Friday, September 8, 2023

Face the Fire

'Face the Fire' by Dan Fogelberg
from the album Phoenix (1979)
Singer / songwriter Dan Fogelberg (1951 - 2007) is best remembered for his somewhat insipid ballads that were high on the top 40 charts in the 1970s and early 1980s, such as 'Leader of the Band', 'Longer', and my favorite Christmastime weeper, 'Same Old Lang Syne'. 

But on his 1979 LP 'Phoenix', on the track 'Face the Fire', Fogelberg showcased his skill as a guitarist with a great, hard rock solo that was rather out of keeping with his persona as a 'mellow' California-style folk / country rock artist.

'Face the Fire' was part and parcel of a 1979 antinuclear movement that arose after the Three Mile Island disaster. Featuring prominent singer-songwriters, such as Jackson Browne, Bonnie Raitt, James Taylor, Bruce Springsteen, and Graham Nash, the Musicians United for Safe Energy performed concerts throughout 1979 to advocate for 'No Nukes'. Fogelberg was one of the performers at these concerts. 
Jackson Browne (left) and Dan Fogelberg (right) at the Washington D.C. 'No Nukes' concert, May 6, 1979

Monday, September 4, 2023

Book Review: Of Men and Monsters

Book Review: 'Of Men and Monsters' by William Tenn
1 / 5 Stars

I remember buying this book back in September 1978, convinced by the great Boris Vallejo art that it was an action-based sci-fi novel. In reality, to my disappointment, ‘Of Men and Monsters’ (December 1975, 251 pp.) was an exemplar of deceptive marketing by Ballantine / Del Rey: a novel from 1968, repackaged for the 1970s with a more attention-getting cover. 

‘William Tenn’ was the pseudonym of the UK-born writer Philip Klass (1920 – 2010) who began publishing short stories in sci-fi pulp magazines in the late 40s. Tenn published a story called "The Men in the Walls" in the October 1963 issue of Galaxy magazine and later expanded the story into a novel, titled 'Of Men and Monsters', released in paperback by Ballantine Books in June 1968. 

Additional paperback editions since have been issued by a number of US and UK publishers; according to the ISFDB, most recently in 2011, by Gollancz.  

‘Of Men’ is set on a future Earth that has been invaded by a race of giant aliens, with humanity reduced to scrabbling out a precarious existence as vermin within the walls of the alien domiciles. The aliens, and their intentions, never are clearly described, reflecting an effort on Tenn’s part to present them as omnipotent figures whose nature essentially is incomprehensible to humans. The narrative is centered on the adventures of a boy named Eric, who, in the opening chapters of the novel, embarks on a manhood ceremony that involves leaving his tribe’s territory to filch food from the aliens.

Eric's efforts soon come to naught, as he is among a number of tribesmen captured by the aliens, caged in a research facility, and used to validate formulations of 'pest control' sprays (the 'pests', of course, being humans). This segment of the book is Tenn's rather blunt way of informing those more dull-witted readers (who up to this point may be unaware that the novel is satire) exactly what type of sci-fi novel they are reading.

I won’t disclose any further spoilers, save to say that Eric manages to find both allies and an escape plan, and a strategy by which Humanity may persevere in an otherwise indifferent universe.   

Tenn clearly designed his novel to be a mordant rebuke of the sci-fi stories and novels of the pulp and postwar eras, in which plucky humans relied on ingenuity and courage to overcome their oppression at the hands of technologically and militarily superior aliens. In ‘Of Men and Monsters,’ the struggles of its human protagonists fail to do more than attract incidental notice by the aliens; indeed, humanity’s efforts are so inherently futile that they make a mockery of classic sci-fi tropes. Since it is intended as a rather ponderous exercise in allegory, ‘Of Men’ is dull. Action sequences are comparatively rare, and subordinate to overly plentiful dialogue passages which allow Tenn to sermonize, in an oblique fashion.

The verdict ? ‘Of Men and Monsters’ deserves a One Star Rating, nothing more. In the interests of fairness I will note that Joachim Boaz, over at the 'Science Fiction and Other Suspect Ruminations' blog, gave the novel a 4 of 5 Star Rating. I also note that Rob Chilson’s 1989 novel ‘Men Like Rats’ is a homage to ‘Of Men and Monsters’, but, perhaps because Chilson’s novel is more action-oriented, I found it moderately more entertaining than Tenn’s book......... 

Saturday, September 2, 2023

Penthouse magazine September 1970

Penthouse magazine 
September 1970
Time to step back to September, 1970, where the number one single in the U.S.A. is 'War' by Edwin Starr. 
Let's take a look at the latest issue of Penthouse magazine. 

This seems apropos in light of the fact that on September 4 and 5, 2023, the A & E channel will be airing a two-part series, titled 'Secrets of Penthouse', about the magazine and Editor Bob Guccione:
In his Editorial for the September, 1970 issue, Guccione expresses glee at the magazine's success, which had been publishing in North America for one year. Guccione noted that circulation and advertising were up, which boded well for the future. And he was right.

This issue is only 98 pages in length, but of course the magazine was to grow in size with the passage of time. The advertising includes record club memberships, Lee corduroy slacks and jackets ($11 and $12 each, respectively) and the ill-fated Ford Pinto.......
Among the Letters to the Editor is one from a G.I. serving in Vietnam, where large numbers of Americans were continuing to face injury and death while 'Vietnamization' proceeded.
Max Gunther provides an article about government surveillance.......1970s paranoia in the dawning stages !
We have a portfolio featuring Pet of the Month Tina McDowell, a shapely 20 year-old who works as a greeter at the Penthouse Club.

This issue goes Highbrow with a 'Penthouse Symposium' interview with up-and-coming writers, among them D. Keith Mano (1942 - 2016), whose 1973 sci-fi novel 'The Bridge' I reviewed here
Let's close with a feature about the 1970 film 'Beyond the Valley of the Dolls', by nudie director Russ Meyer. Lots of topless action with this 'sequel' to 'Valley of the Dolls'.

That's how it was, 53 years ago.............

Wednesday, August 30, 2023

Viisan S21 Model Document Scanner

Viisan S21 Model Document Scanner
For some time I've been looking for a scanner that is affordable and capable of taking scans up to and beyond the A2 dimension (that is, 
16.5 x 23.4 inches, 42 x 59.4 cm). 

LP record album covers measure 12 x 12 inches, and trying to scan them on my Plustek OpticBook scanner, at 17.8 x 11.2 inches, has meant having to do multiple consecutive scans and then laboriously piecing them together using Microsoft's Image Composite Editor.
Earlier this summer I purchased a Viisan 3240 model scanner (above, on the left), but although it measures 12 x 17 inches (i.e., A3), the need to accommodate the scanning arm meant it could not do a complete scan of an album in one pass.

I wound up purchasing the Viisan S21 model document scanner, which is not a scanner per se, but rather, a digital camera than can take pictures of objects at A2 and A3 size.
At $313, it's more affordable than the kings of large flatbed scanners, the Epson Expression 12000XL-PH, which retails for $4,200, and the Epson Expression 12000XL-GA Flatbed Scanner, which retails for $3,000.

The S21, which comes with a plastic mat that serves as a platform and calibrates the camera, is very light and draws all its power from the USB port on your PC or laptop. There is a finger-pad USB attachment that can be deployed to take consecutive photos of documents, without having to use the Windows interface.
The S21 doesn't come with a manual, either print or online PDF, which can be a little frustrating, but after I messed around with the device I eventually figured out what the control scheme was. There are options to scan photos, books, and documents in color and black-and-white. The camera allows you to position items for scanning in real time, and taking a scan / photograph takes only a few seconds. The image can be outputted as traditional image files (jpeg, tiff, bmp, png) as well as text and Excel, if needed. 

For me, an album cover scanned as a jpeg created a file around 1.49 MB in size, while a tiff scan was over 16 MB. I'm not sure if I'm missing out all that much on not using tiff, as the LP covers I'm scanning were printed in the 1970s and their resolution can't be more than 300 dpi.
I'm pretty happy with the quality of the scans of LPs. For the more rare scan of an old copy of Life magazine, either the book or document scan settings give about the same result. There is a gutter correction when taking scans of flattened books and magazines, that works reasonably well. But if you're going to regularly be scanning flattened books, overlaying a transparent plastic shield onto the book, to reduce guttering, is recommended.
One thing to be aware of with the S21 is that, drawing its operating power from the USB port, if your laptop or desktop has other devices (such as a printer, USB hub, external hard drive, etc.) attached via USB, you run the risk of not supplying adequate power and having those devices 'powered down' and later unrecognized by Windows. My advice is to have the bare minimum of USB devices connected to your desktop or laptop when you decide to use the S21.

The S21 can be purchased from your usual online retailers, including amazon and eBay. 

Monday, August 28, 2023

Book Review: Heat

Book Review: 'Heat' by Arthur Herzog
4 / 5 Stars

Arthur Herzog III (1927 - 2010) saw considerable success as a novelist in the 1970s and 1980s. 'The Swarm' (1974) and 'Orca' (1977) are perhaps his best-known books, as they were made into feature films.

Herzog emulated the success of Michael Crichton by producing scientific thrillers that combined an educative, straightforward prose style with themes that were topical during the postwar era. While 'The Swarm' dealt with Africanized honeybees, and 'Orca' with malevolent killer whales, 'Earthsound' (1975) featured earthquakes, and 'The Craving' (1982) took aim at the American preoccupation with dieting.

'Heat', which was published by Signet in August, 1978, bucked the trend during the 1970s in which Global Cooling was the existential environmental threat, focusing instead on the threat from Global Warming. 

The opening chapter of 'Heat' adumbrates the coming catastrophe, before focusing on lead character Lawrence Pick, an engineer who works for the federal thinktank CRISES (Crisis Research Investigation and Systems Evaluation Service). It's a quasi-clandestine agency headquartered at Fort Davis, an elaborate underground complex located outside of Washington, D.C.

After a freak tornado levels the Virginia suburb of Huntsboro, Pick begins to grow alarmed over evidence from many quarters that the Earth's oceans rapidly are warming, a phenomenon that will lead to more chaotic, and catastrophic, weather. Assembling a team of top scientists at the CRISES redoubt (in much the same manner as Crichton had expert researchers assembling at the Wildfire complex in 'The Andromeda Strain'), Pick comes to the grim conclusion that, without drastic measures to reduce global warming, soon civilization will collapse and the planet will become uninhabitable.

But the bureaucrats running CRISES, and serving as science advisors to the President, are reluctant to sound any alarms prior to the conclusion of next year's presidential election. Pick finds himself sidelined as politics take precedent over action. As Americans puzzle over the strange excesses of heat and wind buffeting their neighborhoods, it will be up to Lawrence Pick to shake the bureaucracy from its lethargy........even if so doing gets him imprisoned by the government he has sworn to serve...........

At only 195 pages in length, author Herzog had little superfluous space for crafting his narrative in 'Heat', and his prose style has a crisp, declaratory quality that I find appealing in this day and age of lumbering, 500-plus page novels. The outcome of the book remains uncertain until the very last paragraph. The only reason I settled for a Four-Star Rating, instead of Five, is that some of the final chapters indulge in some action-movie sequences that I found a little too contrived.

Needless to say, as a 1970s 'disaster' novel, 'Heat' retains considerable relevance in the year 2023, and those who believe in Global Warming will find the novel to have a legitimately minatory quality. They, and those who appreciate a good scientific thriller, will want to have a copy of the book on their shelves.

Friday, August 25, 2023

Creepy Archives Volume One

Creepy Archives Volume One
Dark Horse, May 2023
Starting in September 2008, the New Comic Company, an imprint of Dark Horse Books, began printing compilations of James Warren’s Creepy and Eerie black-and-white comic magazines in hardcover format. These ‘Archive’ books, which eventually reproduced all the content of the magazines from their first issues in 1964 / 1966 to their final issues in 1983, were well-produced volumes with state-of-the-art reproductions of the comics (and ancillary features, such as the letters columns and Captain Company advertisements) on heavy stock paper.
Unfortunately, each volume had a cover price of $50, which placed them out of reach all but the most affluent of purchasers. For my part, I was able to pick up a couple volumes for around $20, but that's as far as I went. Nowadays, used copies of these hardcover Creepy and Eerie Archives sell for considerably above $50 (some are well over $100).
So, it’s nice to see Dark Horse issuing the entire Creepy and Eerie Archives catalog as trade paperback editions, which are much more affordable at $25 each. The paperbacks are good-quality books, printed on glossy paper stock. These are the editions that are going to bring nostalgia, at a nice price point, to Baby Boomers.
Looking through the pages of the Creepy Volume 1 trade paperback, which was released tin May, I can see how impressive was the artwork from such talents as Reed Crandall, Grey Morrow, Angelo Torres, and Al Williamson, among others. 
Almost all the stories in Volume One were written by Archie Goodwin. Given that the stories are five to eight pages in length, Goodwin didn't have a whole lot of page space in which to tell a story, so he necessarily relied on highly compressed narratives that deliver 'shock' endings in the EC tradition.
I'm not sure what sort of reception these reprint editions will receive from the younger generation of comics readers. Right now the top-selling graphic novels in the United States overwhelmingly are the Dog Man and Cat Kid volumes by Dav Pilkey, and manga. Graphic novels from Marvel and DC are very low on the year-end sales charts. 

When the kids who now are reading Pilkey and manga look to graduate to something more sophisticated in a few years, they may or may not decide to investigate comics first published in the 1960s......
On the other hand, at the end of 2022, sales of vinyl eclipsed those of CDs, for the first time since 1987. This is being driven by newer releases, but the heavy patronage of used LP stores suggests that there is a market for older, 'archaic' media. Whether that will encompass the Creepy and Eerie inventory remains to be seen, but I am optimistic.....?!

Tuesday, August 22, 2023

National Lampoon August 1979

National Lampoon
August 1979
August, 1979, and the top song in the Billboard Hot 100 is 'Bad Girls' by Donna Summer.
The Led Zeppelin album 'In Through the Out Door' is released. As author Stephen Davis points out in his 1985 biography of the band, 'Hammer of the Gods', 'the album saves the U.S. record industry from bankruptcy.
The August issue of National Lampoon is out on the stands, and it's a special 'Travel' issue. With P. J. O'Rourke as editor, there is a more snide tenor to the contents, which meant that frequently I laughed out loud while reading this issue.
The Letters section satirizes a number of celebrities...........
Bruce McCall takes aim at wretched third-worlders...........
'Negroes of the World' likely would not be tolerated nowadays, but back in '79, the Lampoon could get away with it.
Ted Mann's 'A Girl's Letters Home from Europe' features a brilliant illustration by Marvin Mattelson, depicting an unsavory European male eyeing the naive Young American:
Particularly vicious is D. H. Pickering's 'Let's Went to Mexico', which depicts Mexico as land of squalor, misery, and corruption.
A 'Foto Funnies' entrant makes fun of Polish males, while 'The Appletons' observes mayhem in church.
Let's close with an advertisement for the Ramones film 'Rock n' Roll High School', which was released 44 years ago.........at the time, I didn't pay much attention to it. Only those few hipsters who were Ramones fans went to see the movie. Strange as it may seem, it wasn't until later in the 1980s that the Ramones began to get much attention from rock fans outside the punk world.