Saturday, October 22, 2022

Kiss Psycho Circus issue 3

Kiss: Psycho Circus
Issue 3, October 1997
Let's go back in time to October, 1997, and issue three of the new Kiss: Psycho Circus comic book series, a series that ultimately would go for 31 issues, until June 2000.

Image founder Todd McFarlane was adamant that the series avoid the Kiss-as-superheroes motif of the Marvel comics featuring the band. Instead, Gene Simmons and McFarlane agreed to adopt a darker and more adult sensibility (the comic was devoid of a Comics Code rating). Writer Brian Holguin understood what McFarlane and Simmons wanted, and focused on plots that depicted the band's alter egos as mysterious figures with ambiguous motives and morals. 
What really made the series stand out was the artwork by the U.S. artist Angel Medina. Medina used the 'house style' of Image Comics in the 1990s: highly detailed, with lots of skritches and skratches and spidery, Todd McFarlane-inspired lines. But Medina gave his pencils an eccentric quality that fitted well with the outre nature of Psycho Circus. And Image's inkers, colorists, and letterers were excellent, as always.

I've scanned the entirety of issue three, a one-shot issue titled 'The Nature of the Beast', at 300 dpi per page. It may in turn take some time to load............but I think that at 300 dpi the artwork really shines. And......it's a great tale for Halloween !

Tuesday, October 18, 2022

My top 22 horror stories

My Top 22 Horror Short Stories

I've been reading horror stories since 1970, when I was 9 years old and I saw a copy of Alfred Hitchcock's Monster Museum (Random House, 1965) on the shelf of my grammar school library. 

While most of the stories in the book were rather tame - it was aimed at an audience of juvenile Baby Boomers, after all - Joseph Payne Brennan's story 'Slime' immediately gripped my attention, and from then on, my interest in the genre began, and has lasted since.

After some contemplation, I've decided to stand forth with a list of 22 short stories that in my humble opinion are the better ones I've encountered in 50 years of reading all manner of horror fiction. Since it's the interval covered by this blog, I've concentrated on stories that first saw print from the 1960s into the mid-1990s. 

I've posted a brief, one-sentence synopsis for each story, to jog memories or to give the reader a sense of what to expect.

One problem with focusing on such stories is that in many instances the books where they first appeared long are out of print, and copies in good condition have steep asking prices. Accordingly, where available, I've tried to provide alternate sources for obtaining these stories.

My Top 22, in chronological order:

The First Days of May, by Claude Veillot, The Magazine of Fantasy and Science Fiction, December 1961; Tales of Terror from Outer Space, 1975

‘Alien invasion’ theme, well done.
***
One of the Dead, by William Wood, The Saturday Evening Post, October 31, 1964; Alfred Hitchcock Presents: Scream Along with Me; A Walk with the Beast, 1969; Great American Ghost Stories, 1991

Although a bit over-written, this is a well-crafted melding of the haunted house theme with the anomie of mid-1960s life in suburban Los Angeles.  

***
The Road to Mictlantecutli, by Adobe James, Adam Bedside Reader, 1965; The Sixth Pan Book of Horror Stories,1965; The Arbor House Treasury of Horror and the Supernatural, 1981

Morgan, a ruthless criminal, is travelling on a mysterious road in Mexico. The strange sights and passions he encounters will lead him to change his life........for good, or for ill.

'Adobe James' was the pseudonym of American writer James Moss Cardwell (1926 – 1990), who had his short stories published in a variety of magazines and anthologies during the 1960s, 1970s, and 1980s. 
***

Longtooth, by Edgar Pangborn, The Magazine of Fantasy and Science Fiction, January 1970; The Best of Modern Horror, 1989

A resident of rural Maine discovers something disturbing in the deep, dark woods.

***
Goat, by David Campton, New Writings in Horror and the Supernatural #1, 1971; Whispers: An Anthology of Fantasy and Horror, 1977

Creepy goings-on in an English village.

***
Satanesque, by Alan Weiss, The Literary Magazine of Fantasy and Terror, #6, 1974; The Year’s Best Horror Stories: Series III, 1975

Starts off on a thoroughly conventional note, then unexpectedly transitions into something entirely imaginative and offbeat.

***

The Shortest Way, by David Drake, Whispers #3, March 1974; From the Heart of Darkness, 1983; Vettius and His Friends, 1989;  Night & Demons, 2012

A 'Vettius' story set in the days of the Roman empire. Our hero elects to travel on a road that the locals take care to avoid. An atmospheric, memorable tale.

***
The Taste of Your Love, by Eddy C. Bertin, The Year’s Best Horror Stories: Series III, 1975; The Whispering Horror, 2013

One of the better Serial Killer tales I’ve read.

***
The Changer of Names, by Ramsey Campbell, Swords Against Darkness II, 1977; The Year’s Best Fantasy Stories: 4, 1978; Far Away and Never, 2021.

I've never been a fan of Campbell’s horror stories and novels, but his sword-and-sorcery stories featuring the ‘Ryre’ character are entertaining exercises in creepiness. There are metaphors and similes abounding in the Ryre tales, to be sure, but as compared to Campbell's horror stories the purple prose is reduced in scope, and plotting receives due consideration. 

While the Swords Against Darkness paperbacks have exorbitant asking prices, a new (October 2021) reprint of Far Away and Never from DMR Press collects all four of the Ryre stories, along with other fantasy tales from Campbell's early career.  

***
Long Hollow Swamp, by Joseph Payne Brennan, Alfred Hitchcock’s Mystery Magazine, January 1976; The Year’s Best Horror Stories: Series V, 1977

Another great 'monsters-on-the-loose' tale from Brennan.

***
Sing A last Song of Valdese, by Karl Edward Wagner, Chacal #1, Winter 1976; The Year’s Best Horror Stories: Series V, 1977; Night Winds, 1978, 1983

One of two entries by Wagner, who wrote a lot of duds, but when he was On, he was On. In a remote forest, a lone traveler comes upon an inn filled with sinister characters.

***
Window, by Bob Leman, The Magazine of Fantasy and Science Fiction, May 1980; The 1981 Annual World’s Best SF, 1981; The Best of Modern Horror, 1989

A neat mix of sci-fi and horror, revolving around a portal to another dimension.

***
Where the Summer Ends, by Karl Edward Wagner, Dark Forces, August 1980; In A Lonely Place, 1983; The American Fantasy Tradition, 2002
 
A second entry from Wagner. It’s hot, humid, and dangerous in 1970s Knoxville. Stay away from the kudzu !

***
The New Rays, by M. John Harrison, Interzone #1, Spring 1982, The Year’s Best Horror Stories: Series XI, 1983; The Weird: A Compendium of Strange and Dark Stories, 2012

A disturbing tale with proto-steampunk leanings. 

***

After-Images, by Malcolm John Edwards, Interzone #4, Spring 1983, The Year’s Best Horror Stories: Series XII, 1984; Interzone: The First Anthology, 1986

Another fine melding of sci-fi and horror, this time set in an English suburb. It’s too bad that Edwards, a playwright and editor, didn’t write more short stories.

***
The Man with Legs, by Al Sarrantonio, Shadows No. 6, October 1983, The Year’s Best Horror Stories: Series XII, 1984

Two kids learn some disturbing secrets about their family history.

***

High Tide, by Leanne Frahm, Fears, 1983

Frahm, an Australian writer, sets this novelette in the vicinity of the Newry Islands in coastal Queensland. A family camping trip to Mud Island discovers something strange is going on amidst the mangrove swamps: Eco-horror at its creepiest !  

***
Mengele, by Lucius Shepard, Universe 15, 1985, The Jaguar Hunter, 1988

Troubling things are going on at an estate located in a remote region of Paraguay.

***

Red Christmas, by David Garnett, The Year's Best Horror Stories: Series XIV, 1986

What seems like a conventional Mad Slasher story has a neat little twist at the end.

***

The Picknickers, by Brian Lumley, Final Shadows, 1991, The Year's Best Horror Stories: XX, 1992.

Unsettling events are happening in the graveyard of a Welsh coal-mining village.

***

The Bacchae, by Elizabeth Hand, The Year's Best Horror Stories: XX, 1992.

In a decaying near-future America, women have gained mysterious, and deadly, powers. This story has the amorphous quality of Weird Fiction, but laces it with splatterpunk imagery.

***
Shining On, by Billie Sue Mosiman, Future Net, 1996

A mutant suffering from severe handicaps finds a friend online. But you know what they say about online friends: just who are they in person ?

Saturday, October 15, 2022

Book Review: Under the Fang

Book Review: 'Under the Fang' edited by Robert R. McCammon

 4 / 5 Stars

'Under the Fang' (336 pp.) was published by Pocket Books in August of 1991. The cover illustration is by Mitzura.

There were quite a lot of horror anthologies issued during the 'Paperbacks from Hell' boom years of the 1980s and early 1990s. I remember picking this book up soon after its publication, and deciding it was pretty good. When re-read after the passage of nearly 31 years, it still holds up well.

The contributors, all of whom wrote stories specifically for this volume, include a Who's Who of horror writers of the early 1990s. All contributions adhere to the anthology's premise that the Vampires Have Won, and the globe is under their thrall. 

Some humans resist, and some collaborate.........

My capsule summaries of the contents:

Editor McCammon leads off with 'The Miracle Mile'. In the aftermath of the Vampire Apocalypse, Kyle leads his family to a rundown oceanside resort and - hopefully - safety.

Nancy Collins provides 'Dancing Nightly', about a dive bar that caters to vampires. There is some memorable splatterpunk content. One of the better entries in 'Under the Fang'.

'Stoker's Mistress', by Clint Collins, features a near-future USA under the reign of the vampires. There is a historical connection to the author of Dracula.

Sidney Williams and Robert Petit team up for 'Does the Blood Line Run on Time ?'. This is an action-centered tale of guerilla resistance against the vampire overlords.

'Red Eve', by Al Sarrantonio, is intended as a homage to Ray Bradbury and as such, features ornate prose overlaid on a thin plot garnished with sci-fi elements.

'We Are Dead Together', by Charles de Lint: gypsies, and vampires. de Lint could at times overindulge in prose, but perhaps because it's only six pages long, this tale is concise and effective. 

Chet Williamson contributes 'Calm Sea and Prosperous Voyage'. In the aftermath of the vampire takeover, Richard and Jill take up residence in a cabin in the woods of northern Pennsylvania. They discover that vampires aren't the only thing they have to worry about. Some splatterpunk sequences give this entry an edge that makes it one of the better stories in the anthology.

'Advocates', by Suzy McKee Charnas and Chelsea Quinn Yarbro, is an interesting mashup featuring two 'franchise' characters, Charnas's Dr. Edward Lewis Weyland (who debuted in the novel The Vampire Tapestry, 1980) and Yarbro's Comte de Saint-Germain (Hotel Transylvania, 1978). Placed in a near-future world where the Vampires Rule, Weyland finds himself in considerably difficulties, and must rely on the legal maneuverings of Saint-Germain in order to win freedom. It's an interesting premise, but unfortunately the collaboration never went beyond this one short story.

Splatterpunker Richard Laymon provides 'Special'. Hot chicks are captured by a squadron of vampire Bros, who then take the chicks to a fortified compound and subject them to all manner of sick abuse - ! Real-deal, unapologetic splat, 'Special' gives the anthology a nice note of excess.

'Herrenrasse', by J. N. Williamson, features an Anne Rice-style dialogue between an urbane vampire and his human captive. It's lengthy, and it's underwhelming. 

Ed Gorman's 'Duty' is an interesting look at how things would have to be handled by the normal folk in the event the vampires take over. Another of the better entries in the anthology. 

In 'Midnight Sun', by Brian Hodge, an outpost in the Arctic mounts a dogged resistance to the rule of the vampires. 

David N. Meyer III contributes 'A Bloodsucker'. The first-person narrator, a vampire, offers humans immortality. But everything has its price.

'Prodigal Son', by Thomas F. Monteleone, sees a vampire pondering whether he can regain his humanity. He does this by walking the beach at night, and thinking Deep Thoughts about the hapless sea creatures stranded on the shore. Not exactly a stirring theme for a horror story. 

[ Evidently Monteleone realized he couldn't make the deadline for an original submission for 'Under the Fang', and decided to recycle, because 'Prodigal' is a light reworking of his story 'The Star-Filled Sea Is Smooth Tonight', which was published in 1977 in a German sci-fi magazine, and then in 1980 in the Zebra Books anthology 'Chrysalis 6'. The only real difference in 'Prodigal' is that a vampire substitutes for the traumatized spaceship pilot of 'Star-Filled Sea'. ]

'There Are No Nightclubs in East Palo Alto', by Clifford V. Brooks, features the human subjects of the vampire kingdom finding solace in folk music. This allows the author to provide the story with passages of italicized song lyrics. This is never a good sign. I don't want to read someone's homemade song lyrics in a vampire story. 

'Juice', by Lisa W. Cantrell, places vampires and their human allies in a backwoods setting. There is a creepy denouement. Another standout selection.

'Behind Enemy Lines', Dan Perez, features crisp, well-written combat sequences as humans and vampires fight it out in jungle terrain. Another of the better entries in the anthology.

Summing up, with 'Under the Fang', the majority of the contributors understood the design of the anthology and responded with worthwhile material. It contains enough good stories to be a solid four-star anthology, and one of the better such releases of the era of Paperbacks from Hell. Well worth searching out for.

Wednesday, October 12, 2022

Monster Movie Matinee

Monster Movie Matinee
Opening Sequence, 1960s

I grew up in upstate New York, and as a child in the 1960s, on Saturday afternoons I would sit in front of our little black-and-white TV and take in 'Monster Movie Matinee'. The show, which aired from 1964 to 1980 on Syracuse channel WSYR, took advantage of the 'monster' craze of the 1960s by airing old movies that had entered the public domain. Of course, more than a few of those old movies scared the crap out of me........... and gave me nightmares.

The title sequence for 'Monster Movie Matinee' was a memorable combination of model work and eerie music, and stayed with me from childhood into adulthood. I was gratified to see the opening sequence posted to YouTube. If you are a Baby Boomer who remembers 'Monster Movie Matinee', then you'll want to view the sequence.