DC comics, 1987 - 1988
As a rebel without a cause, Slash is just too cool to get wrapped up in anything but his own survival. But when an old flame entreats him to assist a band of rebels and their ally, a Shaper defector, Slash reluctantly agrees to help out.
You name it, every excess of 80s fashion is on display here:
Zebra-stripe bodysuits........ sleeveless leather vests.......... Blade Runner trenchcoats..... mousse-supported spiked and New Wave hairdos......... Frederick's of Hollywood bindage and fetish gear.........Punk stylings.....
With the passage of time I have come to regard 'Slash Maraud' as a must-have classic of 80s comic art, a story that certainly is more entertaining than much of the superhero material churned out in that era by the major publishers.
If you have a liking for satirical humor mixed with well-done action sequences, then you'll probably want to check the online comic book stores, or online auctions, for a set of all 6 issues (which still are quite affordable).
DC published 'Slash Maraud' as a six-issue miniseries from November, 1987 to April, 1988.
Doug Moench threw everything he could find from 80s pop and sf culture into this one. Escape from New York, The Road Warrior, Buckaroo Banzai, the TV show American Gladiators, all make up the bizarre, but entertaining stew, that is 'Slash'.
Slash Maradovich, 'famed Detroit Polack', and a mix of 'Mad' Max Rockatansky and Snake Plisskin, is a soldier of fortune in a near-future Earth that has been taken over by a race of technologically superior aliens called the Shapers.
The Shapers look like 'Ernie' from Sesame Street, but that's simply a physical form they assume while in proximity to Terrans; in reality, the Shapers are - well - shapeless, able to assume any form they desire.
Earth's surface is slowly being terraformed to a design that suits the Shapers, with the Earth's population continuously being converted into a sort of protoplasmic 'goop' to serve this purpose. Apathy, anarchy, and end-of-the-world hedonism rule most of the few major metropolitan areas, where the human population is reduced to serving the perverted, often homicidal desires of the Shaper overlords.
As a rebel without a cause, Slash is just too cool to get wrapped up in anything but his own survival. But when an old flame entreats him to assist a band of rebels and their ally, a Shaper defector, Slash reluctantly agrees to help out.
This means traversing a USA, and later Europe, riddled with monsters created by the Shaper manipulation of the planet's ecosystem.
Complicating things are the various gangs peopling the wastelands; a tribe of butch lesbians, whose leader is modeled on Grace Jones (!); psychopathic hot-rodders and bikers; the Nulloids, a collection of deformed, homicidal mutants; neo-Nazis; and The Family, an inbred clan of backwoods types who take inspiration from 'The Texas Chainsaw Massacre'.
Paul Gulacy's artwork is excellent, despite the rather crude color separations used in 80s comics. And Moench's plotting carefully teeters on the edge of satire, even as it barrels along with little in the way of filler.
Visually, Gulacy's artwork represents the 80s aesthetic so faithfully that 'Slash Maraud' can be placed in a time capsule as a quintessential representation of the decade's fashion and graphic style.
You name it, every excess of 80s fashion is on display here:
Zebra-stripe bodysuits........ sleeveless leather vests.......... Blade Runner trenchcoats..... mousse-supported spiked and New Wave hairdos......... Frederick's of Hollywood bindage and fetish gear.........Punk stylings.....
With the passage of time I have come to regard 'Slash Maraud' as a must-have classic of 80s comic art, a story that certainly is more entertaining than much of the superhero material churned out in that era by the major publishers.
If you have a liking for satirical humor mixed with well-done action sequences, then you'll probably want to check the online comic book stores, or online auctions, for a set of all 6 issues (which still are quite affordable).
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