from The Illustrated Roger Zelazny (Baronet Books, February 1978)
Wednesday, December 4, 2013
Shadow Jack by Morrow and Zelazny Part Two
'Shadow Jack' by Gray Morrow and Roger Zelazny
from The Illustrated Roger Zelazny (Baronet Books, February 1978)
from The Illustrated Roger Zelazny (Baronet Books, February 1978)
Monday, December 2, 2013
Shadow Jack by Morrow and Zelazny Part One
'Shadow Jack' by Gray Morrow and Roger Zelazny
from The Illustrated Roger Zelazny (Baronet Books, February 1978)
Part One
The best of the five stories in The Illustrated Roger Zelazny is 'Shadow Jack', featuring the lead character from one of Zelazny's best novels, 'Jack of Shadows'.
With fine color illustrations by Gray Morrow, and an engaging plot from Zelazny, 'Shadow Jack' (which, as Zelany remarks in his introduction to the story, is a prequel to the novel), is as good as anything that appeared in Heavy Metal, or the Warren magazines, in the late 70s.
Copies of the trade paperback and hardbound editions of The Illustrated Roger Zelazny are available for under $20 at your usual online retailers. Also available is the mass market edition of the book, which contains the entire story (albeit, printed in black and white).
I'm posting the entire 23-page comic in two parts. Part One is posted below; Part Two is here.
from The Illustrated Roger Zelazny (Baronet Books, February 1978)
Part One
The best of the five stories in The Illustrated Roger Zelazny is 'Shadow Jack', featuring the lead character from one of Zelazny's best novels, 'Jack of Shadows'.
With fine color illustrations by Gray Morrow, and an engaging plot from Zelazny, 'Shadow Jack' (which, as Zelany remarks in his introduction to the story, is a prequel to the novel), is as good as anything that appeared in Heavy Metal, or the Warren magazines, in the late 70s.
Copies of the trade paperback and hardbound editions of The Illustrated Roger Zelazny are available for under $20 at your usual online retailers. Also available is the mass market edition of the book, which contains the entire story (albeit, printed in black and white).
I'm posting the entire 23-page comic in two parts. Part One is posted below; Part Two is here.
Friday, November 29, 2013
Jim by Luc Cornillon
'Jim' by Luc Cornillon
from the November, 1979 issue of Heavy Metal magazine
Satiric humor infuses this strip, about an enthusiastic young man on his first safari to an unknown land....except he is maybe a little too enthusiastic.....
from the November, 1979 issue of Heavy Metal magazine
Satiric humor infuses this strip, about an enthusiastic young man on his first safari to an unknown land....except he is maybe a little too enthusiastic.....
Tuesday, November 26, 2013
Book Review: The Amsirs and the Iron Thorn
Book Review: 'The Amsirs and the Iron Thorn' by Algis Budrys
0 / 5 Stars
‘The Amsirs and the Iron Thorn’ (159 pp) was published by Fawcett’s Gold Medal imprint in 1967; the cover artwork is by Frank Frazetta.
As the novel opens, its protagonist, White Jackson, is striding across the desert of the un-named planet on which he and the descendants of the original Terran colonists survive (amid greatly reduced circumstances). Jackson is on his Manhood Quest, which involves setting off into the desert in order to pursue and kill an indigenous, bird-like alien humanoid: an Amsir.
In the course of his Quest, Jackson is startled to discover that much of what he has been told of the Amsirs, and life in the bedraggled confines of the human colony, are lies and fictions, designed to maintain a precarious social order.
Perhaps the remainder of the novel has something to do with Jackson’s path to discovering the truth about his heritage, the Amsirs, and the fate of the colony. But after I reached page 40, I gave up and tossed ‘The Amsirs and the Iron Thorn’ away.
This is one of the worst sf books I’ve ever attempted to read.
Algis Budrys was plainly going through the motions with this piece. The novel shows every sign of being hastily assembled and subjected to little, if any, editing. The prose is stilted and often afflicted with such poor syntax that entire paragraphs are simply empty verbiage:
It came to him that he’d spent a lot of years running around the Thorn and pitching darts to come to the moment he realized it was all downhill from here on. But it was all downhill. And when he thought of all the people he’d seen follow that road, and the way they did it because they’d all heard the elders telling them and telling them how to do it, White Jackson realized that the track to Ariwol was beaten many times as hard as the track around the Thorn.
Far from being an undiscovered gem of late 60s sf, ‘ The Amsirs and the Iron Thorn’ is best left to deserved obscurity.
‘The Amsirs and the Iron Thorn’ (159 pp) was published by Fawcett’s Gold Medal imprint in 1967; the cover artwork is by Frank Frazetta.
As the novel opens, its protagonist, White Jackson, is striding across the desert of the un-named planet on which he and the descendants of the original Terran colonists survive (amid greatly reduced circumstances). Jackson is on his Manhood Quest, which involves setting off into the desert in order to pursue and kill an indigenous, bird-like alien humanoid: an Amsir.
In the course of his Quest, Jackson is startled to discover that much of what he has been told of the Amsirs, and life in the bedraggled confines of the human colony, are lies and fictions, designed to maintain a precarious social order.
Perhaps the remainder of the novel has something to do with Jackson’s path to discovering the truth about his heritage, the Amsirs, and the fate of the colony. But after I reached page 40, I gave up and tossed ‘The Amsirs and the Iron Thorn’ away.
This is one of the worst sf books I’ve ever attempted to read.
Algis Budrys was plainly going through the motions with this piece. The novel shows every sign of being hastily assembled and subjected to little, if any, editing. The prose is stilted and often afflicted with such poor syntax that entire paragraphs are simply empty verbiage:
It came to him that he’d spent a lot of years running around the Thorn and pitching darts to come to the moment he realized it was all downhill from here on. But it was all downhill. And when he thought of all the people he’d seen follow that road, and the way they did it because they’d all heard the elders telling them and telling them how to do it, White Jackson realized that the track to Ariwol was beaten many times as hard as the track around the Thorn.
Far from being an undiscovered gem of late 60s sf, ‘ The Amsirs and the Iron Thorn’ is best left to deserved obscurity.
Saturday, November 23, 2013
Heavy Metal November 1983
'Heavy Metal' magazine November 1983
November, 1983, and on MTV, in heavy rotation, is 'Say Say Say' by Paul McCartney and Michael Jackson.
The November issue of Heavy Metal magazine is out, with a front cover by Dave Dorman, and a back cover by De Es Schwertberger.
The contents of this month's issue are unremarkable. There are more installments of 'Odyssey', 'The Fourth Song', 'Tex Arcana', and 'Ranxerox'.
There is an interview with Will Eisner, who also provides a brief strip of 'The Spirit'. I consider Eisner's 'Spirit' to be one of the most over-rated comics of the 20th century, and the appearance of the character in this issue of HM does nothing to persuade me otherwise.
Crepax provides a new 'Valentina' comic, but his whole '60s fashion meets fetish' approach was outdated and unoriginal even back in 1983.
Reading this issue, the one thing that stands out is the absence of the artists that made the magazine great in its first several years of life.
No Suydam, no Caza, no Nicollet........no Jeronaton, no Macedo, no Schuiten Brothers, no Druillet......
A halfway decent singleton comic is 'As In A Dream' by Miltos Scouras, which I've posted below.
November, 1983, and on MTV, in heavy rotation, is 'Say Say Say' by Paul McCartney and Michael Jackson.
The November issue of Heavy Metal magazine is out, with a front cover by Dave Dorman, and a back cover by De Es Schwertberger.
The contents of this month's issue are unremarkable. There are more installments of 'Odyssey', 'The Fourth Song', 'Tex Arcana', and 'Ranxerox'.
There is an interview with Will Eisner, who also provides a brief strip of 'The Spirit'. I consider Eisner's 'Spirit' to be one of the most over-rated comics of the 20th century, and the appearance of the character in this issue of HM does nothing to persuade me otherwise.
Crepax provides a new 'Valentina' comic, but his whole '60s fashion meets fetish' approach was outdated and unoriginal even back in 1983.
Reading this issue, the one thing that stands out is the absence of the artists that made the magazine great in its first several years of life.
No Suydam, no Caza, no Nicollet........no Jeronaton, no Macedo, no Schuiten Brothers, no Druillet......
A halfway decent singleton comic is 'As In A Dream' by Miltos Scouras, which I've posted below.
Thursday, November 21, 2013
Book Review: The Dying Earth
Book Review: 'The Dying Earth' by Jack Vance
4 / 5 Stars
This paperback edition of ‘The Dying Earth’ (which was originally published in 1950) was released by Lancer Books in 1962, and features cover artwork by Ed Emshwiller.
This is the first volume in what is now known as the ‘Dying Earth’ tetralogy, the other volumes being ‘The Eyes of the Overworld’ (1966), ‘Cugel’s Saga’ (1983), and ‘Rhialto the Marvellous’ (1984).
‘The Dying Earth’ is comprised of eight loosely connected stories, all set in the fantasy landscape of a far-future Earth, in which the Sun is a sullen red ball, bereft of energy. Millennia have passed since the 20th century, and much of Man’s achievements long have been buried by the passage of time. There are still sizeable cities scattered around the globe, but the lands between are either wasteland or wilderness, inhabited by various monsters and bands of troglodytes. Whatever technology still exists is that scrabbled from the remnants of long-dead empires.
The cities are by no means entirely safe, for wizards are plentiful ,and operate outside the boundaries of what little law remains. Throughout the ‘Dying Earth’ novels, much of the action revolves around the efforts of various protagonists to free themselves from some obligation or debt made to a cunning, often pitiless wizard.
Most of the stories in ‘Dying’ range in mood and theme. The first three tales, ‘Turjan of Miir’, and continuing with ‘Mazirian the Magician’, and ‘T’Sais’, center on action and adventure, as their protagonists seek to overcome the machinations of evil magicians.
‘Liane the Wayfarer’ is an effective horror story. ‘Ulan Dhor’ and ‘Guyal of Sfere’ tend more towards a fantasy / sci-fi tenor, as these characters venture into the ruins of former civilizations possessed of wondrous technologies.
For stories first written in 1950, the entries in ‘The Dying Earth’ have a very modern prose styling, and are markedly superior to the sf of their time, which was still centered on a pulp approach to characterization and plotting. This being Vance, of course, readers will need to have Google handy to look up obscure adjectives and adverbs. However, the writing adeptly mixes descriptive passages with a concise, fast-moving sense of plotting and pace, something lacking to a large extent in modern fantasy literature.
Copies of ‘The Dying Earth’ in good condition can be expensive; I recommend obtaining the omnibus edition, ‘Tales of the Dying Earth’ (2000), available from Orb Books; this trade paperback is affordable.
4 / 5 Stars
This paperback edition of ‘The Dying Earth’ (which was originally published in 1950) was released by Lancer Books in 1962, and features cover artwork by Ed Emshwiller.
This is the first volume in what is now known as the ‘Dying Earth’ tetralogy, the other volumes being ‘The Eyes of the Overworld’ (1966), ‘Cugel’s Saga’ (1983), and ‘Rhialto the Marvellous’ (1984).
‘The Dying Earth’ is comprised of eight loosely connected stories, all set in the fantasy landscape of a far-future Earth, in which the Sun is a sullen red ball, bereft of energy. Millennia have passed since the 20th century, and much of Man’s achievements long have been buried by the passage of time. There are still sizeable cities scattered around the globe, but the lands between are either wasteland or wilderness, inhabited by various monsters and bands of troglodytes. Whatever technology still exists is that scrabbled from the remnants of long-dead empires.
The cities are by no means entirely safe, for wizards are plentiful ,and operate outside the boundaries of what little law remains. Throughout the ‘Dying Earth’ novels, much of the action revolves around the efforts of various protagonists to free themselves from some obligation or debt made to a cunning, often pitiless wizard.
Most of the stories in ‘Dying’ range in mood and theme. The first three tales, ‘Turjan of Miir’, and continuing with ‘Mazirian the Magician’, and ‘T’Sais’, center on action and adventure, as their protagonists seek to overcome the machinations of evil magicians.
‘Liane the Wayfarer’ is an effective horror story. ‘Ulan Dhor’ and ‘Guyal of Sfere’ tend more towards a fantasy / sci-fi tenor, as these characters venture into the ruins of former civilizations possessed of wondrous technologies.
For stories first written in 1950, the entries in ‘The Dying Earth’ have a very modern prose styling, and are markedly superior to the sf of their time, which was still centered on a pulp approach to characterization and plotting. This being Vance, of course, readers will need to have Google handy to look up obscure adjectives and adverbs. However, the writing adeptly mixes descriptive passages with a concise, fast-moving sense of plotting and pace, something lacking to a large extent in modern fantasy literature.
Copies of ‘The Dying Earth’ in good condition can be expensive; I recommend obtaining the omnibus edition, ‘Tales of the Dying Earth’ (2000), available from Orb Books; this trade paperback is affordable.
Monday, November 18, 2013
Metropolitan Opera by Caza
'Metropolitan Opera' by Caza
from the November, 1980 issue of Heavy Metal magazine
Another imaginative examination of urban frustration, from the pen of Caza....
from the November, 1980 issue of Heavy Metal magazine
Another imaginative examination of urban frustration, from the pen of Caza....
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