The Banana Splits Movie coming August 2019

The Banana Splits Movie
August 27, 2019 

This is.........strange.........

Apparently, Warner Bros. commissioned an R-rated feature film starring the Banana Splits. It's being released on DVD on August 27, with an advertised price of $24.98. 

I can't help thinking that the The Banana Splits Movie will be a disaster like The Happytime Murders from 2018, which also employed the trope of taking beloved children's TV characters and recasting them (in Postmodern fashion) as deranged killers. 

But I could be wrong.

[ My workplace subjects me to random drug testing, so it is highly unlikely I will be watching The Banana Splits Movie in the frame of mind best recommended for Baby Boomers in their 50s. ]

I'm still making up my mind whether to rent the DVD, or buy it.................maybe it's best to wait and see what the reviews have to say later this Summer.

Book Review: Silverglass

Book Review: 'Silverglass' by J. F. Rivkin

4 / 5 Stars

'Silverglass' (186 pp) was published by Ace Books in September 1986, with cover art by Luis Royo. It's the first volume in the so-called 'Silverglass' tetrology, with the subsequent volumes Web of Wind (1987), Witch of Rhostshyl (1989) and Mistress of Ambiguities (1991). J. F. Rivkin is the pseudonym of the author Jeri Freedman, who has written other fantasy novels under the pen name of 'Ellen Foxxe'.

The cover design for 'Silverglass' is unfortunate, for it gives the impression that the book is an entry in  the 'chick-in-a-chain-mail-bikini' genre, when in reality, the novel is a well-written, frequently humorous treatment of the sword-and-sorcery theme.

Lead character Corson - the D-cupped woman on the book's cover - is a female version of Conan the Barbarian: not too bright, ever ready for a fight, and not very enamored of wizards and witches. But like Conan, Corson is often short of funds, so when Nyctasia, princess of the city of Rhostshyl, has to flee the city for her life, Corson agrees to serve as her bodyguard.

Hardly have Nyctasia and Corson escaped one danger, than others spring up to threaten them. Our duo are forced to make a desperate journey to the far-off land of Hlasven, but getting there will be no easy task..........

'Silverglass' is a quick, fast-paced read, something I never tire of commending in this modern era of 900+ - page fantasy novels. Although the novel is less than 200 pages long, author Rivkin is able to manage a believable cast of characters and settings that have a bit more imagination to them than those that are usually encountered in the sword-and-sorcery literature. The book does have its weakness, in the form of an underwhelming denouement that seems to have been designed more to set up the sequels, than to bring the main storyline to a worthy conclusion.

The verdict ? 'Silverglass' has its merits, and if you are looking for a sword-and-sorcery novel that doesn't require a dramatis personae listing, a glossary, or a map (or series of maps) in order to comprehend what is going on, then this novel is worth picking up.

Linda Carter's Rock and Roll Fantasy

Linda Carter's Rock and Roll Fantasy
from Linda Carter: 'Encore !'
CBS, September 16, 1980

They don't make 'em like this anymore.......

Linda Carter's 'Encore' variety show special aired on CBS TV on September 16, 1980. 

The featured guest stars were Merle Haggard, Tom Jones, John Phillips (of the Mommas and Pappas), and pianist Donald Young.

For one of the show's segments, titled 'Linda Carter's Rock and Roll Fantasy', Linda did a song-and-dance medley of various hit rock songs, one entry of which was the Kiss disco song I Was Made for Loving You.

The video clip of the medley is available here. I Was Made for Loving You starts at the 2:33 mark.

Later on in the clip, Linda dons a blonde wig, uses a banana for a microphone (?!) and performs a Broadway tune.........accompanied by dancers in gorilla costumes ?!

Like I said, they don't make 'em like that anymore............ 

Jack Kirby's Mister Miracle

Jack Kirby's Mister Miracle
DC Comics, 1998

"Mister Miracle' was the longest-lasting of Kirby's Fourth World titles. This trade paperback compiles the first ten issues of Mister Miracle (April 1971 - October 1972). 

The companion volume Jack Kirby's Fourth World: Featuring Mister Miracle compiles issues 11 - 18 (December 1972 - March 1974). Both compilations are in graytone; if you want them in color, you're probably going to want to purchase the 1481 page Jack Kirby: The Fourth World Omnibus (2017).

The first issue of 'Mister Miracle' establishes the premise of lead character Scott Free: a master escape artist who is able to wriggle out from the most lethal of pitfalls and traps. Assisted by his dwarf sidekick Oberon, and the technical wizardry of the 'Motherbox', Free finds himself battling emissaries from his homeworld of Apokalips, as well as a variety of domestic villains.

'Mister Miracle' introduces Big Barda, one of Kierby's more memorable female characters, as well as the sadistic Granny Goodness, the overseer of the nightmarish elementary school on Apokalips (Kirby allegedly to modeled Granny Goodness on the well-known comedienne Phyllis Diller).

Issue 6, included in this compilation, is memorable for introducing the character of 'Funky Flashman', and his servile assistant 'Houseroy'. Kirby clearly intended these characters to be the most thinly disguised caricatures of Marvel's own Stan Lee and Roy Thomas. The satire works, perhaps because it has a little slice of nastiness to it (at one point, Funky Flashman makes good his escape from Darkseid's Female Fury Battalion by tossing Houseroy to them as a sacrifice).

The art, even when rendered in graytone rather than color, is the best thing about 'Jack Kirby's Mister Miracle'. Kirby was in top form at this time in his career and the artwork reflects this.

The writing is where these comics from the early 70s show their age (I should note that it's rumored that Mark Evanier ghost-wrote more than a few of these Mister Miracle comics). 

Kirby devotes the entirety of each issue to setting up scenarios where Mr. Miracle finds himself coerced by the villain(s) into entering an elaborately constructed deathtrap; he seemingly dies, only to return alive and well in the final pages, with a contrived, unconvincing explanation for how he escaped. 

This gimmick quickly gets tiresome and the series only regains momentum in the final stories, which are flashback entries set in Apokalips.

Summing up, whether it's this older compilation or Jack Kirby: The Fourth World Omnibus, I can't really see either volume appealing to anyone outside of dedicated Kirby fans, or fans of the comics of the early 70s. The good news is that Kirby's writing would become more engaging with Kammandi and The Demon, and those titles are more accessible than his Fourth World materials

The Tower King episodes 4 - 6

The Tower King
episodes 4 - 6
Alan Hebden (writer)
Jose Ortiz (artist)
Eagle (UK) 1982

episodes 1 - 3 are here.

More postapocalyptic mayhem, starring the Tube Rats: the mutated survivors who had adapted to a life of darkness in the deep tunnels of London's underground tube system !

A mix of the cannibals from the 1972 film Raw Meat, and the wayward Morlocks in K. W. Jeter's Morlock Night (1979). Fun stuff !

Book Review: Full Service

celebrating Pride Month 2019

Book Review: 'Full Service' by Scotty Bowers

5 / 5 Stars

The Queens were the most demanding. A straight guy would merely ask for a blonde or a brunette or a girl with a cute figure or big tits or one who was good at some specific sexual technique like giving a fantastic blow job, but gay guys were a lot choosier. They not only wanted someone tall or blonde or very good-looking, he also had to be suntanned or hairy or smooth or muscular.....The list could go on and on. And you know what ? I was able to provide them with precisely what they needed.....My little black book had only names and numbers.......Everything that people liked....was committed to my memory. 

Here at the PorPor Books Blog, we like to celebrate Pride Month by highlighting a fiction or nonfiction book that illuminates the LGBTQ Experience. 

For June 2019, our selection is 'Full Service', a memoir by Scotty Bowers.

This trade paperback edition (288 pp) of the book was published by Grove Press in 2012. It features two inserts of black-and-white photographs.

'Full Service' made Scotty Bowers into an overnight sensation, and in 2018 a documentary of his life and times, titled Scotty and the Secret History of Hollywood, was released to considerable acclaim.

(Today, at age 96, Bowers remains in reasonably good health).

The book's early chapters describe Bowers's childhood, growing up in considerable poverty in the Midwest. His memories of his interactions with adults during the Depression years are not for the squeamish, although Bowers describes them with a mixture of aplomb and affection. 

After serving in the Pacific Theater in World War Two, in 1946 Bowers took a job at the Richfield gas station on Hollywood Boulevard. Many celebrities stopped at the station for gas and repair work and Bowers (who describes himself as bisexual, but with a preference for women) soon learned that more than a few of these celebrities were looking for various pleasures, in addition to gas and oil. 

Before long, Bowers was supplying his male and female friends to all manner of Hollywood actors, producers, directors, tycoons, and magnates for twenty bucks a trick; in the late 1940s, that was very good money indeed.

In roughly chronological order, Bowers relates his adventures in 'turning tricks' for one celebrity after another, all the way up to the late 1960s. There's plenty of eyebrow-raising, lough out loud anecdotes and gossip, so much so that, rather than give away any spoilers, I'll just say that 'Full Service' is an engaging read. Each page brings some new revelation, so don't be surprised if you find yourself finishing the book in just two or three sittings.

Along with its impact as an expose, the book offers a portrait of the Golden Age of Southern California and Los Angeles, when smog, gangbangers, the homeless, rats, typhus outbreaks, exorbitant taxes,, catastrophic wildfires, and clogged freeways were as yet unknown. By so doing it evokes a melancholy tone: those days are gone forever. 

Summing up, you can't go wrong with 'Full service', both as a Pride Month read, and as a fascinating memoir.

Sanjulian: Master of Fantasy Art

Sanjulian: Master of Fantasy Art
Steve Morger / Big Wow! Art
March 2019

Sanjulian: Master of Fantasy Art was Kickstarted by Steve Morger back in 2018, and the limited number of copies produced when it was published back in March evaporated seemingly overnight.

I was fortunate to pick up a copy from Stuart Ng Books in California. The book is now only available from those early purchasers who are willing to part with their copies (which seems unlikely). 

This book fills an unfortunate gap: for an artist who is one of the best-known figures in fantasy illustration, there is a real dearth of art books devoted to Sanjulian.

In 2001 publisher SQP released a 72-page trade paperback, titled Sanjulian: Master Visionary, that primarily covered the artist's black-and-white artwork.

According to the Tebeosfera website, Big Wow! previously published a book of Sanjulian art in 2008, but I could find very little information about it.

In 2014 Underwood Books published a collection of Sanjulian's 'barbarian' artwork, but at 48 pages, Sword's Edge: Paintings Inspired by the Works of Robert E. Howard could do little more than give but the briefest glimpse of the artist's catalog.

So, this 2019 edition from Big Wow! stands as the definitive collection of Sanjulian art. At 9 x 12" and 312 pages, the trade paperback edition is a well-made book, with thick paper stock and good-quality reproductions of the artwork.

Sanjulian, the pseudonym of the Spanish artist Manuel Pérez Clemente (b. 1941), is of course very well known to anyone who read fantasy, sci-fi, and horror paperbacks and magazines over the span of decades from the 60s to the present day (Sanjulian continues to do some commercial art work, but primarily produces commissioned pieces for collectors).

This book is an overview of his commercial and studio art over this five-decade span of time. It's organized by subject matter, with chapters devoted to depictions of characters from film and televsion, classic Monsters, Pop Culture icons, barbarians, chain-mail-bikini chicks, Vampirella, and femme fatales.

Many of the pieces showcased in Sanjulian: Master of Fantasy Art are commissioned works done in the past 10 years for collectors of fantasy and sci-fi art. While these pieces are impressive in the sense of fulfilling the dreams of affluent Fanboys, I was hoping for a greater inclusion of Sanjulian's works for the magazine and paperback markets of the 70s and 80s. It may be that Morger had difficulties in securing the rights to reproduce these works (it appears that Sanjulian did not retain the original art he did for many of these commercial assignments).

One thing that emerges from the book is Sanjulian's versatility. His paintings for the covers of Western novels show his skill in rendering that genre:

The (unfortunately) few studio art pieces showcased in the book demonstrate his skill at traditional portraiture:

Summing up, in the absence of any further printings, I suspect that any copies of Sanjulian: Master of Fantasy Art that ever come up for sale are going to have very dear asking prices. If you are a fan of Sanjulian's art, your best hopes probably revolve around the possibility that a major publisher like Titan Comics, or Dark Horse Books, or Schiffer will elect to release an edition of this book for wider distribution.

Book Review: O-Zone

Book Review: 'O-Zone' by Paul Theroux

1 / 5 Stars

'O-Zone' first was published in hardback in 1986. This Ballantine Books paperback (536 pp) was published in October 1987.

'O-Zone' is set in the early 21st century, after severe ecological and economic collapses have converted most of the U.S. into thinly populated rural settlements where technology has stayed at a 20th century level. The exception is New York City, where the wealthy elite - referred to as Owners - live within luxury skyscrapers clustered on Manhattan Island. Outside Manhattan, what used to be the greater New York metropolitan district is a polluted wasteland occupied by impoverished Skells, Roaches, and Trolls. 

As the novel opens, a group of Owners, including the brothers Hooper and Hardy Allbright; the latter's autistic, genius son Fisher; and assorted wives and friends, embrace a once-in-a-lifetime adventure: a foray into the wasteland known as O-Zone. 

O-Zone used to be the state of Missouri, before a vaguely defined catastrophe involving underground nuclear waste led to the mass evacuation of the state, and its conversion to a prohibited zone that can only be entered by those holding special permits.

For Owners like the Allbrights and their acquaintances, O-Zone is a mythic place where cannibalistic mutants (referred to as 'aliens') and rabid wildlife skulk in the dense forests and roam the ruined towns and cities. Even though the Allbrights travel in a heavily armed VTOL plane, bringing with them laser perimeters, environmental hazard suits, and the latest in modern small arms, the camping trip brings with it the allure of danger.

But events transpiring in O-Zone soon leave the Allbrights with a changed sense of the world and their place in it. Hooper Allbright finds himself obsessed with the alien girl he glimpsed sprinting through the forests of O-Zone. Hardy Allbright sees O-Zone as the ideal location for a terraforming scheme that will be the capstone of his career. And Fisher Allbright will discover what it's like to be uprooted from a life of privilege.......

'O-Zone' has an interesting premise, but that can't save it from being one of the most boring reads I've had in the past several years. I routinely had to struggle to finish this book.

At 536 pages, it's badly overwritten, a failing I've noticed in those few other fiction works by author Paul Theroux I've attempted to read. Practically every paragraph is overloaded with empty sentences; hardly any expository sentence goes unaccompanied by several additional sentences that laboriously disclose to the reader what a particular character is thinking or feeling (for Theroux, it's always 'Tell', and never 'Show').

Things are salvaged a bit in the final 150 pages, as some of the characters embark on a modern-day Homeric Journey across the hazardous landscapes of the Central and Eastern U.S. But in my opinion, it's too little a reward for having to plow through the preceding 386 pages.

[An argument could be made that 'O-Zone' is in fact not a sci-fi novel, but rather, a ponderous satire of the state of American society in the mid-80s. As wealthy, Jewish, New York City dwellers, the Allbrights and their friends have the same parochial mindset as did their 20th century counterparts, whose perception of the world outside the boundaries of Manhattan was mocked in a classic 1976 New Yorker cover, 'View of the World from 9th Avenue', by Saul Steinberg.]

The verdict ? For all its cover blurbs and approbations from 'serious' writers and critics intrigued to see a 'literary' author like Theroux dabble in the ghetto of sci-fi, 'O-Zone' is a dud. There are plenty of 80s sci-fi novels that are more rewarding reads.

One on One publicity still

One on One
Publicity Still
1977

One on One was a feature film released in 1977. Robbie Benson starred as a freshman basketball player who discovers that the game at the college level is more challenging than he expected.

In this publicity still associated with the film, number 44 is Darrell 'Dash' Crofts, and number 14 is Jim Seals (Seals and Crofts composed and sang the song 'My Fair Share' for the film's soundtrack).

Number 52 is composer and actor Paul Williams, perhaps best known for playing Little Enos in the movie Smokey and the Bandit.

Number 10 is Robbie Benson. 

I don't know who number 41 is.......he is familiar, but I can't place him.

Book Review: Falling Toward Forever

Book Review: 'Falling Toward Forever' by Gordon Eklund

2 / 5 Stars

'Falling Toward Forever' (190 pp) was published by Laser Books / Harlequin in 1975. The cover art is by Kelly Freas.

Calvin Waller is a mercenary fighting on the side of an un-named insurgent group in an un-named African country. As the novel opens the insurgent army is about to mount an attack on a government outpost. As one of the most experienced and capable soldiers in the insurgency, Waller is tasked with securing the arms depot in the center of the government compound.

The attack is launched, and amid the carnage Waller fights his way to his objective. But then things go drastically wrong: accompanied by a pair of battle participants, Waller finds himself teleported instantly to a strange landscape. There, another conflict is underway, and Waller soon finds himself a key figure in yet another 'war for liberation'.

The bigger question - who, or what, has subjected Waller and his companions to the teleportation - always looms in the background. And when Calvin Waller finally meets the architect of his strange journeys through time and space, a settling of accounts is by no means assured.........

I picked up 'Falling Toward Forever' hoping it was one of those Laser Books titles that turns out to be an overlooked gem of sci-fi from the mid-70s. 

Unfortunately, 'Falling' is a dud.

In its favor, the plot is a straightforward adventure tale, highly reliant on dialogue. The hero, Calvin Waller, has the cynical, ironic humor that calls to mind the protagonists of Jason dinAlt and Slippery Jim diGriz in Harry Harrison's novels.

But I found the closing chapters, and their explanation for the strange phenomenon afflicting Calvin Waller, to be unconvincing. 

By 1975, Eklund had published a number of novels and short stories, including All Times Possible (1974), which also addresses the subject of time travel and alternate histories. So the failure of 'Falling Toward Forever' to impress has little to do with any lack of experience on the part of the author. Rather, it stems more from a perfunctory stance on Eklund's part: this one was written just to pay the bills, and not much more. 

For Eklund completists only.