Every now and then..........

 Every Now and Then......

........I discover that my website provides a 'blurb'. 

So it is in the case of this DAW book from 2013, where my review was used to fashion a back cover blurb......

Certainly this is every blogger's aspiration (?!)

Book Review: The Traveler

Book Review: 'The Traveler' by John Twelve Hawks

4 / 5 Stars

'The Traveler' first was published in 2005 in hardcover by Doubleday. This mass market paperback (480 pp.) was issued by Vintage Books in July 2006. The cover design is by Song Hee Kim.

'The Traveler' is the first book in the so-called 'Fourth Realm' trilogy; the other two volumes in the series are 'The Dark River' (2007) and 'The Golden City' (2009; issued as a trade paperback, rather than a mass-market paperback, by Vintage).

'The Traveler' is set in the near future, and revolves around a covert war, waged between two cabals, that has been going on for centuries. One cabal, which resembles The Illuminati, is called the Tabula, and is comprised of individuals who believe that subjecting Mankind to absolute and uncompromising control best secures the future of the planet.

Warring against the Tabula is an alliance of humanists known as the Travelers: mystics who possess the ability to project their souls, or consciousnesses, into other realms. Throughout history the Travelers, often being hailed as saints and visionaries, have been catalysts for transcendent change in society. The Travelers stand for individuality, freedom, and mutability, traits that are anathema to the Tabula.

Being pacifistic as well as numinous, the Travelers are quite vulnerable to the depredations of the Tabula. Luckily a caste of warrior-assassins, known as the Harlequins, have pledged to protect the Travelers. The Harlequins have been raised from birth to excel in combat, employing - with superhuman abilities - all manner of weapons (although they favor swords).

As the novel opens, the age-old conflict has been tipped in the favor of the Tabula, thanks to the advent of the computer-driven Information Age and the accompanying rise of the Surveillance State. Having infiltrated every government, the Tabula are able to quickly identify Travelers and pursue their elimination. The coming victory of the Tabula will leave the ability of the human race to embrace new ideas, and new philosophies, permanently extinguished. Soon, all of world's peoples will live as unwitting prisoners of the Global Panopticon.

However, hope lingers in the form of the brothers Gabriel and Michael Corrigan, nascent Travelers with only a vague awareness of their capabilities. Having been enjoined by their parents to live lives 'off the grid', the Corrigans so far have escaped the notice of the Tabula. But the Tabula, led by the scheming General Kennard Nash, are closing in on the brothers.

One of the few remaining Harlequins is a young woman named Maya Thorn. Ambivalent about participating in the conflict with the Tabula, Maya initially is reluctant to abandon her life as an office worker in order to take up an existence as a Harlequin. But when the Tabula mounts an attack on her family, Maya has no choice but to respond. And her response will forever change the fates of the Corrigan brothers............

'The Traveler' is a thriller that presents with a healthy number of sci-fi and cyberpunk tropes, including AI-mediated mass surveillance; quantum computing; other dimensions; astral bodies; genetic engineering; and other topics that I won't disclose because they're Spoilers. These are introduced in a common-sense way that contributes to the novel's sense of believability. 

Author Twelve Hawks relies on short chapters and a clipped, declarative prose style to impart momentum to the novel, and in the main this works well, although - somewhat inevitably, for a 480-page novel  - the middle sections of 'The Traveler' display a slowing in pacing. And, because the plot has to be extended into two more volumes, the ending has something of an underwhelming character to it. 

The verdict ? 'The Traveler' is a solid 4-star Modern Cyberpunk novel, and well worth picking up. 

And its depiction of a near-future USA under the control of a secretive cabal that uses information technology to monitor and control the population ? An entertaining exploration of paranoia ? 

Maybe. But then, have you been to the website of ID2020 ?!

April is modern cyberpunk month

Here at the PorPor Books blog, to break the monotony that comes from continually reviewing sci-fi, fantasy, and horror paperbacks from the interval from 1968 - 1988, we occasionally shift our attention to other genres of literature.

For April 2021, we'll be reviewing five novels that represent 'modern' cyberpunk.

This of course begs the question: what do I mean by 'modern' cyberpunk ?

Well, if we use William Gibson's novels as a guide for both thematic and publishing histories, I would call the 'Sprawl' trilogy (Neuromancer, 1984; Count Zero, 1986; Mona Lisa Overdrive, 1988) first-generation cyberpunk. 

The 'Bridge' trilogy (Virtual Light, 1993; Idoru, 1996; All Tomorrow's Parties, 1999) represents second-generation cyberpunk. 

And the 'Blue Ant' trilogy (Pattern Recognition, 2003; Spook Country, 2007; and Zero History, 2010) represents third-generation cyberpunk. 

So 'modern' cyberpunk is represented by novels published during the second- and third- generations of the genre, i.e., during the period bounded roughly by the mid-1990s to the mid 2000s.

The five novels being reviewed all share some themes common to modern cyberpunk. For example, there is a healthy regard for paranoia, as every transaction - purchases, phone calls, and emails - is recorded, and even walking on the street is documented by closed-circuit television cameras (The Traveler, Whole Wide World). 

Another prominent theme is the advent of megalomaniacal AIs or supercomputers (The Deus Machine, Black Glass, Daemon). Misuse of biotechnology is showcased in The Deus Machine, and also features in The Traveler. 

And overarching all these themes is the grander theme of dehumanization at the hands of faceless, all-powerful corporate entities.

One thing's for sure: the five books pictured above all are lengthy. The Deus Machine is over 500 pp. long, Whole Wide World is 376 pp. long, Daemon is 640 pp. long. Sci-fi novels published during the interval from 1968 - 1988 rarely were that lengthy.........Dhalgren was the exception, not the rule. It's an indication of how much has changed since the days when it wasn't unusual for a sci-fi novel to be under 200 pages in length.............

Book Review: Strangers

Book Review: 'Strangers' by Gardner Dozois

3 / 5 Stars

‘Strangers’ first appeared as a novelette in the 1974 anthology New Dimensions IV, edited by Robert Silverberg. Dozois received sufficient interest from publishers to expand 'Strangers' into a novel, which was issued in hardcover in 1978. 

This Berkley Books mass market paperback edition (166 pp.) of the expanded 'Strangers' was published in December, 1978. The cover artist is uncredited.

‘Strangers’ is set on the planet of Lisle; the country of Shasine; the city of Aei. Lisle is populated by a race of Vaguely Otter-ish humanoids known as the 'Cian'. The novel’s protagonist is a young German man named Joseph Farber, who works as a photographer for the Terran Mission to Lisle.

 

Self-absorbed, and often consumed with self-pity, Farber is neither a companionable fellow, nor very bright. As the novel opens, Farber – alienated from his fellow Mission staffers – wanders the night-time streets of Aei, where a festival is taking place. He meets a young Cian woman named Liraun, who is alienated from her own society, and an improbable interspecies romance begins.

When his fellow Terrans, and the elders of Cian society, disapprove, it serves only to spark petulance in Farber, and he makes a fateful decision to submit to the biotech scientists of Cian. The biotech scientists permanently alter his genetic makeup, allowing him to father children with Liraun. Subsequently, the two marry according to Cian rites, and set up house together in the Old Quarter of Aei.

Farber has, for the first time in his life, found a measure of happiness. But as time goes on, an awareness filters into his consciousness that the inscrutable nature of Cian culture hides some very disturbing secrets….and he has blundered into a situation from which there is no easy egress...........  

Some novelettes can survive being expanded to novel length, but in my opinion, ‘Strangers’ might better have been left as a shorter piece. To flesh out the narrative and its simple, straightforward plot, author Dozois relies on inserting dense passages, related in poetic and ornate language, that expound on the enigmatic behaviors and rituals of the Cian, while ever-so-slowly advancing the novel towards its Big Revelation. Negotiating these passages of the novel can require determination.

The Big Revelation, when it does arrive, is effective. 

‘Strangers’ is a novel whose deliberate, contemplative storyline may be rewarding to those sci-fi fans who like stories revolving around alien sociology and psychology, a topic much explored during the height of the New Wave Era. However, those readers looking for a fast-moving, action-oriented narrative will not find it in the pages of this novel.

Loner from Wildcat

Loner

Eagle / Wildcat, 1988 - 1990

The British boy's paper Wildcat was introduced in October, 1988, by UK publisher Fleetway. 

Wildcat was a sci-fi paper and featured four individual comics, all centered on the premise of the starship 'Wildcat' and its search of the galaxy for a new home for mankind. The captain of the Wildcat was a man named Turbo Jones, and its crew included the feminist Kitten Magee ('ex-leader of World Campaign Against Male Domination'), an alien named.....Joe Alien.........and Loner, a 'former mercenary'. 

Wildcat only lasted for 12 issues, until March 1989, when it was merged with the fellow Fleetway boy's paper Eagle. The four comics featuring Turbo Jones, Joe Alien, Kitten Magee, and Loner rotated through issues of Eagle until April 1990.

According to the Down the Tubes website, the artists for the 'Wildcat' strips consisted of  David Pugh, José Ortiz, Ron Smith and Vanyo working on all or most issues, with additional contributions from Massimo Belardinelli, Joan Boix, Ian Kennedy, Horacio Lalia, Carlos Pino, Jesus Redondo and Mike White.

'Loner' (and the other three Wildcat titles) didn't stray too far from the formatting that worked so well for Fleetway's premiere science fiction comic, 2000 AD. The black-and-white strips, usually about six pages in length per installment, emphasized action, and in the case of Loner, a remarkably inventive population of bug-eyed monsters (!). 

The casting of Loner as a black man with a Jimi Hendrix-style afro and headband is worth noting, as to my eye he seems very much a cousin to the character 'Sabre', created by the U.S. team of Don McGregor and Paul Gulacy in 1978 and later released in 1982 as an Eclipse comic book.

Below are two installments of Loner from Eagle from early 1989. Some great artwork here, well deserving of being reprinted for a modern audience.

Book Review: My Father, the Pornographer: A Memoir

'My Father, the Pornographer: A Memoir'

by Chris Offutt

Washington Square Press, April 2017

5 / 5 Stars

As a teenager and sci-fi reader during the 1970s, I was aware of Andrew J. Offutt (who often used the lower-case spellings of his first name and surname as a 'gimmick') as an author and editor of sci-fi and fantasy books. 

He and his contemporary, Karl Edward Wagner, represented a younger generation of fantasy writers who were inheriting the legacy of people like Lin Carter and L. Sprague de Camp. In large part, this inheritance consisted of writing new content, for the paperback publishers of the 1970s and 1980s, for Robert E. Howard properties like Conan, Cormac Mac Art, and Bran Mak Morn.

I thought that Offutt was superior to Wagner as both an editor of fantasy anthologies, and as a novelist. 

As the 70s gave way to the 80s, Offutt's profile gradually became less noticeable, maintained in large part by his contributions to the Robert Lynn Aspen shared-world series Thieves' World. By the end of the 80s, Offutt had pretty much disappeared from the sci-fi publishing landscape.

What I didn't know was that from 1982 to 1985 Offutt, under the pseudonym 'John Cleve', was the author / co-author of all 19 books in a softcore porn sci-fi series from Playboy Press called 'Spaceways'. 

I also didn't know that during the 60s and 70s, Offutt had published around 130 sleaze paperbacks under the pseudonym 'John Cleve'. Additional titles were published using any one of another 17 pseudonyms.

When the sleaze paperback market evaporated in the mid-1980s, the indefatigable Offutt began his own line of mail-order chapbooks, 'Winter Books'. Up until 2011 he issued over 250 porn novels under the Winter Books imprint, using the pseudonym 'Turk Winter'. 

Some of these Winter Books were written in conjunction with the famous fetish artist Ernest Stanzoni, Jr., better known as 'Eric Stanton'. While most Winter Books sold for $60 each, titles 'customized' for a client's particular sadomasochistic fantasies could sell for as much as $2600.

Indeed, as his son Chris Offutt makes clear in this memoir, Andrew Offutt was a pornographer who wrote science fiction and fantasy, rather than a science fiction writer who wrote pornography. The scope of his father's dedication to writing porn only became apparent to Chris Offut when, in 2013, the year his father died of cirrhosis, Chris inherited 1800 pounds of books, letters, manuscripts, comic books, and other media.

And, as is apparent from the earliest chapters of 'My Father', Andrew Offut was not a pleasant or likeable man. Andrew Offutt was an arrogant, self-centered martinet who considered his wife and children to be annoyances, a man who would erupt into anger over a perceived slight and bear a grudge for the rest of his life (the book describes how the UK writer Piers Anthony Jacob, aka 'Piers Anthony', mentored Offutt's first forays into sleaze paperbacks. But when Jacobs angered Offutt, one day the latter nailed one of Jacobs's books onto a log in the backyard of the Offutt family home in Haldeman, Kentucky).

left to right: Mary Jo McCabe Offutt, Andrew Offutt, unknown man and woman, 'Dead Dog' party, 1969 St. Louiscon. Jay Kay Klein archive, Calisphere

Rusty Hevelin, left, and Andrew J. Offutt, right, at Midwestcon 57, June 2006. MidAmerican Fan Photo Archive 

'My Father, the Pornographer' is a very readable memoir, one that will appeal to any fan of sci-fi and fantasy fiction published during the 60s and 70s (Chris Offutt's account of attending science fiction conventions during that era are laugh-out-loud funny, but also creepy). 

Baby Boomers will find the book an interesting account of growing up in that era; for example, when Chris Offutt writes about how his father took him to see Billy Jack in 1971, it's sure to evoke memories of a time and a place for any Boomer.

Chris Offutt posing with his father's media collection......and firearm. From The New York Times, February 15, 2015

My one complaint about 'My Father' is that it doesn't include any photographs. Including pictures of Offutt, his family, his Kentucky home and office, and period photographs of the town of Haldeman, would have helped flesh out the people and places mentioned in the memoir. 

Summing up, whether you're an Andrew Offutt fan, a fan of 70s sci-fi, a fan of sleaze paperbacks, or simply someone who enjoys a well-written memoir, then 'My Father the Pornographer' is worth searching out.

Gypsy omnibus

Gypsy Omnibus
Insight Comics

2018

‘Gipsy’ started as a bande dessinee (BD; Franco-Belgian comic) in January 1993, published by industry juggernaut Dargaud. Six volumes eventually were issued, concluding in May 2002 with the publication of ‘Aztec Laughter’.

An English translation of the first Gipsy BD (L'étoile du gitan), titled ‘Gypsy: The Wandering Star’, was published in the May,1995 issue of Heavy Metal magazine. According to PorPor blog reader Fred, five additional Gypsy stories later saw print as English translations in Heavy Metal.

After reading ‘The Wandering Star’ I thought that Gipsy was an entertaining, but not pathbreaking, Eurocomic. The writing, by Thierry Smolderen, was intelligent, and the art, by Enrico Marini, was in keeping with the more ‘cartoony’ style that was the norm for BD during that era. 

I would not have thought that the Gipsy franchise was deserving of a deluxe, slipcase, English-translation omnibus, but apparently the folks at Insight Comics did, and so we have a lavish ‘Gypsy Omnibus’, with a retail price of $60.

[ Insight publishes English translations of BD, as well as deluxe volumes devoted to overviews of Marvel properties like the Black Panther and the Black Widow. ]

I was able to pick the ‘Gypsy Omnibus’ up from a ‘bargain’ outlet for considerably less than its cover price.

This is definitely a well-produced hardcover book, with quality paper stock, sewn pages, and crisp, colorful reproductions of the art. Along with English translations of all six of the BDs, there is an appendix featuring biographical profiles of Smolderen and Marini, and a brief section of sketches by the latter.

Is the Gypsy Omnibus for you ? Depends on whether you're a big fan of the franchise, or 1990s BDs. If you are that type of person, then spending $60 for the omnibus may be worth your while. If you are less of a fan, but can find it for substantially lower price, then picking it up certainly is recommended, as it is at heart a fun comic with lots of sarcastic humor, pretty girls, T and A, and violent action. In short, the quintessential Heavy Metal comic !

Paperback covers by Steranko

 Paperback covers by Jim Steranko

Courtesy of 'The Drawings of Steranko' website, a nice, three-page gallery of Jim Sternako's illustrations for sci-fi, western, adventure, and fantasy paperbacks published in the 1970s and 1980s is available at this link.

The  website has lots of additional media done by Sternako, and is well worth checking out.

Skorpio magazine Argentina

Skorpio magazine

Argentina

Skorpio was a monthly Argentinian comic book magazine (revista) published by 'Ediciones Record' from July 1974 to January 1996 (No. 235). 

Its subtitle, el mundo de la gran historieta (literally, 'the world of the big cartoon') indicated that Skorpio had a wide scope in terms of the genres of comics that appeared in its pages.

(An Italian edition of Skorpio debuted in 1977; I don't know if it's still being published as of 2021.)

Among the serialized comics appearing in Skorpio in its early years (i.e., during the 1970s) were western strips, like 'Loco' Sexton; sci-fi, such as 'Yo, Ciborg'; the police thriller 'Precinto 56'; the occult adventure 'Nekrodamus'; and the imaginative 'Hor', about a barbarian warrior who adventured across time and space (often accompanied by nubile young women dressed in leather bikinis).

'Skorpio', a detective / secret agent character, himself was a recurring feature in the magazine.

Skorpio also ran some comics set in World War 2. Particularly impressive was as de pique ('Ace of Spades'), about the crew of an American B-17 'Flying Fortress' bomber in action during World War 2.

Most of the content published during the 70s was in black and white, with the occasional color section.

The artists who supplied comics for Skorpio were some of the most talented in South America (and, arguably, the world) and included such familiar names as Alberto Breccia, Hugo Pratt, Horacio Altuna, and Juan Antonio Giménez (whose work on as de pique is amazing), among others. Their draftsmanship is impressive and equal to that of the best of the illustrations in the Warren and Skywald magazines of the same era.

A free online repository of Skorpio issues from the 1970s, which can be downloaded as pdf files, is available at this link. If you are fluent in Spanish, it's worth your while to check out those old issues.

For those whose main language is English, well, it's perhaps unrealistic to expect that any of the comics from Skorpio ever will be reprinted in translated versions for the U.S. market. 

But then, the success of the English-language version of the Argentinian comic strip 'The Eternaut' (El Eternauta), which was published in 2015 by Fantagraphics (and quickly went out of print), certainly indicates that there is an audience out there for Argentinian comics of the postwar era..........so 'never say never' ?!