Book Review: 'Science Fiction Terror Tales' edited by Groff Conklin
3 / 5 Stars
'Science Fiction Terror Tales' (262 pp.) first was published in hardcover in January, 1955 by Gnome Press. A paperback edition was released by Pocket Books later that year. The edition I have, and which is pictured above, was issued in 1970. The artist who provided the striking cover image is uncredited.
The entries in 'Terror Tales' all first saw print in the 1940s and early 1950s.
My capsule summaries of the contents:
Introduction, by Groff Conklin: Conklin states that with this anthology, he sought to include lesser-known, but high-quality, stories.
Punishment Without Crime, by Ray Bradbury (1950): George Hill, a cuckold, seeks vengeance on his wayward wife. An overwrought, contrived tale from Bradbury.
Arena, by Fredric Brown (1944): a Federation fighter pilot named Bob Carson is obliged to engage in a one-against-one, winner-takes-all combat with an alien. The future of the Earth hangs in the balance. Still a good story after these many decades, and the Star Trek episode which is based on this novelette would have been better, had it adopted Brown's ending.
The Leech, by Robert Sheckley (1952): an alien life form lands on the Earth and it proves to be unfriendly. Sheckley, when he wasn't writing comedic sci-fi, could write very good 'straight' stories, and this is one of them.
Through Channels, by Richard Matheson (1951): Leo Vogel's parents see a very strange display on their television screen. An effective story from Matheson.
Lost Memory, by Peter Phillips (1952): robots investigate an unusual artifact. This story relies on dark humor and, despite somewhat awkward prose, succeeds as a satirical treatment of human nature.
Memorial, by Theodore Sturgeon (1946): Grenfell, an idealist, seeks to convince the nations of the world to abandon warfare.
Even by the standards of 1940s sci-fi, Sturgeon's prose is painfully stilted:
"Whew !" said Roway, his irrepressible humor passing close enough to nod to him. "Keep it clean, Grenfell ! Keep your.....your sesquipedalian pollysyballics, for a scientific report."
"Touche !" Grenfell smiled.
Prott, by Margaret St. Clair (1953): an astronaut cultivates friendship with exotic alien life-forms; this turns out to be a bad idea.
Flies, by Isaac Asimov (1953): three men who were college acquaintances attend a reunion. This is a real dud of a story from Asimov: stilted prose (He did not like to witness wild murder-yearnings where others could see only a few words of unimportant quarrel), and an underwhelming denouement.
The Microscopic Giants, by Paul Ernst (1936): strange goings-on in the depths of a copper mine. An imaginative story, and one of the better ones in the anthology.
The Other Inauguration, by Anthony Boucher (1953): a historian accesses a parallel universe and discovers that Absolute Power, Corrupts Absolutely. Boucher intends this story to be a minatory analysis of the American political system, but it's the worst entrant in the anthology, overloaded with obtuse prose, including the use of shorthand (?!).
Nightmare Brother, by Alan E. Nourse (1953): Robert Cos finds himself drafted into an unpleasant experiment. This story is too overwritten, and too slowly paced, to be effective.
Pipeline to Pluto, by Murray Leinster (1945): A young man named Hill is desperate to take the clandestine route to Pluto, where the work is hard and the pay quite generous. While the plot can be a bit confusing to follow, Leinster imparts a hard-boiled sensibility to this story that makes it another of the better ones in the anthology.
Impostor, by Philip K. Dick (1953): Spence Olham is a premiere researcher in what may be Mankind's final, desperate effort to stop alien invaders. But the government seems to think Olham is not quite himself........an effective tale from Dick. I'm sure readers familiar with his later writings will find many of Dick's more prominent themes in those works expressed, in nascent form, in this story.
They, by Robert A. Heinlein (1941): the un-named protagonist is confined in an asylum, because he is convinced that the rest of the human race are aliens masquerading as people. This story vies with Sturgeon's story for 1940s sci-fi awfulness: badly overwritten, wooden prose, and a denouement that fizzles.
Let Me Live in a House, by Chad Oliver (1954): a team of four Terran colonists endure isolation and psychological stress in their transparent dome on Ganymede. Then, one day, there's a knock at the door............Yet another 'paranoia' themed dud, suffering from too many empty sentences steeped in melodramatic prose.
The verdict ? 'Science Fiction Terror Tales' is too short on quality pieces to rate as a must-have compilation of mid-century sci-fi. Those quality pieces it does possess, impart a Three-Star Rating.
