Poking around in the 'vintage' section, I picked up the complete 1975 Bantam Books editions of the Earthsea trilogy by Le Guin for $10.

Summing up, if you're going to be visiting the western DC suburbs (and you don't mind battling heavy traffic on Rte 7 on the weekends) then stopping in at Hole in the Wall Books can be well worth your while.


UPDATE: as of September 2019, Hole in the Wall Books closed permanently (the owner apparently decided to sell the property). This was sad news.