Colorvision by Ron Cobb

'Colorvision' by Ron Cobb

 

The late Ron Cobb (1937 - 2020) was one of the more influential graphic artists of the postwar era. Sadly, for many years 'Colorvision', published in 1981 as a trade paperback by the Australian form Wild and Woolley, was the only compilation of his art. I was fortunate to purchase a copy for a modest price back then. The book's rarity means that at the moment, speculators and bookjackers are offering used copies for sale at amazon for exorbitant prices.

Some good news: a new book dedicated Cobb's work, titled 'The Art of Ron Cobb', by Jacob Johnston, will be released in August 2022 from Titan Books. It's preliminary pricing is $60 (but this is likely to go down once it's available at amazon).

Cobb grew up in Burbank, CA, and in the late 1950s worked as an animator for Disney. He served in Viet Nam in 1963. Upon his return to Hollywood in 1964 he became a freelance artist and designer and did covers for Famous Monsters of Filmland magazine. He also did political cartoons for independent press outlets. In 1972 - 1973 Cobb toured Australia and liked the country so much he decided to settle there.

In the early 70s Cobb befriended Dan O'Bannon, then involved with the legendary low-budget SF film Dark Star, and designed the spaceship featured in the film. Cobb also did uncredited work on designing the cantina aliens for Star Wars. In the late 1970s Cobb joined up with O'Bannon as part of the production staff for the 20th Century Fox film Alien, with Cobb providing many the film's spaceship, interior, and set designs. Cobb's contributions to the film tended to be overlooked for the more bizarre and memorable designs of H. R. Giger.

Cobb used his Alien work to win further assignments in big budget SF film production, working on the first Conan film, and later Aliens, Leviathan, The Abyss and Total Recall, among others. He also contributed design and concept art for amusement rides and video games.

'Colorvision' focuses on Cobb's early freelance work, his  concept art for Alien and Conan, and impressive art for a John Milius film ('Half of the Sky') about mountain men, that never made it into production.

I've posted some scans of Cobb's art from the book.

Cobb's official website remains functional, and offers images for SF fans and art appreciators to enjoy. 

'Nightscape', late 50s, ink, oil, and colored pencil

'The Door', late 50s, pen and oil wash

 

concept art for Alien, mid-70s, acrylic (top) and ink and felt tip pen (bottom)

 

'Close Encounter', concept art for 'Half of the Sky', late 70s, acrylic

'Discovery of the South Pass', concept art for 'Half of the Sky', late 70s, acrylic

(this is one of the most brilliant landscape paintings I've ever seen) 

The Bus by Paul Kirchner

'The Bus' by Paul Kirchner

'Heavy Metal' magazine April 1980

The April 1980 issue of'Heavy Metal' features a cover illustration by Tony Roberts, titled ‘He Turned the Phindog to Stone’, with  ‘Perversity’, by Wotipka, on the back cover.

Much of this issue is taken up with Jeronatan’s ‘Champakou’, dealing with (‘frisky’) Central American Indians from ancient times, and a visitor from outer space. It’s well illustrated and written, and one of the better serial comics to appear in the early years of Heavy Metal. Also appearing were segments of Moebius’s ‘Airtight Garage’, Corben’s ‘The Beast of Wolfton’, and Caza’s ‘Suburban Scenes: November’.

Enki Bilal contributed a little four-page story, ‘Of Needle and Thread’, which I’ve excerpted here.

Book Review: Monster Brigade 3000

Book Review: 'Monster Brigade 3000', edited by Martin Greenberg and Charles Waugh

3 / 5 Stars

Yet another anthology edited by the indefatigable Martin H. Greenberg (here aided by co-editor Charles Waugh), ‘Monster Brigade 3000’ (215 pp) was published by Ace books in 1996. The cover illustration is by Gary L. Freeman.

This anthology’s theme is the use of altered humans in warfare; while this might seem like the perfect topic to generate some action-packed tales, unfortunately, many of the selections are predictable expositions on the Meaning of What It Is to be Human. While the majority of the entries appeared in the 90s, there are some golden oldies from the 50s added in to round out the collection.

The first story, William Tenn’s ‘Down Among the Dead Men’, appeared in Galaxy in 1954. It’s about a spaceship pilot who must command a crew composed of androids recycled from combat casualties. As is typical with a Tenn story, there is little action, and much philosophical musing about whether such creatures: Are Not Men ?

Brian Hodge contributes ‘A Loaf of Bread, A Jug of Wine’. It’s the Fall of 1942, and in a small French village, a young nun investigates the nocturnal visits of a mysterious stranger to the abbey stables. It turns out the visitor is a famous character from 18th century fiction; there are complications when a detachment of Nazis arrives to take control of the village. It’s a worthwhile premise, but the story suffers from the author’s overwrought efforts to be Profound.

‘The Monster’, by Joe Haldeman, deals with a Vietnam War veteran who witnessed a terrible atrocity while on a reconnaissance mission in enemy territory. Did the creature who committed the attack come from without…. or from within ?

‘The Eater of Filth’, by Gary A. Braunbeck, is really more of a zombie story than sf. Fallen soldiers from the Mexican American War arise in the night and lay siege to a village. Offbeat and original, coming across like something Joe R. Lansdale would write, this is one of the better stories in the collection.

‘Correspondence’, by Lawrence Schimel and Mark A. Garland, takes place on a future Earth in which the descendents of humans abducted by aliens, returned to their ancestral home, wage a race war with mutated strains of Homo sapiens. It’s a rather unremarkable treatment of the ‘we have met the enemy, and he is us’ theme.

Billie Sue Moisman’s ‘War, the Last’ presents Armageddon from the point of view of an angel participating on the side of Right. It’s an interesting mix of sf and ‘End Times’ biblical tropes, and another of the more interesting entries in this anthology.

Bruce Holland Roger’s story ‘In the Matter of the Ukdena’, despite its 1996 copyright, reads like a tale from the 70s New Wave era, what with its contrived mixup of italicized and varied- font paragraphs, the insertion of numerous stanzas of blank verse, and use of a prose style aimed at evoking the stilted nature of translated American Indian folk tales. Underneath its messy structure is something to do with an alternate history of the New World, in which Spirits in the air somehow prevented the subjugation of aboriginal societies at the hands of the invading Europeans. The inclusion of this tale in the anthology had me scratching my head in puzzlement.

‘A Zombie Named Fred’, by Jake Foster, is a readable, humorous treatment of the zombie-as-soldier theme.

‘Surface Tension’, by Peter Crowther, is a tongue-in-cheek story about explorers of an alien planet confronting the sudden arrival of an unusual breed of monsters. The story is meant as a sort of homage to those appearing in the pages of the EC science fiction comics of the 50s. My opinion ? ….meh.

Robert David Chase (a pen name used by Ed Gorman) contributes ‘The Monster Parade’, in which a US commando on covert assignment in Mexico investigates disturbing rumors about the Space Corps. Featuring some unexpected plot twists, this is another of the better stories in the anthology.

‘Grabow and Collicker and I’, by veteran writer Algis Budrys, is about rejuvenated soldiers fighting the Civil War.

Dan Perez provides ‘Behind Enemy Lines’, placed in a near-future setting in which vampires dominate the world and seek to snuff out armed resistance offered by the dwindling numbers of ‘daylighters’.

From The Magazine of Fantasy and Science Fiction in 1956, Poul Anderson’s ‘Operation Chaos’ rounds out the collection. Set in an alternate universe where magic and mythical creatures are as normal as science and technology in our own world, warring sides use dragons, basilisks, and spells in their contest to control the western United States.

The verdict ? ‘Monster Brigade 3000’ is, like the vast majority of the Greenberg anthologies, middle-of-the-pack in terms of quality. While I wouldn't say it's worth searching out, there are sufficient quality entries to make it worthwhile to pick up, if you see it on the shelf of a used bookstore.

Marvel Zombies 5: issue 2

 

The second issue of ‘Marvel Zombies 5’ is now out on the stands and, as hinted at the conclusion of the first issue, the action moves to the alternate earth depicted in the 70s ‘Amazing Adventures: War of the Worlds’ comics featuring the definitive PorPor character, Killraven.

Dispatched to try and recover blood samples harboring the zombie-causing virus from multiple worlds and realities, Howard the Duck, Machine Man, and the gun-wielding ‘Quick Draw’ Jacali Kane arrive on an earth subjugated by Martians, and quickly encounter Killraven, M’Shulla, and Old Skull:   

I won't reveal much more of the contents of the issue, save to say that it features the traditional copious gore and 'sick' humor that have been trademarks of the 'Zombies' books:

It looks like this will be the only installment of the 5th series that will feature the 'War of the Worlds' crew, so at most it's a short-lived guest appearance by Killraven and his gang. Fans of the 70s series will want to pick it up.

The Mental Wizard by James Bama

The Mental Wizard
from Doc Savage No. 53, 1970, painting by James Bama
(reproduced from Illustration magazine, vol. 4, issue 16, Spring 2006, p. 11) 

A Dead Man's Chest Part 2 of 2

A Dead Man's Chest

(Part 2 of 2)
(from 'Death Rattle' issue 3, volume 3, 1986)