Saturday, October 18, 2025

Book Review: Alfred Hitchcock Presents Stories to Be Read With the Door Locked

Book Review: 'Alfred Hitchcock Presents: Stories to Be read With the Door Locked'
4 / 5 stars
 
'Alfred Hitchcock Presents: Stories to Be Read With the Door Locked' (368 pp.) was published by Random House in 1975. A two-volume, mass-market paperback edition was issued by Dell in 1977.
As is sometimes the case with these Alfred Hitchcock properties, it's unclear who actually edited this anthology (needless to say, it wasn't Hitchcock). Harold Q. Masur is acknowledged as assisting with the preparation of the book.
 
I was expecting good things from 'Door Locked,' which compiles stories first printed in various magazines and digests from the early 1940s to the early 1970s. There are some big names published here, including Harlan Ellison, Roald Dahl, John D. MacDonald, Joseph Payne Brennan, and Joe Gores, among others. The collection is a mix of the crime, suspense, and horror genres.
 
My capsule summaries of the contents:
 
Hijack, by Robert L. Fish: crime at 25,000 feet. First published in Playboy in August, 1972, this is a brilliant little tale, and one of the best in the anthology.
 
Tomorrow and ... Tomorrow, by Adobe James: 'Adobe James' was the pseudonym of the American writer James Moss Cardwell (1926 – 1990), who had his short stories published in a variety of magazines and anthologies during the 1960s, 1970s, and 1980s. James's 1965 story 'The Road to Mictlantecutli' is one of my top horror stories. 'Tomorrow' is brief, just 2 1/2 pages long, but it's a well-composed thriller set on the city's meaner streets.
 
Funeral in Another Town, by Jerry Jacobson: arrogant and privileged mystery writer Amis Bannerman is given an invitation for a funeral......of a failed horror magazine. This story is too overdone to be very effective.
 
A Case for Quiet, by William Jeffrey: nestled among the moors of Yorkshire, the Kings Head Hotel is a very placid hostelry. And they intend to keep it that way. This is the quintessential Alfred Hitchcock tale: well-written, well-plotted, and urbane. With a note of mayhem that is concealed, until emerging at the proper moment.
 
A Good Head for Murder, by Charles W. Runyon: American couple Gordon and Ann Phelps are driving an unreliable car, late at night, through a remote area of Mexico. This is not a good idea......
The Invisible Cat, by Betty Ren Wright: a well-plotted tale about a psychopathic killer menacing a small town.
 
Royal Jelly, by Roald Dahl: Albert Taylor's wife, Mabel, is distraught over the failure of the couple's infant to thrive. What is a beekeeper to do ? A classic Dahl tale, where a careful reading reveals brilliant little bits of subversion......
Light Verse by Isaac Asimov: a 'robot' story, about a dowager who makes intriguing 'light sculptures.'
 
The Distributor, by Richard Matheson: when the seemingly benign Theodore Gordon moves into your 'hood, bad things start to happen. This story, first published in 1958 in Playboy, is based on the premise that white, middle-class suburbanites inherently are violent racists......

How Henry J. Littlefinger Licked the Hippies' Scheme to Take Over the Country by Tossing Pot in Postage Stamp Glue, by John Keefauver: first published in the National Review, a magazine of conservative ideology, this is a slight fable about dirty, longhaired, unwashed, dope-smoking hippies trying to take over the USA. It has not aged well.
 
The Leak, by Jacques Futrelle: this story first saw publication in 1907. It's about financier J. Morgan Grayson, who consults with the amazing detective Professor Augustus S. F. X Van Dusen, aka 'the Thinking Machine.' The premise relies on technologies from over a century ago and, inevitably, is dated...........Futrelle is famous for giving up his seat on a Titanic lifeboat to his wife; he died when the ship went under.
 
All the Sounds of Fear, by Harlan Ellison: Method Actor Richard Becker wins praise for his roles, but this comes with a cost. A 1962 story from Ellison that is too overwritten and melodramatic to be effective.
 
Little Foxes Sleep Warm, by Waldo Carlton Wright: it's a hard and hungry winter in 1806 Vermont, and Ezra Durham believes he's found a way to survive until spring. A subtle, but impactful, little story.
 
The Graft Is Green, by Harold Q. Masur: a venerable judge is dead; were crooked union members involved ? A competent, but not particularly remarkable, whodunit.

View by Moonlight, by Patricia McGerr: a mild tale about a spy and the need for clandestine action. There is a female protagonist.
 
There Hangs Death !, by John D. MacDonald: Dr. Hilber is dead, and under most suspicious circumstances. MacDonald was better off doing private eye tales, than this variant on the locked-room mystery.
 
Lincoln's Doctor's Son's Dog, by Warner Law: this story first saw print in the March, 1970 issue of Playboy. It's a 'shaggy dog' (do people still use that term ?!) story set in 1865 Springfield, Illinois.

Coyote Street, by Gary Brandner: Brandner is perhaps best known for his Paperbacks from Hell, but he also was a successful crime writer. 'Coyote' is set in early 70s Los Angeles, where a private eye is hired by an attractive Latina who has some 'family issues.'
 
Zombique, by Joseph Payne Brennan: Tyler Marinson acquires an artifact of Haitian design. Like all such trinkets, it has its sinister side.........
 

The Pattern, by Bill Pronzini: A mild mannered man claims to have committed murder. The surprise ending works reasonably well.
 
Pipe Dream, by Alan Dean Foster: from the mid-50s to the early 1970s, Playboy magazine pushed the idea that older men who smoked pipes were irresistable to younger women. Shapely young actress Emma meets such a man. A good story from Foster, better known for his sci-fi prose.
Shottle Bop, by Theodore Sturgeon: the first-person narrator is a first-class loser, barely making his way through the world. But on a chilly, late Autumn day, stopping in at a strange little store in New York City provides him with a new path. Nowadays, this 1941 novelette would be labeled an 'urban fantasy.'
 
The Magnum, by Jack Ritchie: an elderly man needs assistance with a bottle of champagne. Another little gem of a 'surprise ending' story.
 
Voices in the Dust, by Gerald Kersh: the first-person narrator insists on visiting the ruined city, far off in the desert, that the locals shun as a Bad Place. Is their fear justified ? An atmospheric horror tale from author Kersh.
 
The Odor of Melting by Edward D. Hoch: a rescue at sea has profound implications for mankind. A neat little tale from veteran crime fiction writer Hoch.
 
The Sound of Murder, by William P. McGivern: murder on the Orient Express. The mechanisms of why and wherefore overwhelm the story.
 
 
The Income Tax Mystery by Michael Gilbert: a very British, very proper mystery about a solicitor whose income likely comes from illicit sources.
 
Watch for It by Joseph N. Gores: the San Francisco Bay area, the early 1970s, and a cell of Marxist revolutionaries are intent on rescuing a colleague captured by the 'pigs.' A well-plotted story from Gores, with a sharp little denouement.
 

The Affair of the Twisted Scarf by Rex Stout: a drawing-room mystery featuring Nero Wolfe. I never have been at all interested in these types of stories, and the trite, cutesy prose that dominates this novelette (at one point Wolfe's right-hand man Archie Goodwin uses the phrase, 'I yooped') left me with little desire to explore the genre further.
 
Summing things up, this particular Hitchcock anthology emphasizes crime and suspense over sci-fi and horror. It does have its share of duds - the Rex Stout piece being the most prominent of these - but in the balance, the good stories outweigh the bad ones, so I'm going to settle on a Rating of Four Stars.

Wednesday, October 15, 2025

My Top 25 horror short stories October 2025

My Top 25 Horror Short Stories
October 2025
 
I've been reading horror stories since 1970, when I was 9 years old and I saw a copy of Alfred Hitchcock's Monster Museum (Random House, 1965) on the shelf of my grammar school library. 

While most of the stories in the book were rather tame - it was aimed at an audience of juvenile Baby Boomers, after all - Joseph Payne Brennan's story 'Slime' immediately gripped my attention, and from then on, my interest in the genre began, and has lasted since.

Every year now, for October and 'Spooky Stories Month,' I provide a list of my 'Top 2x' horror short stories. The list grows with each passing year, and now stands at 25, which seems condign for the year 2025. These are stories that (in my humble opinion) are the better ones I've encountered in 55 years of reading all manner of horror fiction. Since it's the interval covered by this blog, I've concentrated on stories that first saw print from the early 1960s into the mid-1990s. 

I've posted a brief synopses for each story, to jog memories and to give the reader a sense of what to expect.

One problem with focusing on such stories is that in many instances the books where they first appeared long are out of print, and copies in good condition have steep asking prices. Accordingly, where available, I've tried to provide alternate sources for obtaining these stories.

My Top 25, in chronological order:

The First Days of May, by Claude Veillot, The Magazine of Fantasy and Science Fiction, December 1961; Tales of Terror from Outer Space, 1975

‘Alien invasion’ theme, with some convincing bug-eyed monsters. A pdf copy is available here.

***
One of the Dead, by William Wood, The Saturday Evening Post, October 31, 1964; Alfred Hitchcock Presents: Scream Along with MeA Walk with the Beast, 1969; Great American Ghost Stories, 1991

Although a bit overwritten, this is a well-crafted melding of the haunted house theme with the anomie of mid-1960s life in suburban Los Angeles.  

***
The Road to Mictlantecutli, by Adobe James, Adam Bedside Reader, 1965; The Sixth Pan Book of Horror Stories,1965; The Arbor House Treasury of Horror and the Supernatural, 1981

Morgan, a ruthless criminal, is travelling on a mysterious road in Mexico. The strange sights and passions he encounters will lead him to change his life........for good, or for ill.

'Adobe James' was the pseudonym of American writer James Moss Cardwell (1926 – 1990), who had his short stories published in a variety of magazines and anthologies during the 1960s, 1970s, and 1980s. 
***

Longtooth, by Edgar Pangborn, The Magazine of Fantasy and Science Fiction, January 1970; The Best of Modern Horror, 1989

A resident of rural Maine discovers something disturbing in the deep, dark woods. A pdf copy is available here.

***
Goat, by David Campton, New Writings in Horror and the Supernatural #1, 1971; Whispers: An Anthology of Fantasy and Horror, 1977

Creepy goings-on in an English village. A fine early example of what now is classified as 'folk horror.'
 
***

The Human Side of the Village Monster, by Edward Bryant, Universe 1, 1970; Among the Dead and Other Events Leading Up to the Apocalypse, 1973
 
Despite its cumbersome title, this is a well-composed tale about a near-future New York City ruined by overpopulation and Eco-Catastrophe. It seems to have a predictable denouement, but veers off into an unexpected, but unpleasant, direction.


***
Satanesque, by Alan Weiss, The Literary Magazine of Fantasy and Terror, #6, 1974; The Year’s Best Horror Stories: Series III, 1975

Starts off on a thoroughly conventional note, then unexpectedly transitions into something entirely imaginative and offbeat.
 
***
The Shortest Way, by David Drake, Whispers #3, March 1974; From the Heart of Darkness, 1983; Vettius and His Friends, 1989;  Night & Demons, 2012

A 'Vettius' story set in the days of the Roman empire. Our hero elects to travel on a road that the locals take care to avoid. An atmospheric, memorable tale.

***
The Taste of Your Love, by Eddy C. Bertin, The Year’s Best Horror Stories: Series III, 1975; The Whispering Horror, 2013

One of the better Serial Killer tales I’ve read.

***
The Changer of Names, by Ramsey Campbell, Swords Against Darkness II, 1977; The Year’s Best Fantasy Stories: 4, 1978; Far Away and Never, 2021

I've never been a fan of Campbell’s horror stories and novels, but his sword-and-sorcery stories featuring the ‘Ryre’ character are entertaining exercises in creepiness. There are metaphors and similes abounding in the Ryre tales, to be sure, but as compared to Campbell's horror stories the purple prose is reduced in scope, and plotting receives due consideration. 

While the Swords Against Darkness paperbacks have exorbitant asking prices, a new (October 2021) reprint of Far Away and Never from DMR Press collects all four of the Ryre stories, along with other fantasy tales from Campbell's early career.  

***
Long Hollow Swamp, by Joseph Payne Brennan, Alfred Hitchcock’s Mystery Magazine, January 1976; The Year’s Best Horror Stories: Series V, 1977

A great 'monsters-on-the-loose' tale from Brennan.

***
Sing A last Song of Valdese, by Karl Edward Wagner, Chacal #1, Winter 1976; The Year’s Best Horror Stories: Series V, 1977; Night Winds, 1978, 1983

One of two entries by Wagner, who wrote his share of duds, but when he was On, he was On. In a remote forest, a lone traveler comes upon an inn filled with sinister characters. A pdf copy is available here.

***
Window, by Bob Leman, The Magazine of Fantasy and Science Fiction, May 1980; The 1981 Annual World’s Best SF, 1981; The Best of Modern Horror, 1989

A neat mix of sci-fi and horror, revolving around a portal to another dimension. A pdf copy is available here.

***
Where the Summer Ends, by Karl Edward Wagner, Dark Forces, August 1980; In A Lonely Place, 1983; The American Fantasy Tradition, 2002
 
A second entry from Wagner. It’s hot, humid, and dangerous in 1970s Knoxville. Stay away from the kudzu !

***
The New Rays, by M. John Harrison, Interzone #1, Spring 1982, The Year’s Best Horror Stories: Series XI, 1983; The Weird: A Compendium of Strange and Dark Stories, 2012

A disturbing tale about disease and the desperate search for a cure, with proto-steampunk leanings. 

***

After-Images, by Malcolm John Edwards, Interzone #4, Spring 1983, The Year’s Best Horror Stories: Series XII, 1984; Interzone: The First Anthology, 1986

Another fine melding of sci-fi and horror, this time set in an English suburb. It’s too bad that Edwards, a playwright and editor, didn’t write more short stories. A pdf copy is available here.

***
The Man with Legs, by Al Sarrantonio, Shadows No. 6, October 1983, The Year’s Best Horror Stories: Series XII, 1984

Two kids learn some disturbing secrets about their family history.

***

High Tide, by Leanne Frahm, Fears, 1983

Frahm, an Australian writer, sets this novelette in the vicinity of the Newry Islands in coastal Queensland. A family camping trip to Mud Island discovers something strange is going on amidst the mangrove swamps: Eco-horror at its creepiest !
 

                                                                        *** 

Salvage Rites, by Ian Watson, The Magazine of Fantasy & Science Fiction, January 1987, The Best of Modern Horror, 1989
 
Tim and Rosy, an English couple of modest means, take a trip to the town dump…….which, they discover, has its problems. 

***
 
Mengele, by Lucius Shepard, Universe 15, 1985, The Jaguar Hunter, 1988

Troubling things are going on at an estate located in a remote region of Paraguay.

***

Red Christmas, by David Garnett, The Year's Best Horror Stories: Series XIV, 1986

What seems like a conventional Mad Slasher story has a neat little twist at the end.

***

The Picknickers, by Brian Lumley, Final Shadows, 1991, The Year's Best Horror Stories: XX, 1992

Unsettling events are happening in the graveyard of a Welsh coal-mining village.

***
Under the Crust, by Terry Lamsley (1993); The Mammoth Book of New Terror, 2004
 
Like Ian Watson's 'Salvage Rites,' above, this is another tale set in the confines of a UK rubbish dump ('tip'), this one, Dove Holes near Buxton (Brits seem to have a real talent for mingling  landfills with horror themes). In 'Crust,' Maurice's encounter with some creepy habitues of Dove Holes eventually leads him into Lovecraftian territory. Atmospheric and imaginative.
 
Aftertaste, by John Shirley, Bones of the Children, 1996, Black Butterflies, 2001
 
The Zombie Apocalypse comes to the ghetto. A great tale from Shirley, mixing splatterpunk with irreverent humor.

***
Shining On, by Billie Sue Mosiman, Future Net, 1996

A mutant suffering from severe handicaps finds a friend online. But you know what they say about online friends: just who are they in person ?

Sunday, October 12, 2025

National Lampoon October 1980

National Lampoon
October, 1980
October, 1980, and the number one album on the Billboard Top 200 chart is Guilty by Barbara Streisand.
Atop the Hot 100 singles charts is Queen's immortal 'Another One Bites the Dust.'
 
It's always interesting to look at the songs in the lower depths of the Hot 100. In October of '80 we see a 'rap' tune from one Curtis Blow......is this a novelty song, or perhaps a bow shot from a genre still in development ? And the rock band called 'Journey' seems to be doing alright, too. Surely we'll see them on the charts again, at some point in the future.
 
As for the group 'Zapp,' they are making their mark with 'dance' or 'funk' tunes (back in the Fall of '80 it was death to use the noun 'disco' to refer to anything). Lots of synthesizers in their song 'More Bounce to the Ounce.'

Let's take a look at the October issue of the National Lampoon. This is a rather dull issue; P. J. O'Rourke is the editor, but most of the magazine's creative icons have moved on to the world of film, riding the success of National Lampoon's Animal House
 
Writer John Hughes, who contributes the feature 'Bullies' to this issue, is on the cusp of becoming one of the most influential and successful directors and producers of the decade of the 1980s, with such movies as National Lampoon's Vacation, Sixteen Candles, Pretty in Pink, and National Lampoon's Christmas Vacation.
Chris Miller, who contributed many memorable short stories to the Lampoon, is absent and Gerald Sussman provides this issue's story: 'Curses,' about a witches and warlocks convention where an orgy runs into trouble. It's a funny story, but it lacks the demented quality of a Miller tale.
There's an advertisement for a comedy album (?!) from Chevy Chase (?!). It's Chevy providing some ad-libs in accompaniment to a variety of tracks, like 'I Shot the Sheriff.' It's pretty awful. You can listen to it here
 
Some neat little cartoons among the pages, and 'Foto Funnies' goes existential:
The comics section of the magazine has quite a profile in this issue. Not all the stuff is very good, but still, it was better than most of the magazine's text pieces.
 

And that's what you had in the pages of the National Lampoon in October from 45 years ago....