National Lampoon November 1975

National Lampoon

November, 1975

November, 1975, and atop the Billboard Hot 100 are two disco songs, not at all unusual for that year, as the disco craze swept America. The Four Seasons benefit from the Nostalgia Craze and appear in the top 5 with their single 'Who Loves You,' while Elton John, a chart juggernaut during this decade, has a former number one with 'Island Girl.'

The November issue of the National Lampoon is devoted to 'Work,' and even the seemingly benevolent bakery of Sarah Lee doesn't escape satire, being depicted as a grim place where elderly women are forced into cruel labors.

The lengthiest piece in this issue is a satire of the Kelly staffing services, which, back in the 20th century, advertised itself as the go-to place for the temporary hire of young women to do routine office work. The advertisements for Kelly emphasized that the 'Kelly girl' was quite attractive and presentable; the perfect marketing tool to aim at the older men who might be interested in hiring a temp.

Leave it to the Lampoon to take aim at the Kelly girl with a portfolio of depictions of undressed, nubile young women groveling for the benefit of the male office staff. The explicit nudity in this portfolio was quite tasteless and exploitative, even by the standards of a 'humor' magazine published in 1975.

 

 

 

 

 

 

The November issue featured a bunch of comics that are printed on the 'slick' paper portion of the magazine, and include a two-pager that mocks the 'truckin' man' phenomenon. This comic is attributed to Lampoon staffer Joe Schenkman; he emulates the style of underground comix legend S. Clay Wilson, to good effect.

Shary Flenniken steps away from 'Trots and Bonnnie' to do a comic about a toilet factory (!?).

 

 

The 'Trail of Tears' comic offends those Native Americans who preferentially sought work in the field of constructing skyscrapers.

 

 

 

 

'Foto Funnies' get reworked into 'Cancer Ward,' with Lampoon contributor Chris Miller playing the role of a hapless man who gets bad news. 

A satire of a public service advertisement to 'hire the handicapped,' is cruel and offensive.

The comics printed in the back pages of the magazine, on newsgrade paper, include the particularly unpleasant 'Eating Out,' as well as the more gentle 'Mule's Diner.'

 

Let's close with an advertisement from this November issue, reminding us that 49 years ago, Pink Floyd had released their album Wish You Were Here.

And that's what you got for your dollar, back in November of '75........

Book Review: The Yngling

Book Review: 'The Yngling' by John Dalmas

2 / 5 Stars

'The Yngling' first appeared as a novelette in the October and November 1969 issues of Analog. Author Dalmas expanded the novelette into a 224-page novel, published by Pyramid Books in August, 1971. The cover art is by Jeff Jones.

'John Dalmas' was the pen name of the U.S. writer John Robert Jones, 1926 - 2017. 'The Yngling' was his first novel; during the next 40 years, he went on to published a large body of novels, mainly in the genres of space opera and military sci-fi. 

'The Yngling' is set in a post-apocalyptic Europe, some one thousand years into the future. Civilization has reverted to a medieval level, recapitulating the era of duchies, principalities, earldoms, and kingdoms. A quasi-clandestine network of telepaths (or 'psis'), known as the Inner Circle, provide counsel to the lords and serve as communications hubs.

While the nation-states of Western Europe are busy quarreling with one another, the psis have gained knowledge of an alarming development in Asia Minor. A tyrant known as Kazi the Undying has used a mixture of charisma and brutality to bring nomadic horsemen and Turkic soldiery under his rule. Kazi's army of thirty thousand well-trained and ruthless fighters is heading West, bring fear and destruction in its wake.  

Fortunately for the peoples of Western Europe, a hero, or 'Yngling' in Scandinavian society, has arisen. A physical specimen of a man named Nils Hammarson. Despite his youth, Nils has a stoic quality that, teamed with a quick intelligence, allows him to defeat all comers.

As Kazi's army draws closer to the territory of Ukraine, responsibility for leading the combined armies of Western Europe against Kazi falls on the immense shoulders of Nils Hammarson. Outnumbered, and unused to working cooperatively, the Europeans are at a distinct disadvantage. But Nils has a genius for tactics, and Kazi is going to learn that it is costly to tangle with the barbaric men from the North.....

'The Yngling' is a mediocre novel, even by the standards of sci-fi and fantasy writing of the late 1960s. This mediocrity is due mostly to the narrative, which is crammed with ad hoc plot developments. These have a perfunctory, tossed-off quality that is worsened by the fact that Nils is a superman, able to defeat anyone in armed combat; gifted with psi abilities that give him forewarning of enemy intentions; and able to heal grievous wounds simply by going into a lengthy trance state (?!). There's little suspense or tension in the narrative, when Nils can win every encounter.

The novel somewhat redeems itself in its final third, when the armies of Nils and Kazi clash in the steppes and marshes of Ukraine; these segments are well-rendered accounts of medieval warfare and the value of using good strategy to counter numerical superiority. 

'Yngling' ends in such a way as to hint at a sequel. However, Dalmas did not publish this until 1984, and 'The Homecoming.'  In 1992 Baen Books issued 'The Yngling' and 'Homecoming' as a two-volume omnibus, titled 'The Orc Wars'.

Further books in the series include 'The Yngling and the Circle of Power' (1994), and 'The Yngling in Yamato.' 

The fact that the series features four novels suggests that some must find the Yngling saga entertaining. What can I say ? I'll end with the observation that in a 2016 review posted at his blog, M. Porcius found 'The Yngling' to be just as underwhelming (if not more so) than I did. Let our critiques aid you, in any decision you make to sit down with something from the Yngling saga........

The Brad Johannsen Archive

 The Brad Johannsen Archive

“I knew Brad during his most artistically productive period. He lived in Cobble Hill, Brooklyn with the family of his artistic promoter, Howard Bloom. Brad arrived in New York around 1968, at about 19 years old, an already highly developed and gifted artist. I know nothing of his artistic training or background, although I know he was raised in Connecticut. He was tall with a large, blond afro. I knew psychedelic drugs fired his prolific imagination. I sense that he used the geometrically reconfigured reality of his drug experiences to create the unusual environments found in his work. If you look carefully at the faces he painted, It’s obvious he could have easily been a successful portrait artist. But that possibility apparently didn’t interest him. Brad was active mainly during the seventies, as far as I know. He died in his sixties around 2015.”

-Camille, review posted to amazon.com

 

 

My very first post here at this blog, about the artist Brad Johannsen, was in January 2015, when I provided an overview of the book 'Occupied Spaces.' Since that time I've made additional postings about Johannsen and his artwork.

As best as I can tell there is no online archive of Johannsen's works, or accounts of his life and times, so I have decided to post a 'Brad Johannsen Archive' and maintain it indefinitely. Hopefully, folks who Google Johannsen will arrive here at some point in their link-clicking, and get some information that otherwise is difficult to find.

So here's a list of links to posts (some my own, others, from various websites) about Johannsen:

1. 'Occupied Spaces' overview

 

2. 'One Fine Morning' LP cover art

 

3. 'Thoughts of Movin' On' LP cover art

 

4. Paintings by Brad Johannsen, Mark Suall collection 

 

5. Johannsen's LP cover art for the Michael Quatro band

 

6. Fonts in Use article on a paperback with Johannsen artwork

7. Fonts in Use article about Johannsen's artwork for 'Thoughts of Movin' On'

 

8. Fonts in Use article about Johannsen's artwork for 'One Fine Morning' 

 

9. Johannsen cover art for a Karl Edward Wagner audio drama CD

 

10. Johannsen promotional art for radio station WDVE

 

11. Johannsen 'October Vibes' (Far Out Company) 

 

12. Johannsen illustrations for the 1972 book 'High Tide'  

Why Men Don't Read Fiction

Today Show, November 12, 2024

An interesting segment of a recent broadcast of a Today show, where Jenna Bush Hager sits down with a group of men to ask why they don't read fiction. The segment ends on a note of advocacy, but the books handed out seemed (to me, at least) underwhelming and banal. Then again, likely it was too much to hope for that Hager would hand out some lowbrow, vintage paperbacks.......

Book Review: For Texas and Zed

Book Review: 'For Texas and Zed' by Zach Hughes

3 / 5 Stars

'For Texas and Zed' (189 pp.) was published by Popular Library in May, 1976. The artist who provided the cover illustration is not credited.

Zach Hughes was the pseudonym of the U.S. writer Hugh Zachary (1926 - 2016) who had success from the late 1960s to the 1980s in publishing short stories and novels in the genres of sci-fi and horror. My review of his 1980 novel 'Killbird' is here.

'Texas and Zed' is set in the year 2589. The thousands of inhabited planets in the galaxy are divided between the Empire and the Cassiopeian Alliance. These polities are engaged in a centuries-old Cold War, a war continuously on the precipice of turning into a galaxywide conflict of unprecedented destruction.

The planet Texas, which orbits the star Zed, is the lone independent planet, siding neither with the Empire, nor the Alliance. The inhabitants (referred to as 'Texicans') of Texas carefully shield their world from detection by the Empire, for Texas is one of the most bountiful and pleasant worlds in the known galaxy. So much so, that if the Emperor learned of its whereabouts he would seek to capture it, and add it to his collection.

As the novel opens, a Texas official, Murchison Burns, and his son Lex Burns, are negotiating with Empire bureaucrats for a trade deal involving the exchange of Texas beef for Empire metals. Being only 17 and headstrong, Lex enjoys the favors of the fetching Empire representative Lady Gwyn Ingles. Lex makes the fateful act of abducting the Lady Gwyn, intending to make her his bride, when the Burns delegation leaves Empire space to return home.

The Empire will not tolerate such a transgression and as punishment, Lex is obliged to spend two years in service aboard an Empire battle cruiser. What he learns on that duty leads him to an audacious plan: defy the Empire, and make Texas a military and economic power.

Defying the Empire is seeming folly, for it has a million ships, and tens of millions of men to man them. But even as a confrontation with the Empire looms, Lex believes that Texas can win. The Emperor, for all his military resources, is about to learn a truism: you don't mess with Texas. 

'Texas and Zed' basically is a homage to the space operas of the pulp era. It has a stripped-down prose style and breathless pacing; space battles involving thousands of ships are related in the span of a page or two. Major plot points are disposed of in a few paragraphs. Lex Burns is so indomitable and self-confident a hero that there never really is any tension or suspense generated in the narrative. The frenetic action sequences are periodically interrupted by more retrospective passages, but these seem perfunctory.

Author Hughes imbues the novel with his personal philosophy, which centers on rugged individualism and a conservative political stance. This stance is of course intrinsic to Texas (at least, outside Houston and Austin) and is both quaint and novel when contrasted with the Woke ideology that predominates in today's sci-fi publications.

Readers looking for a short and sweet space opera will likely enjoy 'For Texas and Zed,' but those interested in a more deliberate treatment of this sub-genre probably will want to look elsewhere.

The Last Temptation graphic novel

'The Last Temptation' graphic novel
Marvel / Dynamite, 1994 / 2014

'The Last Temptation' graphic novel was issued by Dynamite in 2014, to coincide with the 20th anniversary of the printing of the original comic book trilogy by Marvel. It's a nice hardbound volume, printed on good quality slick paper with crisp, high-res reproductions.

The series is recolored, which in my opinion is an improvement over the original color scheme and demonstrates how much color printing technology has advanced since 1994.

original (top) and recolored (bottom) pages

Also in the graphic novel are some specially commissioned new illustrations by artist Michael Zulli, an essay and some correspondence by writer Neil Gaiman, his complete script for the series, and a representative collection of some of Zulli's original pencils.

In his essay, Gaiman describes how the project came about. He initially was recruited by Alice to provide input for a concept album, which was released in July 1994 as 'The Last Temptation'. Gaiman isn't sure who first proposed doing a comic series in conjunction with the album, but Alice was agreeable, and thus the release of issue 1 in May of that year.

Without disclosing spoilers, 'Temptation' is set in suburbia, and features as its protagonist a boy named Steven. One evening in October Steven and his friends come across a mysterious alley, and within the alley, a Showman (Cooper) who offers them seats to see a show in a nearby theatre. Only Steven is brave enough to take the Showman up on his offer. This in turn leads the Showman to haunt Steven with disturbing illusions and nightmares designed to coerce him into succumbing to........the Last Temptation.

As Gaiman makes clear in his essay about the project, he was not seeking to emulate the ornate style of his writing for the Vertigo title Sandman. Rather, 'Temptation' was intended from the start to be a straightforward narrative, one designed for an audience from Young Adults on up to Adults, and is devoid of explicit horror or violence. 

But what makes 'The Last Temptation' work is not Gaiman's script, but the art of Michael Zulli. A lot of comic book art from the early 1990s was highly stylized and slapdash, but Zulli's pencils for this trilogy show attention to detail, and deliberation in their composition. Zulli's portrayal of Alice makes the character menacing without venturing into caricature or parody:

The verdict ? Those with a fondness for the mythology of Alice Cooper, a fondness for the better comic books of the early 1990s, and for Ray Bradbury-ish horror / supernatural stories likely will want a copy of this hardcover, 30th anniversary edition of 'The Last Temptation'. Used copies in good condition can be had for reasonable prices from your usual online retailers. 

Book Review: Black Butterflies

Book Review: 'Black Butterflies' by John Shirley

5 / 5 Stars

 

'Black Butterflies' (350 pp.) first was published in hardcover in May, 1998, by Mark Ziesing. This mass-market paperback edition was published by Leisure Books in March, 2001. The cover artist is uncredited.

While John Shirley is a founding figure in the genre of cyberpunk, he also forayed into the genres of horror and splatterpunk, with his 1982 novel 'Cellars' an early entry in the splat world. He continued to produce horror fiction, such as the novel 'Wetbones,' during the late 1980s and throughout the 1990s, a reasonable-enough decision in light of the boom times of the Paperbacks from Hell era. 

 

Most of the stories collected in 'Butterflies' first saw publication in various 1990s Paperbacks from Hell short story anthologies, such as 'Borderlands,' 'Hotter Blood: More Tales of Erotic Horror,' and 'Forbidden Acts,' while other tales are seeing print for the first time. 

'Butterflies' is divided into two sections, 'This World,' and 'That World.' The idea is that the stories that are more grounded in the real world are presented in the former section, while more outre works are presented in the latter section.

 

Anyone sitting down with this book should realize that Shirley isn't holding back with these stories; they are undiluted splat, the literary equivalent of Shirley picking his nose and proudly displaying the bloody booger thus extracted, for the all world to see. The overwhelming majority of the characters in these stories are the most rancid collection of human beings I've ever encountered. If you are a Humanist, you will want to stay far, far away from Shirley's 'Black Butterflies.'

My capsule summaries of the contents:

Barbara (from 'Dark Love,' 1995): two gangstas find their carjacking victim has a mind of her own.

 

War and Peace (from 'Fear Itself,' 1995): misadventures of crooked cops.

 

You Hear What Buddy and Ray Did ? (from 'Forbidden Acts,' 1995): two thugz stage an orgy in a wealthy man's house; things do not end well.

 

Answering Machine (1998): a transcript of an answering machine message. The message is not particularly salutary.

 

The Rubber Smile (from 'Predators,' 1993): a homage to gorehounds, 42nd Street grindhouses, and slasher films. What more do you want ?!

 

The Footlite (1998): the characters at the eponymous dive bar demonstrate that love among the degenerate has its peculiarities. The ending is disgusting, even by splat standards............

 

Cram (from 'Wetbones,' 1997): only Shirley could meld a Mass Casualty Event with sex. Yuck !

 

What Would You Do for Love ? (1998): high school English teacher Darry is something of a square, trapped in a sinking marriage. When he meets a wild n' crazy, punk-rocker, dyed-blonde chick named Marla, things get exciting. A little too exciting, perhaps..........this is one of the less transgressive tales in 'Black Butterflies,' relying more on humor, than graphic sex and violence.

 

Delia and the Dinner Party (from 'Borderlands,' 1990): a little girl's imaginary friend shows her the true nature of the adults in her life, and the revelation isn't pretty.

 

Pearldoll (from 'Hotter Blood: More Tales of Erotic Horror,' 1991): the opening paragraph of this story had me simultaneously wincing and laughing out loud, no easy thing to do. 'Pearldoll' is about a hooker who reconnects with an old boyfriend, who 'everybody said' was dead. The denouement would've had Charles L. Grant reaching for a barf bag........... 

 

Woodgrains (from 'Obsessions,' 1991): satirical tale of an Art Fart who, seeking to revive his creative energy, opts to get some tattoos. Very unusual tattoos, as it turns out.......

 

The Exquisitely Bleeding Heads of Doktur Palmer Vreedeez (1998): dark satire about 1990s celebrities who find themselves in desperate straits.

 

Flaming Telepaths (from 'Shock Rock,' 1992): at the Black Glass rock club, a concert gets interrupted by events that are..........positively Biblical.

 

How Deep the Taste of Love (from 'Hottest Blood: The Ultimate in Erotic Horror,' 1993): newly single Sid Drexel is looking for love at Tuffys, 'The Hottest Little Singles Bar in the Bay Area.' He meets Sindra, a woman with a strange, even disturbing, allure. In due course, Sid accompanies her home for some erotic action.

Within the first three pages of this story I knew a real gross-out was in the offing, and, a little later, it indeed arrived. I will say that the theme of 'How Deep' has been done better, most notably by Bob Shaw with his 1980 story 'Love Me Tender,' which de-emphasized the gross-out in favor of tighter plotting and prose.

 

Aftertaste (from 'Bones of the Children,' 1996): there's a new brand of crack, called 'silver top,' out on the streets of West Oakland. Silver top is very potent. So potent, in fact, that anyone who ODs on it comes back to life as a flesh-eating zombie..........!

 

Shirley is in fine form with this novelette:

 

Dwayne smelled base, someone smoking somewhere. Turned and saw Joleen in the front seat of a beat-up van, her head bobbing over some guy's lap.The guy firing a blast in a broken-off stem, the glow pulsing, lighting up a little blue skull tattoo on the guy's cheek, and showing his face. He was a big, dirty, yellow-haired white guy, a biker type, with an over-grown beard and matted hair; a biker who'd had to sell his bike for crack.

 

Black Hole Sun, Won't You Come ? (1998): a fable about Primut, who intends to be the Last Man on Earth, via killing everyone else. This is the weakest entry in the anthology.

 

The verdict ? With the exception of 'Doktur Palmer Vreedeez' and 'Black Hole Sun,' the stories in this anthology are solid forays into transgressive fiction: no Quiet Horror in these pages ! 'Black Butterflies' gets a Five Star rating.

Tales of an Imperfect Future

'Tales of an Imperfect Future'

by Alfonso Font

Dark Horse Books, November 2014

 

'Tales of an Imperfect Future' (88 pp.) was published as a hardbound graphic novel by Dark Horse books in 2014.

 

Spanish artist Alfonso Font (b. 1946) is a prolific illustrator of comics in a variety of genres, for publishers throughout Europe and the USA. A number of his works have been translated into English; my review of his 1982 graphic novel 'Prisoner of the Stars' is available here.  

 

My review of the UK comic 'Black Max,' which Font illustrated, is here.

 

'Tales of an Imperfect Future' is an English-language compilation of a series of science fiction comics, titled Cuentos de un futuro imperfecto, that Font did in 1980-1981 for the Spanish comic magazine (revista) 1984. 

 

Over the years, these comics have been collected in Spanish editions:

 

The Dark Horse edition has the rather attenuated resolution of the artwork, presumably because it was scanned from archived printed pages of the comics, rather than the original artwork. That said, the panels look decent enough, and you can see where Font incorporated some Zip-A-Tone.

 

Font's artwork has a looser and less ornate style, more in line with that of Jordi Bernet, than the other Spanish artists of the 1980s, such as Esteban Maroto, Jose Gonzalez, and Julio Ribera.

The plots for the six- and eight-page stories printed in 'Tales' reflect a mordant sensibility, with surprise endings popping up in the last panel or two of each story. The characters appearing in Font's work are often hapless victims of circumstance, or mankind's talent for self-destruction.

If you're looking for science fiction comics with a Heavy Metal magazine flavor, then 'Tales of an Imperfect Future' is a good investment.