January, 1984, and the 80s are kicking into gear. On FM radio and MTV,
the latest single by The Fixx – ‘The Sign of Fire’ – is getting airplay.
The
latest issue of Heavy Metal magazine is on the stands, with a wraparound cover
by Mitch O’Connell.
By now - that is, the start of 1984 - , MTV was firmly in place as a pop culture
cornerstone, and even the most stylishly jaded of hipsters could not avoid
referencing it. So, the Dossier section hypes MTV, and provides a photo of
Robert Plant posing with the VeeJays – this picture communicates just how physically
tiny Martha Quinn actually was.
The Sentinel, and succeeding volumes in the Berkeley Books 'SF Masterworks' series, was the brainchild of Byron Preiss, who was still resolutely trying to make graphic novels and illustrated books mainstream entries in sf and fantasy publishing.
While I can't say that Arthur C. Clarke is one of my favorite authors, the illustrations by Woods are very well done.
There are some good comics in this January issue; posted below is Segrelles's '1992', a sardonic look at the End of the World.